Decoration: A: HEPHAISTOS WITH SHIELD, (DEVICE, GORGONEION), THETIS, GREAVES, HELMET, HAMMER AND SAW SUSPENDED (ARMS OF ACHILLES) B: WINGED WOMAN (NIKE ?) WITH OINOCHOE AND PHIALE
Last Recorded Collection: Boston (MA), Museum of Fine Arts: 13.188
Publication Record: Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 306.2 Beazley, J.D., Attic Red-figure Vase-painters, 1st ed. (Oxford, 1942): 205.2 Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 128.11, 471 Beazley, J.D., Paralipomena (Oxford, 1971): 357 Born, H. and Hansen, S., Frühgriechische Bronzehelme III, Sammlung Axel Guttmann (Mainz, 1994): 135, FIG.102 (A) Born, H., Die Helme des Hephaistos, Handwerk und Technik griechischer Bronzen in Olympia (Munich, 2009): 26, FIG.3D (A) Brinkmann, V. (ed.), Zurück zur Klassik, ein neuer Blick auf das alte Griechenland, eine Ausstellung der Liebieghaus Skulpturensammlung, Frankfurt am Main, 8. Februar bis 26. Mai 2013 (Munich, 2013): 305, FIG.412 (COLOUR OF A) Brommer, F., Hephaistos (Mainz, 1978): 20, FIG.9 (DRAWING OF A) Burford, A., Künstler und Handwerker in Griechenland und Rom (Mainz, 1985): 233, FIG.5 (DRAWING OF A) Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 105 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 212 Chatzidimitriou, A., Parastaseis Ergasterion kai Emporiou stin Eikonographia ton Archaikon kai Klasikon Chronon (Athens, 2005): PL.30.X17 (A) Colpo, I. et al. (eds.), Iconografia 2001, Studi sull'immagine, Atti del Convegno (Padova, 30 maggio - 1 giugno 2001) (Rome, 2002): 144, FIG.8 (A) Curtius, L., Der Astragal des Sotades (Heidelberg, 1923): PL.2.3 (A) Distler, S.A., Bauern und Banausen, Darstellungen des Handwerks und der Landwirtschaft in der griechischen Vasenmalerei (Wiesbaden, 2022): PL.14.1 (A) Ducrey, P., Guerre et Guerriers dans la Grece Antique (Paris, 1985): 200 (DRAWING OF A) Giudice, F. and Panvini, R. (eds.), Il greco, il barbaro e la ceramica attica, Immaginario del diverso, processi di scambio e autorappresentazione degli indigeni, Volume terzo, Atti del Convegno Internazionale di Studi, 14-19 maggio 2001, Catania, Caltanisetta, Gela, Camarina, Vittoria, Siracusa (Rome, 2006): PL.1 AT P.37, FIG.3 (DRAWING OF A) Henle, J., Greek Myths, a Vase Painter's Notebook (Indiana, 1973): 135, FIG.63 (A) Himmelmann, N., Realistische Themen in der griechischen Kunst der archaischen und klassischen Zeit, JdI Erganzungsheft 28 (Berlin, 1994): 35, FIG.15 (A) Jahrbuch der Berliner Museen: 64 (2023) 36, FIG.6 (COLOUR OF A) Journal of Hellenic Studies: 33 (1913) 110, PL.11 Lefkowitz, M., Greek Gods, Human Lives (New Haven and London, 2003): 74 (A) Lexicon Iconographicum Mythologiae Classicae: IV, PL.386, HEPHAISTOS 4 (A) Mitteilungen des Deutschen Archäologischen Instituts, Römische Abteilung: 2 (1875) 242 Morris, S.P., Daidalos and the Origins of Greek Art (Princeton, 1992): FIG.3 (A) Ziomecki, J., Les representations d'artisans sur les vases attiques (Warsaw, 1975): 100, FIG.40 (A)
CAVI Lemma: RF NECK AMPHORA. FROM SUESSULA. DUTUIT PAINTER{1}. FIRST QUARTER FIFTH. CA.
480 (BEAZLEY).
CAVI Subject: A: HEPHAESTUS AND THETIS. B: NIKE.
CAVI Inscriptions: NONSENSE: A: TO RIGHT OF HEPHAESTUS' MOUTH: κολοκν. TO LEFT OF THETIS' MOUTH
AND STARTING FROM THERE, BUT THE LETTERS NOT RETR.: οκονο. B: TO RIGHT OF NIKE'S
BODY (NOT NEAR HER MOUTH): σοϝοϝο.
CAVI Footnotes: {1} CONNECTED WITH THE CIRCLE OF THE DIOSPHOS PAINTER (ARV[2]).
CAVI Comments: ON A AT LEAST THE INSCRIPTIONS "REPRESENT" SPOKEN WORDS. F-SHAPED DIGAMMA AND
MISWRITTEN. THE LAMBDA PERHAPS A MISWRITTEN TAU.
CAVI Number: 2777
AVI Bibliography: CB (1931–63), II, 36/82, PL. 44. — ARV[2] (1963), 306/2. — PARA. (1971), 357.
— ADD.[2] (1989), 212. — ATTSCR (1990), NO. 965.
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
