Last Recorded Collection: Malibu (CA), The J. Paul Getty Museum: 77.AE.86
Publication Record: Cohen, B., The Colours of Clay, Special Techniques in Athenian Vases (Los Angeles, 2006): 122, NO.29 (A, COLOUR OF PART) Heilmeyer, W-D. and Giuliani, L. (eds.), Euphronios, der Maler, eine Ausstellung in der Sonderausstellungshalle der Staatlichen Museen Preußischer Kulturbesitz Berlin-Dahlem, 20.3. - 26.5.1991 (Milan, 1991): 114-115, NO.7 (COLOUR) J. Paul Getty Museum Journal: 9 (1981), 28, FIGS.11-12 Marconi, C. (ed.), Greek Vases, Images, Contexts and Controversies (Leiden and Boston, 2004): FIGS.5.2-3 (FR, COLOUR OF PART) PHOTOGRAPH(S) IN THE BEAZLEY ARCHIVE Painting on Vases in Ancient Greece, A Loan Exhibition from the J. Paul Getty Museum, Loyola Marymount Univ. (Los Angeles, 1977): NO.7 (PART) Walter, H. and Walter-Karydi, E., Alt-Ägina II.2, Die Äginetische Bildhauerschule. Werke und schriftliche Quellen (Mainz, 1987): 137, FIG.214
CAVI Lemma: Frs. of RF calyx krater. Euphronios (Bothmer, Frel). Euxitheos, potter
(Frel). Last quarter sixth. 515-510 (`Euphronios').
CAVI Subject: Fr. 1: part of a palmette. Fr. 2: head and outstretched aegis of Athena
(Athena is rushing to left, with a spear. The aegis stretches out behind her to
the right; it covers Athena's left arm.)
CAVI Inscriptions: Fr. 2: above the aegis: [Αθ]ενα, followed by a considerable vacat{1}. To
right of the aegis: [Περ]σευ̣ς, retr.{2}.
CAVI Footnotes: {1} so the photo in the Berlin Euphronios, p. 115: [Αθ]ενα[ια] is excluded.
Cf. AttScr (1990), no. 366 (Cat. no. 6), which clearly has Αθενα. {2} so the
photo in the cat.; the text gives: [Περ]σε[υ]ς, after Bothmer.
