Attributed To: KACHRYLION by SIGNATURE LOUVRE G 36, P OF by BEAZLEY
Decoration: A: ATHLETES AT LAVER B: ATHLETE (VICTOR ?) BETWEEN DRAPED YOUTHS I: ATHLETE (YOUTH WITH BALL)
Last Recorded Collection: Paris, Musée du Louvre: G36
Publication Record: Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 114.1 Beazley, J.D., Attic Red-figure Vase-painters, 1st ed. (Oxford, 1942): 82.2 Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 50.3, 468 Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 86 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 174 Corpus Vasorum Antiquorum: PARIS, MUSEE DU LOUVRE 19, 27-28, PLS.(1253,1254) 48.1-3, 49.1-3 View Whole CVA Plates Denoyelle, M. (ed.), Euphronios Peintre, Recontres de l'Ecole du Louvre 10 Octobre 1990 (Paris, 1992): 67, FIG.9 (I) Filser, W., Die Elite Athens auf der attischen Luxuskeramik, Image & Context 16 (Berlin, Munich, Boston, 2017): 320, FIG.176 (A) Hoppin, A., A handbook of Attic red-figured vases signed by or attributed to the various masters of the sixth and fifth centuries B.C. (Cambridge, 1919): I, 163 Perrot, G., Chipiez, C., Histoire de l'art dans l'antiquite, vols. IX-X (Paris, 1911-14): X, 382-3, FIG.227 Pottier, E., Vases antiques du Louvre (Paris, 1897-1922): PL.91 Seki, T., Untersuchung zum Verhaltnis von Gefässform und Malerei attischer Schalen (Berlin, 1985): PL.37.1-3 (I,A,B, UNDERNEATH) Sudhoff, K., Aus dem antiken Badewesen (Berlin, 1910): 34 (A)
CAVI Lemma: RF cup. Painter of Louvre G 36. Cachrylion, potter. Last quarter sixth.
CAVI Subject: Int.: ball player: a nude youth running and about to throw a ball. A: four
youths washing, two of them facing the laver. B: in the center, a victor (only
the lower part is preserved); to his left and right, draped youths bringing him
branches (mostly not indicated){1}.
CAVI Inscriptions: Int.: around the tondo: Χαχ[ρυ]λ̣ιον επ[οιεσ]ε̣ν{2}. A: near the lip: hο παις
καλος. Between figures 1 and 2: καλος. Between the louterion and figure 3: νε
Δια, retr. (i.e. facing number 3). To right of the fourth figure: καλος. B:
between the left handle palmette and figure 1: καλος, retr. (i.e. facing figure
1). Between figures 1 and 2: [κα]λος, retr. To right and left of figure 2,
horizontal [so Giroux]: κ̣[αλ]ος. From the mouth of figure 3: νε Δ[ια], retr. To
right of figure 3, downward: hο π[α]ις καλος, retr.
CAVI Footnotes: {1} see Giroux; Beazley too says `victor'. An odd scene: the victor, and the
admirer on his right, between them hold a short vertical stick; Giroux thinks it
may mark the place where the discus [is the victor a discobolus?] has fallen. I
see a reserved area near the bottom of the stick: is it a discus seen from the
side or a halter? {2} Beazley has Χαχ[ρυλι]ον επ[οιεσ]ε, "complete aft", but CVA
gives the final nu. Giroux remarks upon the traces of lambda and epsilon, whence
I have dotted them. Note that Beazley gives the same ending for Louvre G 38, by
the same painter.
CAVI Number: 6411
AVI Bibliography: Hartwig (1893), 18/ix. — Ginouvès (1962), 80 and 127. — ARV[2] (1963), 114/1.
— H. Giroux, CVA Louvre 19, France 28 (1977), pls. 48,1-3 and 49,1-3; foot
profile p. 27 (much bibl.). — Add.[2] (1989), 174.
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
