Attributed To:Manner of JENA P by BEAZLEY DIOMED P by BEAZLEY
Decoration: A: WOMAN DANCING (NAMED), EROS B: WOMAN SEATED ON ROCK WITH FILLET (?) AND MIRROR, EROS I: DIOMEDES (NAMED) AND THE PALLADION, ALTAR
Last Recorded Collection: Oxford, Ashmolean Museum: 1931.39
Publication Record: Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 1516.1 Beazley, J.D., Paralipomena (Oxford, 1971): 500 Boardman, J., Athenian Red Figure Vases, The Classical Period (London, 1989): FIG.363 (I) Carpenter, T.H., Art and Myth in Ancient Greece (London, 1991): FIG.333 (I) Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 384 Descoeudres, J-P. (ed.), Eumousia, Ceramic and Iconographic Studies in Honour of Alexander Cambitoglou (Sydney, 1990): PL.30.2-3 (I, B) Eschbach, N. and Schmidt, S. (eds.), Töpfer, Maler, Werkstatt. Zuschreibungen in der griechischen Vasenmalerei und die Organisation antiker Keramikproduktion (Munich, 2016): 152, FIG.5 (A AND DRAWING OF PROFILE) Fellmuth, N. et al., Der Jenaer Maler, Eine Töpferwerkstatt im klassischen Athen (Wiesbaden, 1996): 49, FIGS.36-37 (I, B) Gurtekin-Demir, R. et al. (eds.), Keramos. Ceramics, a Cultural Approach (Izmir, 2015): 310-312, PLS.7-8 (I AND A), FIGS.4 AND 7 (DRAWING OF PROFILE AND OF UH) Henig, M. and Plantzos, D. (eds.), Classicism to Neo-classicism, Essays dedicated to Gertrud Seidmann (Oxford, 1999): 45, FIG.4 (I) Naiden, F.S., Smoke Signals for the Gods. Ancient Greek Sacrifice from the Archaic through Roman Periods (Oxford, 2013): 46, FIG.2.2 (I) Oenbrink, W., Das Bild im Bilde (Frankfurt, 1997): 428, PL.16 (I) Paul-Zinserling, V., Der Jena-Maler und sein Kreis, Zur Ikonologie einer attischen Schalenwerkstatt um 400 v. Chr. (Mainz, 1994): PLS.49.1, 18.1-2 (I,A,B) Vickers, M., Ancient Greek Pottery (Oxford, 1999): 64, NO.47 (COLOUR OF I)
CAVI Lemma: RF STEMLESS CUP. FROM APULIA (VALENZANO?). DIOMED PAINTER (MANNER OF JENA
PAINTER I){1}. EARLY FOURTH.
CAVI Subject: INT.: DIOMEDES WITH THE PALLADION RUSHING TOWARD AN ALTAR. A: EROS, AND A
WOMAN DANCING. B: A SEATED WOMAN AND EROS.
CAVI Inscriptions: INT.: AT LEFT, FACING OUT: Διομηδης. A: TO RIGHT OF THE WOMAN'S HEAD: Ευδια.
B: NOT INSCRIBED?
CAVI Footnotes: {1} THE DIOMED PAINTER MAY BE THE SAME AS THE JENA PAINTER (PARA. 500).
CAVI Comments: P.-Z. SAYS EUDIA IS A MAENAD BUT THE VASE IS NOT LISTED BY KOSSATZ-DEISSMANN
(1991), 179. PAPE HAS: EUDIA 1) NEREID, 4.8406. 2) NAME OF SHIPS.
