Decoration: A: APOTHEOSIS OF HERAKLES (BEARDLESS) IN CHARIOT WITH ATHENA, SATYRS AND WOMEN (MAENADS) WITH HYDRIAI, CORSLET ON PYRE, TREE B: SATYRS, ONE WITH THYRSOS, AND MAENADS, ONE SEATED WITH WREATH
Last Recorded Collection: Munich, Antikensammlungen: J384
Previous Collections:
Munich, Antikensammlungen: 2360
Publication Record: Agathos Daimon, Mythes et Cultes, Etudes d'iconographie en l'honneur de Lilly Kahil, BCH Supplement 38 (2000): 516, FIG.5 (DRAWING OF A) Annali dell'Istituto di Correspondenza Archeologica: 1847, PL.O Archeologia Classica: 111 (2015), 449, FIG.1 (A) Archivo Espanol de Arqueologia: 87 (2014), 62, FIG.4 (A) BEAZLEY NOTEBOOK: 77, 14.3-15.1 Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 1186.30, 1685 Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 452.3 Boardman, J., Athenian Red Figure Vases, The Classical Period (London, 1989): FIG.311 (DRAWING OF A) Brinkmann, V., Beobachtungen zum formalen Aufbau und zum Sinngehalt der Friese des Siphnierschatzhauses (Ennepetal, 1994): 106 (DRAWING OF A) Carpenter, T.H., Art and Myth in Ancient Greece (London, 1991): FIG.230 (DRAWING OF A) Corpus Vasorum Antiquorum: MUNICH, MUSEUM ANTIKER KLEINKUNST 2, 19, PLS.(276,277,278) 80.11, 81.1-2, 82.1-3 View Whole CVA Plates Dietrich, N., Figur ohne Raum? Bäume und Felsen in der attischen Vasenmalerei des 6. und 5. Jahrhunderts v. Chr., Image & Context 7 (Berlin, 2010): 516-517, FIG.434 (A, B) Estienne, S. et al. (eds.), Image et religion dans l'antiquite greco-romaine, actes du colloque de Rome, 11-13 decembre 2003 (Naples, 2008): 23, FIG.2 (DRAWING OF A) Forma Urbis: 16.10 (OCTOBER 2011) 24 (COLOUR OF A) Furtwängler, A. and Reichhold, K., Griechische Vasenmalerei (Munich, 1904-32): PL.109.2 (A, B), II, 257, FIG.9 Gebauer, J., Pompe und Thysia, attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen (Münster, 2002): 242, FIG.12.6 (A) Gherchanoc, F. and Huet, V. (eds.), Vetements antiques, S'habiller, se deshabiller dans les mondes anciens (Arles, 2012): 235, FIG.13 (COLOUR OF A) Gigante, M. et al., Modi e funzioni del racconto mitico nella ceramica Greca, Italiota ed Etrusca dal VI al IV secolo A.C. (Salerno, 1995): 190, FIG.5 (DRAWING OF A) Girard, T., L'oblique dans le monde grec (Oxford, 2015): 88, FIG.50 (A) Heinemann, A., Der Gott des Gelages. Dionysos, Satyrn und Mänaden auf attischem Trinkgeschirr des 5. Jahrhunderts v. Chr. (Berlin, 2016): 127, 410, FIGS.65, 272 (DRAWING OF A, B) Journal of Hellenic Studies: 109 (1989), PL.4C (A) Journal of Hellenic Studies: 117 (1997) 45, FIG.4 (DRAWING OF A) Jovino, M.B., and Chiesa, F. (eds.), L'ara della regina di Tarquinia, aree sacre, santuari mediterranei, Giornata di studio, Milano, 13 giugno 2007 (Milan, 2009): 125, FIG.20 (DRAWING OF A) Knauss, F.S. (ed.), Die unsterblichen Götter Griechenlands, Staatliche Antikensammlungen und Glyptothek München (Munich, 2012): 320, 384, FIGS.21.27, 26.2 (COLOUR OF A AND PART OF A) Krumeich, R., Pechstein, N., and Seidensticker, B. (eds.), Das griechische Satyrspiel (Darmstadt, 1999): PL.13A (A) Lang-Auinger, C. and Trinkl, E. (eds.), Griechische Vasen als Medium für Kommunikation. Ausgewählte Aspekte. Akten des internationalen Symposiums im Kunsthistorischen Museum Wien, 5.-7. Oktober 2017. CVA Österreich, Beiheft 3 (Vienna, 2021): 297, FIG.4 (COLOUR OF A) Lexicon Iconographicum Mythologiae Classicae: V, PL.120, HERAKLES 2916 (A); PL.375, HYADES 5 (PART OF A) Lissarrague, F., La cite des satyres. Une anthropologie ludique (Athenes, VIe-Ve siecle avant J.-C.) (Paris, 2013): 227, FIG.196 (A) Monumenti inediti pubblicati dall'Instituto di Corrispondenza Archeologica (Rome, 1829-91): IV, PL.41 Mugione, E., Miti della ceramica attica in Occidente, Problemi di trasmissioni iconografiche nelle produzioni italiote (Taranto, 2000): 130, FIG.4 (A) Thesaurus Cultus et Rituum Antiquorum: II, PL.28.213 (A) Vierneisel, K., and Kaeser, B. (eds.), Kunst der Schale, Kultur des Trinkens (Munich, 1990): 415-416, FIGS.74.10A-B (A,B) Vollkommer, R., Herakles in the Art of Classical Greece (Oxford, 1988): 70, FIG.90 (DRAWING OF A) Wünsche, R. (ed.), Herakles, Herkules, Staatliche Antikensammlungen München (Munich, 2003): 282, FIG.49.1, 285, FIG.49.6A-B, 415, CAT.158 (A, B, COLOUR OF A AND PARTS OF A)
CAVI Lemma: RF pelike. From Vulci. Kadmos Painter. Last quarter fifth. 420-410.
CAVI Subject: A: Heracles on Oeta, with satyrs, and Heracles driving to Olympus. B: satyrs
and maenads.
CAVI Inscriptions: A: to left of her face: Αθηναα. Below: Ηρακλης. On a lower level: Υβρις
(satyr){1}. To right of his face: Σκοπα[ς] (satyr){2}. Above a girl pouring from
a hydria: Αρεθοσα. Above another who brings a hydria: Πρεμνοσια{3}.
CAVI Footnotes: {1} so CVA, text. FR ii gives: Υβ̣(ρ)ις, the rho a vertical line. {2} he is
αποσκοπευων. K.-D. has Σκοπα[ς]. {3} a fountain in Attica (Hsch).
CAVI Comments: For the subject of A, Beazley refers to his Etruscan Vase-painting (1947)
103-105. The muffled woman on B is probably Kore as Lullies suggested
(Robertson, Robertson (1992), ).
CAVI Number: 5270
AVI Bibliography: FR (1904–32), ii, 254-48, pl. 109,2 (dr.). — C. Fränkel (1912), 28-29, 68,
104/τ. — R. Lullies, CVA Munich 2, Germany 6 (1944), III I, pls. 80,11, 81,1-2,
82,1-3. — RE suppl. 9 (1962), 1698, s.v. Hybris 4,c (von Geisau). — ARV[2]
(1963), 1186/30, 1685. — Add.[2] (1989), 341 (bibl.). — AttScr (1990), no. 784.
— Kossatz-Deissmann (1991), 155-56 (Hybris 1). — Robertson (1992), 249.
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
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