Decoration: A: HARNESSING OF THE CHARIOT OF ACHILLES (NAMED), HORSES (NAMED), MAN, WOMAN HOLDING SHIELD AND SPEARS (THETIS ?) B: GODS AND GODDESSES, HERMES, HEPHAISTOS (NAMED)
Last Recorded Collection: Athens, National Museum, Acropolis Collection: 1.611
Previous Collections:
Athens, National Museum: 15166
Athens, National Museum: 15155
Publication Record: Albersmeier, S. (ed.), Heroes, Mortals and Myths in ancient Greece (Baltimore, 2009): 42, FIG.13 (A) Beazley, J.D., Attic Black-Figure Vase-Painters (Oxford, 1956): 82.1 Beazley, J.D., Paralipomena (Oxford, 1971): 30 Boardman, J., The history of Greek vases, potters, painters and pictures (London, 2001): 55, FIG.65 Bothmer, D. von, The Amasis Painter and his World (Malibu, 1985): 39, FIG.22 (PART) Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 23 Christiansen, J. and Melander, T., Proceedings of the 3rd Symposium on Ancient Greek and Related Pottery, Copenhagen 31.8.-4.9.87 (Copenhagen, 1988): 396, FIGS.4-5 Classical Antiquity: 12 (1993) FIG.9 AT P.218 Crouwel, J.H., Chariots and other Wheeled Vehicles in Iron Age Greece, Allard Pierson Series 9 (Amsterdam, 1992): PL.9.2 (DRAWING OF PART OF A) Filser, W., Die Elite Athens auf der attischen Luxuskeramik, Image & Context 16 (Berlin, Munich, Boston, 2017): 97, PL.6 (COLOUR) Hesperia, The Journal of the American School of Classical Studies at Athens: 4 (1935) 227, FIG.15.6 (PART) Hirayama, T., Kleitias and Attic Black-Figure Vases in the Sixth-Century B.C. (Tokyo, 2010): FIG.17A (PART) Hurwit, J.M., Artists and Signatures in Ancient Greece (Cambridge, 2015): 78, FIG.38 Jahreshefte des Österreichischen Archäologischen Instituts in Wien: 61 (1991/92) 1, 51, FIG.6 Kaltsas, N. (ed.), Athens-Sparta (New York, 2006): 107, FIG.2 (COLOUR) Knittlmayer, B., Die Attische Demokratie und ihre Helden, Darstellungen des trojanischen Sagenkreises im 6. und frühen 5. Jh.v.Chr. (Heidelberg, 1997): PL.7.1 Metropolitan Museum Journal: 41 (2006) 47, FIG.21 (PART) Moorman, E.M., and Stissi, V.V. (eds.), Shapes and Images, Studies on Attic Black Figure and related topics in honour of Herman A.G. Brijder (Leuven, 2009): 51-9, FIGS.1-9 (COLOUR, DRAWING, PARTS) Pala, E., Acropoli di Atene, Un microcosmo della produzione e distribuzione della ceramica attica (Rome, 2012): BACK COVER, 195, FIG.96 (COLOUR OF A) Pirenne-Delforge, V. and Prescendi, F. (eds.), 'Nourrir les dieux?', Sacrifice et representation du divin, Actes de la VIe recontre du Groupe de recherche europeen 'Figura, Representation du divin dans les societes grecque et romaine' (Universite de Liege, 23-24 octobre 2009) (Liege, 2011): 63, FIG.2 (A) Plantzos, D., Greek Art and Archaeology, c. 1100-30 BC (Athens, 2016): 92, FIG.135 (COLOUR) Schertz, P. and Stribling, N. (eds.), The Horse in Ancient Greek Art, National Sporting Library & Museum Middleburg, Virginia (Middleburg and Richmond, 2017): 31, FIG.25 (DRAWING) Seaman, K. and Schultz, P. (eds.), Artists and Artistic Production in Ancient Greece (Cambridge, New York, and Melbourne, 2017): 196, FIG.11.5 Sparkes, B.A., The Red and the Black (London, 1996): 156, FIG.VI.3 (A) Tiverios, M.A., Elliniki techni, archaia angaia (Athens, 1996): 69, FIG.25 (COLOUR OF A) Valavanis, P., Games and sanctuaries in ancient Greece, Olympia, Delphi, Isthmia, Nemea, Athens (Los Angeles, 2004): 43, FIG.39 (COLOUR) Yatromanolakis, D. (ed.), Epigraphy of Art, Ancient Greek Vase-Inscriptions and Vase-Paintings (Oxford, 2016): 31, FIG.18 (COLOUR)
CAVI Comments: = Athens, N.M. 15,155. For various restorations see Graef�Langlotz. ABV gives
the signature as ... κα[ποιεσεν]. The preliminary sketch is well preserved for
Nεαρχοςμε-. The second part may have been dedicatory. - Chaitos and Euthoias
are horse's names. E. Simon (1981: 80) suggests the horse names Charitos [sic]
and Euthoias are borrowed by the painter from names of famous race horses; the
chariot race became a staple of the Panathenaea at this time. The two horse
names are not Homeric, but the painter shows knowledge of Homer by including the
third horse (which in Homer was mortal), Pedasos. [I wonder whether Π[-] is to
be read Π[εδασος]?].
CAVI Number: 0976
AVI Bibliography: Photo (parts). � Graef�Langlotz (1925�33), i, pl. 36. � ABV (1956), 82/1. �
Jeffery (1961), 77/24, pl. 3 (some facss.). � Para. (1971), 30. � Philippaki
(1974), 62, fig. 25 (the number given is 15,166 and not 15,155 as Add.[2]; exc.
colored picture). � Simon�Hirmer (1981), pl. 64. � Bothmer (1985), 39, fig. 22
(signature). � Malagardis (1988), 396, fig. 4. � Add.[2] (1989), 23 (much
bibl.). � Shapiro (1989), 110 aand n. 89. � AttScr (1990), no. 94.
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
