Decoration: A: AMAZONOMACHY, HERAKLES AND AMAZONS, WARRIORS, SHIELD DEVICES, LION, KANTHAROS, GORGONEION B: AMAZON AND WARRIORS, SHIELD DEVICES, SCORPION, BIRD, KANTHAROS KOMOS, MEN AND YOUTHS WITH PIPES, LYRE, POINTED AMPHORAE, KROTALA, SKYPHOI, DRINKING HORN, OINOCHOE, CUP
Last Recorded Collection: Arezzo, Museo Archeologico Nazionale Gaio Cilnio Mecenate: 1465
Publication Record: American Journal of Archaeology: 80 (1976) PL.55, FIG.2 (DRAWING OF PART OF A) American Journal of Archaeology: 99 (1995) 432, FIG.6 (A) Annuario della Scuola Archeologica di Atene: N.S. 29-30 (1967-68) 336-38, FIGS.8-10 (DRAWINGS OF PARTS OF A) Antike Welt: 22 (1991) 2, 136, FIG.2 (PART OF A) Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 15.6, 1619 Beazley, J.D., Attic Red-figure Vase-painters, 1st ed. (Oxford, 1942): 16.5 Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 59.4 Beazley, J.D., Paralipomena (Oxford, 1971): 322 Belloni, L., Bonandini, A., Ierano, G., and Moretti, G. (eds.), Le Immagini nel Testo, il Testo nelle Immagini, Rapporti fra parola e visualita nella tradizione greco-latina (Trento, 2010): 75, FIG.21 (COLOUR OF NA AND NB) Boardman, J., Athenian Red Figure Vases (London, 1975): FIG.29 (A) Bollettino d'Arte: (1997) 101-102, 3, FIGS.4-5 (PARTS OF A) Boulter, C. (ed.), Greek Art, Archaic into Classical (Leiden, 1985): PL.91 (PART OF A) Bundrick, S.D., Athens, Etruria, and the Many Lives of Greek Figured Pottery (Madison, 2019): 4, FIG.1.1 (A) Burlington Magazine: 132 (DECEMBER 1990) 893, FIG.91 (A) Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 73 Cahn, H.A. and Simon, E. (eds.), Tainia, Festschrift für Roland Hampe (Mainz, 1980): PL.40 (A,B) Camporeale, G. and Firpo, G. (eds.), Arezzo nell'Antichita (Rome, 2009): PL.7A (COLOUR OF A) Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 152 Classical Antiquity: 23 (2004) FIG.7 AT 93 (DRAWING OF A) Cristofani, M., Civilta degli Etruschi (Milan, 1985): 56, FIGS.20-21 (A, B) Cristofani, M., Etruria e Lazio arcaico (Rome, 1987): 178-79, FIGS.238-39 (A,B) Cygielmann, M. et al. (eds.), Euphronios, Atti del Seminario Internazionale di Studi, Arezzo 27-28 Maggio 1990 (Florence, 1992): PLS.1-21, 33, 40, 46-47 Dempster, T., De Etruria regali (Florence, 1723-4): I, PL.19 Denoyelle, M. (ed.), Euphronios Peintre, Recontres de l'Ecole du Louvre 10 Octobre 1990 (Paris, 1992): 77, FIG.16 (A) Fagan, G.G. and Trundle, M. (eds.), New Perspectives on Ancient Warfare (Leiden, 2010): ILLUSTRATIONS CH.5, FIG.5 (DRAWING OF B) Furtwängler, A. and Reichhold, K., Griechische Vasenmalerei (Munich, 1904-32): PLS.61-62 (A, B), II, 14 Giudice, F. and Panvini, R. (eds.), Il greco, il barbaro e la ceramica attica, Immaginario del diverso, processi di scambio e autorappresentazione degli indigeni, Volume terzo, Atti del Convegno Internazionale di Studi, 14-19 maggio 2001, Catania, Caltanisetta, Gela, Camarina, Vittoria, Siracusa (Rome, 2006): 132, FIG.1A-B (DRAWING OF NAB) Haspels, C.H.E., Attic Black-figured Lekythoi (Paris, 1936): 47 Hedreen, G., The Image of the Artist in Archaic and Classical Greece, Art, Poetry, and Subjectivity (Cambridge, 2016): 37, 47, FIGS.13, 19-20, PL.4 AT 176 (DRAWINGS OF A, NA AND NB, COLOUR OF A) Heilmeyer, W-D. and Giuliani, L. (eds.), Euphronios, der Maler, eine Ausstellung in der Sonderausstellungshalle der Staatlichen Museen Preußischer Kulturbesitz Berlin-Dahlem, 20.3. - 26.5.1991 (Milan, 1991): 129-135, NO.13 (COLOUR, DRAWING OF UF) Henle, J., Greek Myths, a Vase Painter's Notebook (Indiana, 1973): 66, FIG.33 (A) Jahrbuch des Deutschen Archäologischen Instituts: 44 (1930) 123 (A) Kéi, N., L'esthétique des fleurs, kosmos, poikilia et kharis dans la céramique attique du VIe et du Ve siècle av. n. ère, ICON 22 (Berlin and Boston, 2022): 33, FIGS.11A-B (PART OF B, UH) Lexicon Iconographicum Mythologiae Classicae: I, PL.448, AMAZONES 64 (A,B) Lexicon Iconographicum Mythologiae Classicae: VII, PL.588, TELAMON 6 (PART OF A) Mann, C., Haake, M, Hoff, R. von den (eds.), Rollenbilder in der athenischen Demokratie, Medien, Gruppen, Räume im politischen und sozialen System, Beiträge zu einem interdisziplinaren Kolloquium in Freiburg i. Br., 24.-25. November 2006 (Wiesbaden, 2009): 36, FIG.1 (PART OF NAB) Mitteilungen des Deutschen Archäologischen Instituts, Athenische Abteilung: 30 (1905) BEIL.388 (A) Monumenti inediti pubblicati dall'Instituto di Corrispondenza Archeologica (Rome, 1829-91): 8, PL.6 Muth, S., Gewalt im Bild, Das Phänomen der medialen Gewalt im Athen des 6. und 5. Jahrhunderts v. Chr. (Berlin, 2008): 360, FIG.250 (DRAWING OF A) Neer, R.T., Art and Archaeology of the Greek World, a new history, c.2500-c.150 BC (London, 2012): 206, FIG.8.14 (COLOUR OF A, DRAWING OF PART OF A) Neer, R.T., Style and Politics in Athenian Vase-Painting, The Craft of Democracy, ca.530-460 B.C.E. (Cambridge, 2002): 57, FIGS.18-19 (DRAWING OF A AND NA, PART OF A) Nicosia, F., Itinerari archeologici in Toscana (Firenze, 1990): 9-10 (A,B) Oakley, J.H. (ed.), Athenian Potters and Painters, Volume III (Oxford and Philadelphia, 2014): 50, FIG.2 (A, NA) PHOTOGRAPH(S) IN THE BEAZLEY ARCHIVE: 11 (A, B, PARTS OF A, DRAWINGS OF A AND B) Padgett, J.M. (ed.), The Berlin Painter and His World, Athenian Vase-Painting in the Early Fifth Century B.C., Princeton University Art Museum Monograph Series (New Haven and London, 2017): 92, FIGS.7-8 (A, B) Pasquier, A., Euphronios, genie de la peinture grecque, Archeologia hors serie numero 1 (Dijon, 1991): 25, 43 (COLOUR OF A, B, AND PART) Passeri, G., Picturae Etruscorum in vasculis (Rome, 1767-75): PL.163 Perrot, G., Chipiez, C., Histoire de l'art dans l'antiquite, vols. IX-X (Paris, 1911-14): X, 441-3 (A) Pfuhl, E., Malerei und Zeichnung der Griechen (Munich, 1923): FIG.395 (A) Pfuhl, E., Masterpieces of Greek drawing and painting (London, 1926): FIG.47 (A) Schafer, A, Unterhaltung beim griechischen Symposium (Mainz, 1997): PL.25 (NAB) Schefold, K., Götter und Heldensagen der Griechen in der spätarchaischen Kunst (Munich, 1978): FIG.140 (A) Seltman, C.T., Attic vase-painting (Cambridge, 1933): PL.17 Simon, E., Schriften zur etruskischen und italischen Kunst und Religion (Stuttgart, 1996): PLS.26-27 (A, DRAWING OF B) Spivey, N., The Sarpedon Krater, The Life and Afterlife of a Greek Vase (Chicago, 2018): 50-51, FIG.9 (PART OF A) Steiner, A., Reading Greek Vases (Cambridge, 2007): 224-225, FIGS.10.9-10.10 (A, B) Studi Etruschi: 74 (2008) PL.10A (A) Todisco, L., Pittura e ceramica figurata tra Grecia, Magna Grecia e Sicilia (Bari and Rome, 2006): 131, FIG.1A-B (DRAWING OF NAB) Tölle-Kastenbein, R., Pfeil und Bogen im antiken Griechenland (Bochum, 1980): 49, FIG.17, 130-33, PLS.36-37 (PARTS OF A & B INCLUDING DRAWING) Walter, H. (ed.), Alt-Ägina II.1 (Mainz, 1982): 139, FIG.216 (PART OF A) Wegner, M., Musikgeschichte in Bildern, II (Leipzig, 1963): 99, FIG.63 (PART OF NECK) Woodford, S., An Introduction to Greek Art. Sculpture and Vase Painting in the Archaic and Classical Periods. 2nd edition (London, 2015): 67-68, FIGS.89-90 (A AND PART OF A) Zamarchi Grassi, P. and Bartoli, D., Museo archeologico nazionale G. Cilnio Mecenate, Arezzo (Rome, 1993): 30, 32, FIGS.14A-B (COLOUR OF PARTS OF A AND B) de Cesare, M., Le statue in immagine, Studi sulle raffigurazioni di statue nella pittura vascolare greca (Rome, 1997): 57, FIG.9 (A)
CAVI Lemma: RF volute krater. From Arezzo (perhaps). Euphronios. Last quarter sixth.
510-500{1}. Very late (Robertson).
CAVI Subject: Neck: A-B: komos. Body: A-B: Heracles and the Amazons.
CAVI Inscriptions: Neck: A: Χσενον and καλ{.}ος. Χοριθον. Τεισις. Χσινις. καλο(ς) and Καικειος.
Λυσις and καλ{λ}ος. B: 6 nonsense inscriptions; the following read by Reichhold:
χιχυος. .δες. υκον. Euphr. reads a vertical καλον and `quelques lettres
dispersees sans signification.' Body: A: [Τ]ει[σ]ις̣ Τογσις. Τελαμον. hερακλες.
Κυδοιμε, retr. Υφσεπυλε, retr. Θρασο, retr. Τεισιπυλε. B: Φιλ{λ}ιαδες καλος.
Χσενο[ν] καλο(ς). Χ[--](.)ιλα̣{2}. Under foot, Grr.: = Hackl (1909), no. XVI.
plus large E(?); facs., p. 118. Not in Johnston (1979), or Hackl (1909).
CAVI Footnotes: {1} so also Euphr. {2} see Agora P 13,125 ([--]ρ̣υκιλα)? Χ[--](.)ιλ[λ]α?
CAVI Comments: E. Simon dates the vase very late when E. already owned the pottery workshop.
- The komos on the neck has 11 figures, not all inscribed, on A. The kalos' are
portrait-kalos. On B, there are 8 figures, with nonsense inscriptions
representing their names. Kaikeios and Hyphsepyle are miswritten; for ε = short
ι, see Threatte (1980), 138. [Τ]ει[σ]ις: Reichhold gives: .ει.ις, Bothmer
..]ει.ις. The name may be repeated as is that of Xenon. Furtwängler's hε παις?
will not do. Readings mainly after FR. - Robertson 44-45: neck figures compared
to Proto-Panaitian cup figures; note 20: R. cites Mingazzini who thought the
neck pictures by Smikros. R. is attracted by Williams' idea tha the front figs.
of the neck are by Euphronios, the back being by Smikros. Note that the neck
pictures have sideways sigma, which Euphronios otherwise avoids; see `The
lettering of Euphronios,' in Euphronios und seine Zeit (colloquium Berlin 19/20
April 1991) 52, where the Arezzo vase is omitted. R. Cromey has sent me readings
but I have not seen a publication.
CAVI Number: 0165
AVI Bibliography: FR (1904–32), ii, pls. 61-62 and p. 14. — ARV[2] (1963), 15/6, 1619. —
Mingazzini (1967–8), 336-67. — Para. (1971), 322. — Add.[2] (1989), 152. —
AttScr (1990), no. 359. — Iozzo (1990), 115/13 (ill.; bibl.). — Simon (1991),
92. — D. Williams (1992), 93.a. — Robertson (1992), 44-45 and n. 20.
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
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