Decoration: A,B: DRAPED YOUTH SEATED ON STOOL BETWEEN EYES Neck A and B: ATHLETES, TRIPOD BETWEEN YOUTHS BOXING On handle: TRIPOD On rim: DOLPHINS
Last Recorded Collection: Malibu (CA), The J. Paul Getty Museum: 68.AE.19
Previous Collections:
London, market, Sotheby's
Publication Record: Beazley, J.D., Paralipomena (Oxford, 1971): 106 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 58 Filser, W., Die Elite Athens auf der attischen Luxuskeramik, Image & Context 16 (Berlin, Munich, Boston, 2017): 293, FIG.146 (NA) PHOTOGRAPH(S) IN THE BEAZLEY ARCHIVE: (A, B, OH, OR) PLS.6, 65, 66I, 92.14 (A, PROFILE) Seaman, K. and Schultz, P. (eds.), Artists and Artistic Production in Ancient Greece (Cambridge, New York, and Melbourne, 2017): 163, FIG.10.4 (SHB) Steinhart, M., Das Motiv des Auges in der griechischen Bildkunst (Mainz, 1995): PL.29.1 (A)
CAVI Subject: NECK: BOXERS, WITH A TRIPOD BETWEEN. SHOULDER: A: BETWEEN EYES, A SEATED
YOUTH HOLDING ON TO THE EYE BROWS. B: SIMILAR, BUT THE YOUTH IS FULLY CLOTHED.
AT THE MOUTH: DOLPHINS.
CAVI Inscriptions: SHOULDER: A: ON THE YOUTH'S RIGHT: Nικοσθενες εποιεσεν.
CAVI Footnotes: {1} EISMAN THINKS THIS IS A GROUP NOT A SINGLE PAINTER.
CAVI Comments: EX LONDON MARKET (SOTHEBY). THE HAND IS TYPICAL OF PAINTER N. DIFFERENTLY
EISMAN: NOT THE USUAL SIGNATURE BUT SHORT STUBBY LETTERS. E. COMPARES BRUSSELS R
388 AND JHS 94 (1974) 172. ALSO COPENHAGEN, NY CARLSBERG INV. 13,809. PARA.
105/4 BIS, WHICH IS TO BE SEPARATED FROM THE USUAL PAINTER N (NOTE THE SPELLING:
Nικοσθενεες ... AND THE DIFFERENT THIASOS).
CAVI Number: 4925
AVI Bibliography: PARA. (1971), 106. � EISMAN (1974), 43-54, FIGS. 1-9. � LEGAKIS (1983), 41,
FIGS. 1-2 (FIG. 2 HAS A CLOSE-UP OF THE SIGNATURE). � ADD.[2] (1989), 58. �
SCHREIBER (1999), 72, PL. 2,5 (FRONT AND SIDE).
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
