Attributed To: EUPHRONIOS by SIGNATURE ONESIMOS by SIGNATURE
Decoration: A: YOUTHS, ONE WITH WHIP (?) AND SPEARS, ONE IN CHITONISKOS WITH SCYTHIAN CAP, LEADING HORSE, HORSEMAN, COLUMN B: HORSEMEN, COLUMN I: HORSEMAN
Last Recorded Collection: Paris, Musée du Louvre: G105
Publication Record: Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 1579, 1595 Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 324.60, 1645, 313 Beazley, J.D., Attic Red-figure Vase-painters, 1st ed. (Oxford, 1942): 219.1 Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 172.2 Beazley, J.D., Paralipomena (Oxford, 1971): 359 Beck, F., Album of Greek Education (Sydney, 1975): PL.40.217 (B) Boardman, J., Athenian Red Figure Vases (London, 1975): FIG.228 (PART OF A) Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 107 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 215 Cloche, P., Les classes, les metiers, le trafic (Paris, 1931): PL.2.2 Cygielmann, M. et al. (eds.), Euphronios, Atti del Seminario Internazionale di Studi, Arezzo 27-28 Maggio 1990 (Florence, 1992): PL.32B (A) Ducrey, P., Guerre et Guerriers dans la Grece Antique (Paris, 1985): 101, FIG.71 (I) Ellinghaus, C., Die Parthenonskulpturen, Der Bauschmuck eines öffentlichen Monumentes der demokratischen Gesellschaft Athens zur Zeit des Perikles, Techniken in der bildenden Kunst zur Tradierung von Aussagen (Hamburg, 2011): FIGS.241, 245 (A, B) Filser, W., Die Elite Athens auf der attischen Luxuskeramik, Image & Context 16 (Berlin, Munich, Boston, 2017): 514-515, FIGS.349A-C (A, B, I) Hartwig, P., Die griechischen Meisterschalen (Stuttgart, 1893): PL.53 Hesperia, The Journal of the American School of Classical Studies at Athens: 90 (2021) 658, FIG.11 (COLOUR OF I AND A) Hoppin, A., A handbook of Attic red-figured vases signed by or attributed to the various masters of the sixth and fifth centuries B.C. (Cambridge, 1919): I, 401 J. Paul Getty Museum Journal: 2 (1975) 47, FIG.21 (I) Monuments et memoires publies par l'Academie des Inscriptions et Belles-Lettres: 16 (1909) 135 (I) Monuments grecs: II (1885-8) 7, 10-11 Norskov, V. et al. (eds.), The World of Greek Vases (Rome, 2009): 74, FIG.8 (A) Perrot, G., Chipiez, C., Histoire de l'art dans l'antiquite, vols. IX-X (Paris, 1911-14): X, 448-9 (A-B), 447 (I) Pfuhl, E., Malerei und Zeichnung der Griechen (Munich, 1923): FIG.404 (I) Pottier, E., Vases antiques du Louvre (Paris, 1897-1922): PL.104 Revue Archéologique: 1973, 17, FIGS.12-13 (A,B) Revue des Etudes Anciennes: 98 (1996) 352, FIG.6 (DRAWING OF I) Rivista di Archeologia: 15 (1991) FIG.3 (B) Seki, T., Untersuchung zum Verhaltnis von Gefässform und Malerei attischer Schalen (Berlin, 1985): PLS.44.2, 45.2 (I, UNDERNEATH) Steiner, A., Reading Greek Vases (Cambridge, 2007): 125-126, FIGS.6.24-6.26 (A, B, I)
CAVI Lemma: RF CUP. FROM VULCI. ONESIMOS (O). EUPHRONIOS, POTTER. EARLY FIFTH. 500-490.
CAVI Subject: INT.: A HORSEMAN. A-B: HORSEMEN.
CAVI Inscriptions: INT.: NON-STOICH. TWO-LINER: Ευ[φ]ρονιος | εποιεσεν. STOICH. AND WIDELY
SPACED: καλος | [Ε]ροθεμις{1}. ON THE EXERGUE: Λ[υ]κος{2}. A: καλος Εροθεμις. ON
THE ECHINUS OF A COLUMN IN BG: Λυκος. B: Ονεσιμος εγραφσ[εν]{3}.
CAVI Footnotes: {1} THE NAME OCCURS ALSO ON THE CUP FRS. FLORENCE PD 115 AND PD 265; IT MAY
OCCUR ON THE CUP FR. ATHENS, ACR. 441 ("NOT REMOTE FROM ONESIMOS," ARV[2] 333).
{2} "THE LETTER AFTER THIS IS MODERN," ARV[2] 324. KALOS-NAME WITHOUT KALOS? {3}
THE FIRST FOUR LETTERS ARE NOW MISSING, BUT WERE ORIGINALLY EXTANT; SEE ARV[2]
1645 AND PLAOUTINE IN RA 1973.
CAVI Comments: THE INSCRIPTIONS REPORTED AFTER ARV[2]. ATTIC ALPHABET WITH FOUR-STROKE
SIGMA; TAILED RHO.
