Decoration: A: EDUCATION, DRAPED MEN SEATED, ONE WITH STAFF, ONE WITH SCROLL WITH INSCRIPTION, YOUTHS, ONE DRAPED, ONE SEATED WITH LYRE, CUP, PIPESCASE, SCROLL, LYRE AND BASKET SUSPENDED, MAN SEATED PLAYING LYRE B: EDUCATION, SEATED MAN WITH STAFF, SEATED YOUTHS, ONE WITH WRITING TABLET, ONE PLAYING PIPES, DRAPED YOUTH, SCROLL, LYRE, BAG AND WRITING TABLET SUSPENDED I: YOUTH AT LAVER, STOOL, STAFF, SPONGE AND ARYBALLOS SUSPENDED
Last Recorded Collection: Berlin, Antikensammlung: F2285
Previous Collections:
Berlin, Schloss Charlottenburg: F2285
Publication Record: Archeo, Attualita di Passato: 151 (SEPTEMBER 1997) 62 (DRAWING) Archeologia, Rocznik Instytuto Archeologii i Etnologii Polskiej Akademii Nauk: 44 (1993) 121, FIG.3 (PART OF A) Archäologische Zeitung: 1873, PL.1 Atti del Convegno di Studi sulla Magna Grecia: 19 (1979) PL.3.2 (PART OF A) Backe-Dahmen, A. et al., Greek Vases, Gods, Heroes and Mortals (London and Berlin, 2010): 60-61, NO.29 (COLOUR OF A AND B) Balme, M. and Lawall, G., Athenaze. An Introduction to Ancient Greek. Third Edition (Oxford, 2016): 145, 153, UNNUMBERED (A, B) Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 1585 Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 426, 431.48, 1653 Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 203.41, 474 Beazley, J.D., Paralipomena (Oxford, 1971): 374 Benndorf, O., Wiener Vorlegeblätter für archäologische Übungen (Vienna, 1888-1890/91): PL.6 Berger, E. (ed.), Parthenon-Kongress Basel, Referate und Berichte, 4. bis 8. April 1982, II (Mainz, 1984): PL.3.1 (A) Berthold, A., Entwurf und Ausführung in den artes minores, Münz- und Gemmenkünstler des 6.-4. Jhs. v.Chr. (Hamburg, 2013): 388, FIG.17 (PART OF B) Blanck, H., Das Buch in der Antike (Munich, 1992): 24, FIG.9 (DRAWINGS OF A AND B) Bloomer, M. (ed.), A Companion to Ancient Education (Oxford, 2015): 39, FIG.2.5 (DRAWINGS OF A AND B) Boardman, J., The history of Greek vases, potters, painters and pictures (London, 2001): 225, FIG.244 (PART OF A) Buitron-Oliver, D., Douris, A Master-Painter of Athenian Red-Figure Vases (Mainz, 1995): PL.58, NO.88 (I, A, B) Bulletin of the Institute of Classical Studies: 47 (2004) 25, FIG.2.14 (DRAWING OF PART OF B) Bundrick, S.D., Music and Image in Classical Athens (Cambridge, 2005): 2-3, FIGS.1-2 (A, B) Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 117 Buschor, E., Griechische Vasenmalerei (Munich, 1914): 176 (B) Cain, H-U. et al., Hellenismus, Eine Welt im Umbruch (Darmstadt, 2012): 84 (COLOUR OF A) Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 237 Corpus Vasorum Antiquorum: BERLIN, ANTIQUARIUM 2, 29-30, PLS.(1006,1007) 77.1-2, 78.1-4 View Whole CVA Plates Corpus Vasorum Antiquorum: BERLIN, ANTIQUARIUM 3, 19, PL.(1056) 127.1.5 View Whole CVA Plates Das Altertum: 23 (1977) 67 (A) Das Altertum: 34 (1988) 3, 140, FIG.9 (B) Fröhlich, P., Pichler, M., and Schuler, C. (eds.), Mehr als nur Sport: GymnAsia in der Antike (Heidelberg, 2024): 80 (COLOUR OF A) Furtwängler, A. and Reichhold, K., Griechische Vasenmalerei (Munich, 1904-32): III, 87, FIG.43, PL.136.1 (A, B, I) Gagarin, M. (ed.), The Oxford Encyclopedia of Ancient Greece and Rome (Oxford, 2010): VOLUME 3, 14 (A, B) Heilmeyer, W-D. et al., Antikenmuseum Berlin, Die ausgestellten Werke (Berlin, 1988): 106, NO.2 (PART OF A AND B) Hesperia, The Journal of the American School of Classical Studies at Athens: 79 (2010) 542-543, FIGS.1-2 (A, B, PART OF A) Hoppin, A., A handbook of Attic red-figured vases signed by or attributed to the various masters of the sixth and fifth centuries B.C. (Cambridge, 1919): I, 214-5 International Congress of Classical Archaeology, 12, Athens, 1983. Praktika, 2-3 Tou XII Diethnous Synedriou Klasikes Archaiologias, Athena, 4-10 Sep: B, PL.37.1 (PART) Knittlmayer, B. and Heilmeyer, W-D., Staatliche Museen zu Berlin, Die Antikensammlung, Altes Museum - Pergamonmuseum (Mainz, 1998): 80, NO.39 (COLOUR OF A) Lang-Auinger, C. and Trinkl, E. (eds.), Griechische Vasen als Medium für Kommunikation. Ausgewählte Aspekte. Akten des internationalen Symposiums im Kunsthistorischen Museum Wien, 5.-7. Oktober 2017. CVA Österreich, Beiheft 3 (Vienna, 2021): 332, FIG.2 (COLOUR OF A) Leoussi, L., 2000 B.C.E. to 2000 C.E. The History of Greek Music (River Vale, NJ, 2013): 41 (COLOUR OF A) Mannack, T., Griechische Vasenmalerei, Eine Einführung, 2nd edition (Darmstadt, 2012): 143, FIG.87 (A) Mediterranean Archaeology: 34-35 (2021-2022) PL.6.1-2 (COLOUR OF A AND B) Monumenti inediti pubblicati dall'Instituto di Corrispondenza Archeologica (Rome, 1829-91): 9, PL.54 Moon, W.G. (ed.), Polykleitos, the Doryphoros, and Tradition (Madison) 1995: 26, FIG.3.2 (DRAWING OF A AND B) Morwood, J. and Anderson, S., A Little Greek Reader (Oxford, 2015): COVER (COLOUR OF PART OF A) Mouseion: 49 (2005) 21, PL.10 (A) Neils, J. and Oakley, J.H. (eds.), Coming of Age in Ancient Greece, Images of Childhood from the Classical Past (New Haven, 2003): 66, 245, NO.44 (I, COLOUR OF A AND B) Oakley, J.H., A Guide to Scenes of Daily Life on Athenian Vases (Madison, 2020): 104, FIG.5.1 (A, B) Pallas, Revue d'etudes antiques: 98 (2015) FIG.3 (PART OF A) Pfuhl, E., Malerei und Zeichnung der Griechen (Munich, 1923): FIG.468 (A) Renfrew, C., and Bahn, P., Archaeology, Theories, Methods and Practice, 2nd edition (London, 1996): 176 TOP LEFT (DRAWING OF PART OF B) Robertson, C.M., The art of vase-painting in classical Athens (Cambridge, 1992): 91, FIG.83 (A) Rodriguez Mayorgas, A., Arqueologia de la palabra, Oralidad y escritura en el mundo antiguo (Barcelona, 2010): 258, FIG.69 (DRAWING OF PARTS OF A AND B) Schulze, H., Ammen und Pädagogen, Sklavinnen und Sklaven in der antiken Kunst und Gesellschaft (Mainz, 1998): PL.4.1 (A) Schwarzmaier, A. et al. (eds.), Staatliche Museen zu Berlin, die Antikensammlung, Altes Museum, Neues Museum, Pergamonmuseum (Berlin and Darmstadt, 2012): 113, NO.59 (COLOUR OF A AND B) Schwarzmaier, A. et al., Staatliche Museen zu Berlin, The Antikensammlung, Altes Museum, Neues Museum, Pergamonmuseum (Mainz, 2016): 113, NO.59 (COLOUR OF A AND B) Smith, T.J. and Plantzos, D. (eds.), A Companion to Greek Art (Malden, 2012): I, 53, FIG.3.5 (A) Stark, M., Göttliche Kinder, Ikonographische Untersuchung zu den Darstellungskonzeptionen von Gott und Kind bzw. Gott und Mensch in der griechischen Kunst (Stuttgart, 2012): PL.31B (A) Steiner, A., Reading Greek Vases (Cambridge, 2007): 192, FIGS.8.22-8.23 (A, B) Strauss Clay, J., Malkin, I., and Tzifopoulos, Y.Z. (eds.), Panhellenes at Methone, Graphe in Late Geometric and Protoarchaic Methone, Macedonia (ca 700 BCE), Trends in Classics 44 (Berlin and Boston, 2017): 95, FIG.43A-B (A AND B) Taplin, O. and Wyles, R. (eds.), The Pronomos Vase and its Context (Oxford, 2010): 165, FIG.10.2 (A) Tiverios, M.A., Elliniki techni, archaia angaia (Athens, 1996): 156, FIGS.132-133 (COLOUR OF A AND B) Tsiphaki, D. et al., AtticPOT, Attic painted pottery in ancient Thrace (6th – 4th century BC). New approaches and digital tools (Xanthi, 2022): 18, FIG.1 (A) West, M.L., Ancient Greek Music (Oxford, 1992): PL.11 (A) Zwierlein-Diehl, E., Helena und Xenophon, Ein archäologisches Kinderbuch (Mainz, 1974): 21 (PART OF A)
CAVI Lemma: RF cup. From Cerveteri. Douris. Python, potter. First quarter fifth. 490-480.
CAVI Subject: Int.: athlete taking off his sandals; with clothes, and higher up, sponge and
aryballos; on his right, his stick; standed basin. A-B: school scenes{1}.
CAVI Inscriptions: Int.: at left, starting above the cothes and running along themargin, ending
above the youth: Δορις εγραφσεν. Ext.: below the top margin, widely spaced: A:
hιπ[π]οδαμας καλος. On the book roll: Μοισα μοι α[ν]φι Σκαμανδρον ευρων αρχομαι
αει{ν}δεν. vac. B: hιπ[π]οδαμας [κα]λος.
CAVI Footnotes: {1} note that B (music instruction) has hanging on the wall a rolled and
bound-up book roll and a tied-up set of tablets.
CAVI Comments: ευρων = ευρουν, omega for ou. The nu in the last line may be that missing in
line 2 (Immerwahr (1964), 19, n. 1). Dotted delta and tailed rho. Lissarrague
gives a different text for the book roll, after F. Chamoux, `Un vers épique mal
lu,' Rev. Philol. 1970, 7-10, and C. Calame, in La part de l'oeil 5 (1989)
(forthcoming) (see L., n. 42): moisa moi a{m}phi skamandron {eph}eur' on
archomai aeide{i]n, `Muse find for me on the banks of the Scamander a place to
start my song'. I.e., Μοισα μοι α[μ]φι Σκαμανδρον [εφ]ευρ ων αρχομαι αειδε[ι]ν.
This makes a single hexameter of the quotation, but I doubt that it is right, as
it involves a major error.
CAVI Number: 2330
AVI Bibliography: Furtwängler (1885), no. 2285 (facs.). — Kretschmer (1894), 104, para. 87. —
FR (1904–32), iii, 87-90, pl. 136 (ext.); fig. 43 (int., after Mon. Ined.). —
Beazley (1948), 337/2. — Kirchner (1948), pl. 11/22 (A, part). — A.
Greifenhagen, CVA Berlin 3, Germany 22 (1962), pls. 1 and 5 (small pictures). —
ARV[2] (1963), 431/48 (much bibl.), 1653. — Immerwahr (1964), 18/1 (bibl. on
book roll). — Para. (1971), 374. — Booth (1985), 275-80. — Add.[2] (1989), 237
(much bibl.). — AttScr (1990), no. 533. — Lissarrague (1990a), 137-39, figs.
106a-b (ph. of A; sketch of seated man holding inscribed book roll). — Robertson
(1992), 89 (description) and fig. 83 (B). — Buitron-Oliver (1995), 23-24, 45,
78/88, pl. 58.
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
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