Decoration: A,B: UNDECORATED Neck A: DEATH OF AKTAION, IN DEER SKIN, DOGS, ARTEMIS WITH BOW AND ARROW Neck B: DEATH OF ARGOS, FALLING, HERMES WITH SWORD, IO
Last Recorded Collection: Hamburg, Museum für Kunst und Gewerbe: 1966.34
Publication Record: Antike Welt: 39.6 (2008) 56, FIG.2 (COLOUR OF NA) Archaeological News: 8 (1979) 4, 101, FIG.7 (A) Archäologischer Anzeiger: 1969, 352-353, FIG.37A,B,C (A, B) Archäologischer Anzeiger: 1985, 270-71, FIGS.50-52 (A & PARTS) Beazley, J.D., Paralipomena (Oxford, 1971): 347.8TER Boardman, J., Athenian Red Figure Vases (London, 1975): FIG.165 (B) Bulletin van de Vereeniging tot Bevordering der Kennis van de Antieke Beschaving: 52-53 (1977-78), 101, FIG.12 (NECK) Carpenter, T.H., Art and Myth in Ancient Greece (London, 1991): FIG.78 (B) Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 199 Colpo, I. and Ghedini, F. (eds.), Il gran poema delle passioni e delle meraviglie, Ovidio e il repertorio letterario e figurativo fra antico e riscoperta dell'antico, Atti del convegno (Padova, 15-17 settembre 2011) (Padova, 2012): 185, FIG.2 (NA) Fogen, T. and Lee, M.M. (eds.), Bodies and boundaries in Graeco-Roman antiquity (Berlin, New York, 2009): 266, FIG.2 (PART OF NA) Hildebrandt, F., Antike Bilderwelten, Was griechische Vasen erzählen (Mainz, 2017): 53, FIG.48 (COLOUR OF A) Hoffmann, H., Vasen der klassischen Antike (Hamburg, 1969-70): 22, 24, NO.22 (A,B) Jahrbuch der Hamburger Kunstsammlungen: 12 (1967), 12-13, FIGS.3, 4, 9-12 (A, B, PARTS) Jahrbuch der Hamburger Kunstsammlungen: 16 (1971) 213 (A) Jahrbuch des Deutschen Archäologischen Instituts: 84 (1969) 30, FIG.2 (A) Kazanskij, N.N. (ed.), Indoevropejskoe jazykoznanie i klassiceskaja filologija, materialy ctenij, posvjascennych pamjati professora Iosifa Moiseevica Tronskogo, 22-24 ijunja 2009 g. (Nauka, 2009): 445, FIG.4 (NB) Lexicon Iconographicum Mythologiae Classicae: I, PL.350, AKTAION 27 (A) Lexicon Iconographicum Mythologiae Classicae: V, PL.442, IO I 4 (A) Opuscula Atheniensia, Acta Instituti Atheniensis Regni Sueciae: 7 (2014) 162, FIG.8 (NB) Paoletti, O. (ed.), Gli Umbri in eta preromana. Atti del XXVII Convegno di studi etruschi ed italici. Perugia, Gubbio, Urbino, 27-31 Ottobre 2009 (Pisa and Rome, 2014): 119, PL.2.A (NB) Reeder, E.D. et al., Pandora, Women in Classical Greece (Baltimore, 1995): 318-319, NO.96 (COLOUR OF A, B, PARTS OF A) Revue Archéologique: (1990), 1, 4-5, FIGS.1-2 (A) Robertson, C.M., The art of vase-painting in classical Athens (Cambridge, 1992): 120, FIG.121 (PARTS) Salvo, G., Miti scolpiti, miti narrati. Riflessioni sulla produzione di sarcofagi romani tra arte e letteratura (Padua, 2015): 144, FIG.39 (NA) Schefold, K., Die Göttersage in der klassischen und hellenistischen Kunst (Munich, 1981): 134, 138, FIGS.173, 179-80 (A,B) Seidensticker, B. and Vöhler, M. (eds.), Gewalt und Ästhetik, Zur Gewalt und ihrer Darstellung in der griechischen Klassik (Berlin, New York, 2006): 273, FIG.13 (NA)
CAVI Collection: Hamburg, Museum für Kunst und Gewerbe 1966.34.
CAVI Lemma: RF amphora. Eucharides Painter. First quarter fifth. Ca. 480 (Hoffmann).
CAVI Subject: Neck: A: Death of Actaeon, with Artemis at left. B: Death of Argos; at left,
Hermes; at right, the cow Io. Body: BG.
CAVI Inscriptions: Neck: A: to right of Artemis' body: Αρτεμις. Above Actaeon's head: Ακτα[ι]ον,
retr. (Written as Ακταον). B: hερμες. Αργος. καλε{1}.
CAVI Footnotes: {1} referring to Io, even though (according to Hoffmann) she is represented
as a bull. For Io depicted as a bull, see reff. in `Once Blaydes.'
CAVI Comments: I owe the reference to this vase to E. Langridge.
