Decoration: Body 1: FUNERARY GAMES OF PATROKLOS, CHARIOT RACE, ONLOOKERS (DRAPED MEN) SEATED ON GRANDSTAND, ACHILLES (NAMED) Body 2: ANIMAL FRIEZE, FELINES, GOAT OR DEER, FLORAL, LOTUS, BETWEEN LIONS, SIRENS Body 3: ANIMAL FRIEZE, PANTHER, DEER, FELINE Body 4: SIREN, LION OR PANTHER On rim: ANIMAL FRIEZE, SIREN, PANTHER, GOAT, LION
Last Recorded Collection: Athens, National Museum: 15499
Publication Record: Agones kai Athlimata stin Archaia Thessalia, Ypourgeio Politismoy Archaiologiko Mouseio Volou (Athens, 2004): 42, FIG.17 (COLOUR) 20 Alexandridou, A., The Early Black-Figured Pottery of Attika in Context (c.630-570 BCE) (Leiden, 2011): FIG.41 (BD1, PARTS) Archeo, Attualita di Passato: 80 (OCTOBER 1991) 69 BOTTOM (COLOUR) Archeo, Attualita di Passato: 99 (MAY 1993) 79 (COLOUR) Averna, E., Intrattentmenti ludici dalla preistoria al medioevo (Rome, 2009): 190, FIG.100 (PART) Bakir, G., Sophilos (Mainz, 1981): PLS.6-7, FIGS.10-14, TEXT 10, FIGS.2-5 (INCLUDING DRAWINGS) Barringer, J.M., The Art and Archaeology of Ancient Greece (Cambridge, 2014): 163, FIG.3.31 (COLOUR OF BD1) Beazley, J.D., Attic Black-Figure Vase-Painters (Oxford, 1956): 39.16, 681 Beazley, J.D., Paralipomena (Oxford, 1971): 18 Beazley, J.D., The Development of Attic Black-figure, 2nd ed. (California, 1986): PL.15.3 Bianchi Bandinelli, R. and Paribeni, E., L'Arte dell' antichita classica, I, Grecia (Turin, 1976): NO.270 Bieber, M., The History of the Greek and Roman Theater, 2nd ed. (Princeton, 1961): 54, FIG.220 (DRAWING OF PART) Boardman, J., Athenian Black Figure Vases (London, 1974): FIG.26 Bruxelles, Palais des Beaux-Arts, Hommes et Dieux de la Grece Antique (1.10-2.12.1982): 152, NO.88 Cambiano, G. et al., Lo spazio letterario della Grecia Antica (Salerno, 1992): PL.3 (COLOUR) Carpenter, T.H., Art and Myth in Ancient Greece (London, 1991): FIG.315 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 10 Carter, J.B. and Morris, S.P. (eds.), The Ages of Homer, A Tribute to Emily Townsend Vermeule (Austin, 1995): 364, FIG.21.1 Charbonneaux, J., Martin, R., and Villard, F., Archaic Greek Art (London, 1971): 57, FIG.58 Decker, W., Antike Spitzensportler, Athletenbiographien aus dem Alten Orient, Ägypten und Griechenland (Hildesheim, 2014): 35, FIG.13 (COLOUR OF BD1) Finley, M., and Pleket, H., The Olympic Games; The First Thousand Years (London, 1976): PL. AT 11, FIG.B Forsen, B. and Stanton, G. (eds.), The Pnyx in the History of Athens, Proc. of an Int. Colloquium, Finnish Institute at Athens (Helsinki, 1996): FIG.15 Ghiron-Bistagne, P., Recherches sur les Acteurs dans la Grece Antique (Paris, 1976): 199, FIG.64 Harvard University Art Museums Bulletin: SPRING 1997, 13, FIG.3 Hollinshead, M. Shaping Ceremony. Monumental Steps and Greek Architecture (Madison, 2015): 10, UNNUMBERED Hurwit, J.M., Artists and Signatures in Ancient Greece (Cambridge, 2015): 78, FIG.37 Hurwit, J.M., The Art and Culture of Early Greece, 1100-480 (Ithaca, 1985): 223, FIG.92 Immerwahr, H., Attic Script, A Survey (Oxford, 1990): PL.3.13 Jahrbuch des Deutschen Archäologischen Instituts: 100 (1985) 283, FIG.37 (PART) Kaltsas N. (ed.), Agon, Exhibition catalogue (Athens, 2004): 124, NO.20 (COLOUR OF PART) Kephalidou, E., Nikitis, Eikonographiki meleti tou archaiou ellinikou athlitismou (Thessaloniki, 1996): PL.11 ABOVE (COLOUR) Laser, S., Sport und Spiel, Archeologia Homerica (Göttingen, 1987): 85, FIG.33 (DRAWING) Latacz, J. and Korfmann, M. (eds.), Troja, Traum und Wirklichkeit (Stuttgart, 2001): 99, FIG.99 (COLOUR) Latacz, J. et al., Homer, Der Mythos von Troia in Dichtung und Kunst (Munich, and Basel 2008): 136, FIG.11 Laxander, H., Individuum und Gemeinschaft im Fest, Untersuchungen zu attischen Darstellungen von Festgeschehen im 6. und frühen 5. Jahrhundert v. Chr. (Münster, 2000): PL.77.1 (BD1, PARTS) Lexicon Iconographicum Mythologiae Classicae: I, PL.108, ACHILLEUS 491 Lippolis, E., Gli eroi di Olimpia, lo sport nella societa Greca e Magnogreca (Taranto, 1992): 78, FIG.69 Lissarrague, F. et al. (eds.), Ceramique et peinture Grecques, Modes d'emploi, Actes du colloque internat., Ecole du Louvre, April 1995 (Paris, 1999): 161, FIG.3 (DRAWING) Lissarrague, F., Greek Vases, The Athenians and their Images (2001): 64, FIG.52 (DRAWING) Lydakis, S., Ancient Greek Painting and its Echoes in Later Art (Athens, 2002): 79, FIG.60 (COLOUR OF BD1) Metropolitan Museum Journal: 51 (2016) 12, FIG.1 (COLOUR) Monuments et memoires publies par l'Academie des Inscriptions et Belles-Lettres: 74 (1995) 37, FIG.1 (COLOUR, DRAWING) Morais, R., Centeno, R., and Freitas Ferreira, D. (eds.), Myths, Gods and Heroes. Greek Vases in Portugal – Mitos, Deuses e Heróis. Vasos Gregos em Portugal (Porto, 2022): 267, FIG.1 (COLOUR OF PART) Moraw, S. and Nölle, E. (eds.), Die Geburt des Theaters in der griechischen Antike (Mainz, 2002): 35, FIG.27 (COLOUR) Morris, I. and Powell, B., A New Companion to Homer (Leiden, 1997): PL.11 Müller, S., Das Volk der Athleten, Untersuchungen zur Ideologie und Kritik des Sports in der griechisch-römischen Antike (Trier, 1995): 135, FIG.11 Neils, J. et al., Goddess and Polis, The Panathenaic Festival in Ancient Athens (Princeton, 1992): 19, FIG.5 Nikephoros: 2 (1989) 315, FIG.5 Nikephoros: SPECIAL ISSUE 2012, 75 (PART OF BD1) Olivova, V., Sports and Games in the Ancient World (1984): 89 Pala, E., Acropoli di Atene, Un microcosmo della produzione e distribuzione della ceramica attica (Rome, 2012): 189, FIG.86 (PART) Papers of the British School at Rome: 58 (2014), 22, FIG.18 Patrucco, R., Lo Sport nella Grecia antica (Florence, 1972): 375, FIG.181 Paul, E., Antike Keramik (Leipzig, 1982): 181 (DRAWING) Petasos, Periodic publication of Diachronic Museum of Larissa 3, Hoi Eisagoges Attikis Melanomorphis kai Erythromorphis Keramikis sti Thessalia (Larissa, 2023): 14, FIG.4 (COLOUR OF PART) Phoenix, Classical Association of Canada: 55 (2001) PL.2 Plantzos, D., Greek Art and Archaeology, c. 1100-30 BC (Athens, 2016): 87, FIG.129 (COLOUR OF PART) Report of the Department of Antiquities, Cyprus: 1982, PL.40 Richter, G., Perspective in Greek and Roman Art (London [1970]): FIG.74 Schefold, K., Götter- und Heldensagen der Griechen in der Früh- und Hocharchaischen Kunst (Munich, 1993): 319, FIG.352 Schertz, P. and Stribling, N. (eds.), The Horse in Ancient Greek Art, National Sporting Library & Museum Middleburg, Virginia (Middleburg and Richmond, 2017): 66, FIG.50 (COLOUR) Settis, S. (ed.), I Greci, Storia Cultura Arte Societa 2, Una storia greca, 1.Formazione (Turin, 1996): 1201, FIG.25 Shapiro H.A., Myth into Art, Poet and Painter in Classical Athens (London, 1994): 34, FIG.18 Shapiro, H.A., Art and Cult under the Tyrants in Athens (Mainz, 1989): PL.21A Simon, E. and Hirmer, M., Die Griechischen Vasen (Munich, 1976): PL.50 Small, J.P., The Parallel Worlds of Classical Art and Text (Cambridge, 2003): 13, FIG.2 Snodgrass, A.M., Homer and the Artists, Text and Picture in early Greek Art (Cambridge, 1998): 117, FIG.45 Stampolidis, N.C. et al. (eds.), Beyond. Death and Afterlife in Ancient Greece (Athens, 2014): 127, FIG.55 (COLOUR) Taplin, O. (ed.), Literature in the Greek and Roman Worlds, A New Perspective (Oxford, 2000): 43, FIG.2 (BD1, PARTS) Tsaknis, N., Trophies of the Argonauts (Volos, 2004): 37 (COLOUR OF BD1 AND PARTS) Tuna-Nörling, Y., Daskyleion I, Die attische Keramik (Izmir, 1999): 20 Tzachou-Alexandri, O., Mind and Body, Athletic Contests in Ancient Greece (Athens, 1988): 129, FIG.25 Valavanis, P., Games and sanctuaries in ancient Greece, Olympia, Delphi, Isthmia, Nemea, Athens (Los Angeles, 2004): 42, FIG.38 (COLOUR OF PART) Walter-Karydi, E. (ed.), Myths, Texts, Images, Homeric epics and ancient Greek art, Proceedings of the 11th International Symposium on the Odyssey, Ithaca, September 15-19, 2009 (Ithaca, 2010): 155-156, FIGS.1-3 (BD1-4) Weber, K.W., Panem et Circenses, Massenunterhaltung als Politik im alten Rom (Mainz, 1994): 73, FIG.108 Wünsche, R. and Knauss, F.S. (eds.), Lockender Lorbeer, Sport und Spiel in der Antike, Staatliche Antikensammlungen München (Munich, 2004): 247, FIG.25.11 (PART) Yalouris, N. et al., Athletics in Ancient Greece (Athens, 1977): 37, FIG.14 Yalouris, N., Olympia, Altis und Museum (Zurich, 1972): FIGS.108-109 Yatromanolakis, D. (ed.), Epigraphy of Art, Ancient Greek Vase-Inscriptions and Vase-Paintings (Oxford, 2016): 188-189, FIGS.2-4, 193, FIG.7 (INCLUDING COLOUR AND DRAWING)
CAVI Lemma: FRS. OF BF DINOS. FROM PHARSALOS. SOPHILOS. SECOND QUARTER SIXTH. 580-570
(?).
CAVI Subject: FUNERAL GAMES FOR PATROCLUS.
CAVI Inscriptions: IN RED: ABOVE BACKS OF HORSES ON LEFT: --]ι̣ος. BETWEEN THE HORSES AND THE
GRANDSTAND A RIGHT, DIAGONALLY DOWN, AND IN TWO LINES: Σοφ[ι]λος :* μ(ε)γραφσεν
| Πατροϙλυς :* ατλα{1}. BOTH RETR. TO RIGHT OF UPPER GRANDSTAND: Ἀχιλ[λ]ες,
RETR.{2}.
CAVI Footnotes: {1} BEAZLEY READS THE IOTA OF SOPHILOS, WHICH I DO NOT SEE IN THE PHOTOS, AND
WRONGLY RENDERS THE KOPPA AS A KAPPA. THE FIRST EPSILON ADDED LATER. THREATTE
(1980), 22 AND 260 WRONGLY READS Πατροκλυς WITH KAPPA (THE ENDING EXPLAINED AS
UPSILON FOR ου, I.E. GENIT. Πατροκλους). {2} THREATTE (1996), 235-36.
CAVI Comments: SHAPIRO (1989) SAYS THAT PATROKLYS ATLA SHOWS KNOWLEDGE OF THE TITLES OF
SECTIONS OF THE ILIAD. - BEAZLEY READ THE FIRST INSCRIPTION ALSO RETR.:
Σοφ̣[ιλος :* μεποιεσεν]. BUT IT COULD BE THE NAME OF A CHARIOTEER: MON. PIOT
SUGGESTS [Σθενε]λ̣ος. SHAPIRO (1994) SUGGESTS Αντιλοχ]ος. Πατροϙλυς: ON UPSILON
FOR OU, SEE ATTSCR (1990), 162. PERHAPS ATTIC ADAPTATION OF THE EPIC THIRD
DECLENSION. ατλα: TAU FOR THETA PERHAPS BECAUSE OF THE FOLLOWING LAMBDA; SEE
THREATTE (1980), 453; ALSO J.-L. PERPILLOU, `BADLY MISWRITTEN', REG 105 (1992)
557-60, CITING S.T. THEODORESSON, THE PHONEMIC SYSTEM OF THE ATTIC DIALECT
(1974). Αχιλ[λ]ες FOR Αχιλ[λ]ευς MAY BE AN ALTERNATE FORM; SEE KRETSCHMER
(1894), 191-92. FURTHER, ATTSCR (1990), 21 N. 4. ALL INSCRIPTIONS ARE IN RED, I
THINK.
CAVI Number: 0907
AVI Bibliography: BéQUIGNON (1933), 44 FF., PL. 6; P. 47, FIG. 7 (DR. OF INSCRIPTIONS). —
KAROUZOU (1937), 134/31, PLS. 52-53 (VERY GOOD PICTURES). — DEV.[1] (1951),
18-19. — ABV (1956), 39/16, 681. — ARIAS–HIRMER–SHEFTON (1962), PL. 39. — PARA.
(1971), 18. — PHILIPPAKI (1974), FIG. 22 (PART, COLOR). — BAKIR (1981), 65/A 3
(CF. 6), PL. 6, FIG. 10. — ROLLER (1981), 108, N. 9. — SIMON–HIRMER (1981), PL.
50. — JEFFERY (1984), 54. — ADD.[2] (1989), 10 (MUCH BIBL.). — SHAPIRO (1989),
44, PL. 21,A. — ATTSCR (1990), NO. 62, FIG. 13. — SHAPIRO (1994), 35, FIG. 18.
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
