Decoration: A: HERAKLES AND PHOLOS B: CENTAURS WITH POINTED AMPHORAE
Last Recorded Collection: Tarquinia, Museo Nazionale Tarquiniese: 711
Publication Record: Beazley, J.D, Der Kleophrades Maler (Berlin, 1933): PLS.22, 23.1-2 Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 187.59, 1632 Beazley, J.D., Attic Red-figure Vase-painters, 1st ed. (Oxford, 1942): 125.51 Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 73.39 Corpus Vasorum Antiquorum: TARQUINIA, MUSEO NAZIONALE 2, III.I.3, PL.(1192) 13.1-2 View Whole CVA Plates Journal of Hellenic Studies: 30 (1910) PL.9.2 (A) Schefold, K. and Jung, F., Die Urkönige, Perseus, Bellerophon, Herakles und Theseus in der klassischen und hellenistischen Kunst (Munich, 1988): 171, FIG.206 (A) Schultz, P. and von den Hoff, R. (eds.), Structure, Image, Ornament, Architectural Sculpture in the Greek World Proceedings of an international conference held at the American School of Classical Studies, 27-28 November 2004 (Oxford, 2009): 91, FIG.8.8 (PART OF B)
CAVI Collection: Tarquinia, Museo Nazionale inv. 711.
CAVI Lemma: RF stamnos. From Tarquinia. Kleophrades Painter. First quarter fifth. Later
(Beazley).
CAVI Subject: A: Heracles and Pholos: the centaur, branch in his right hand, gestures with
his left arm; Heracles dips a kantharos into a pithos at his left. B: two
centaurs coming up.
CAVI Inscriptions: A: around Pholos' left arm: καλος ει. B: below the left centaur's belly:
κ[α]λος{1}.
CAVI Footnotes: {1} Beazley in Kl.-M. gives the alpha as extant.
CAVI Number: 7654
AVI Bibliography: Beazley (1933a), no. 44, pls. 22 and 23,1-2. — G. Jacopi, CVA Tarquinia 2,
Italy 26 (1956), III I, pl. 13,1-2. — ARV[2] (1963), 187/59, 1632.
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
