Decoration: A: THEATRICAL (?) NIKE, HYGIEIA, APOLLO, DIONYSOS, SATYRS, MAENADS, ONE NAMED, TRIPOD, PANTHER B: CENTAUROMACHY, THESEUS, PERITHOOS (NAMED), LAPITHS AND CENTAURS, SOME NAMED, RAPE OF WOMAN
Last Recorded Collection: Ampurias, Museo Monografico: 1494
Previous Collections:
Barcelona, Museo Arqueologico: 33
Publication Record: Archäologischer Anzeiger: 1912, 448, FIG.41 (DRAWING) Cabrera, P. et al., Iberia Graeca. El legado arqueológico griego en la península Ibérica (Girona, 2012): 18, FIG.3.3 (DRAWING OF PART OF A) Corpus Vasorum Antiquorum: BARCELONA, MUSEE ARCHEOLOGIQUE 1, 36-38, FIGS.1-2, PLS.(127,129-132) 29.8, 31.2A-B, 32.1A-C, 33.1A-C, 34.1A-B View Whole CVA Plates Dietrich, N., Figur ohne Raum? Bäume und Felsen in der attischen Vasenmalerei des 6. und 5. Jahrhunderts v. Chr., Image & Context 7 (Berlin, 2010): 258, FIG.209 (DRAWING OF B) Greek Vases in the J.Paul Getty Museum: 2 (1985), 94, FIG.6 (DRAWING OF PART) Kraus, C., Goldhill, S., Foley, H.P., and Elsner, J. (eds.), Visualizing the Tragic, Drama, Myth, and Ritual in Greek Art and Literature (Oxford, 2007): 234-235, FIGS.10.5A-B (DRAWING OF A, PART OF A) Lexicon Iconographicum Mythologiae Classicae: VII, PL.96, PAIDIA 12, PL.173, PEIRITHOOS 9 (PART OF A, DRAWING OF A) Miro i Alaix, M.T., La ceramica atica de figures roges de la ciutat grega d'Emporion (Barcelona, 2006): 257, 263, 267, 335 SECOND ROW (COLOUR OF A AND B), FIGS.687, 728, 749 (PARTS AND DRAWING OF BD) Shapiro, H.A., Personifications in Greek Art, The Representation of Abstract Concepts 600-400 BC (Zurich, 1993): 131, 184, FIGS.85, 143, 145 (DRAWINGS OF A AND PARTS OF A) Smith, A.C., Polis and Personification in Classical Athenian Art (Leiden, 2011): FIG.5.3 (PART OF A) Taplin, O. and Wyles, R. (eds.), The Pronomos Vase and its Context (Oxford, 2010): 116, FIG.7.16 (DRAWING OF A) Trias de Arribas, G., Ceramicas Griegas de la Peninsula Iberica (Valencia, 1967- 68): PLS.100-104 (A, B, DRAWINGS OF A AND B)
CAVI Lemma: FRAGMENTARY RF PELIKE. FROM AMPURIAS (EMPORIUM). UNATTRIBUTED{1}. END OF
FIFTH.
CAVI Subject: A: THESEUS IN CENTAUROMACHY; PERITHOUS AND CENTAUR; CENTAUR RAPING
HIPPODAMEIA(?). B: THREE GODDESSES (NIKE, HYGIEIA AND A THIRD) ADORNING A LARGE
TRIPOD ON AN AKANTHOS COLUMN; WITH APOLLO, DIONYSUS, MAENADS (ONE WITH A TRAGIC
MASK) AND SATYRS; PANTHER.
CAVI Footnotes: {1} FRONING ATTRIBUTES TO THE CIRCLE OF THE PRONOMOS PAINTER. {2} NOT CLEAR
WHETHER [ς] OR [ς]. {3} THE DR. SHOWS: Υγι[ε]α. {4} NOT IN FRäNKEL OR CVA; READ
BY TRIAS DE ARRIBAS; NOT GIVEN BY SHAPIRO. {5} SHAPIRO.
CAVI Comments: B IS CONNECTED WITH THE THEATER. IONIC ALPHABET.
CAVI Number: 1964
AVI Bibliography: FR (1904–32), III, 54-55, FIG. 25 (SMALL DR.). — FRICKENHAUS (1908),
[[228FF.]], FIGS. 54-56, PLS. 1-3. — C. FRäNKEL (1912), 62-63, 104/υ. — BULLE
(1937), 157FF., PL. 57. — P. BOSCH I GIMPERA AND J. DE C. SERRA I RàFOLS, CVA
BARCELONA 1, SPAIN 3 (1951–7), PLS. 31FF. — TRIAS DE ARRIBAS (1967–8),
182FF./589, PLS. 100, 102-103. — FRONING (1971), 5 N. 30, 10FF., 15, 20, 66. —
SHAPIRO (1977), 275/121. — SCHWAB (1985), 94, FIG. 6 (PART). — LIMC IV (1988),
GALENE II/3. — KOSSATZ-DEISSMANN (1991), 181 (GALENE 3).
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
