Attributed To: DOURIS by SIGNATURE KLEOPHRADES by SIGNATURE
Decoration: A: HERAKLES AND THE SONS OF EURYTOS (ARCHERS) B: ATHLETES, WRESTLING, ONLOOKERS I: YOUTH SEATED AND MAN, BOTH DRAPED, SPONGE, STRIGIL AND ARYBALLOS SUSPENDED
Last Recorded Collection: Malibu (CA), The J. Paul Getty Museum: 83.AE.217
Publication Record: Bothmer, D. von, The Amasis Painter and his World (Malibu, 1985): 231, APP.2.2 (FOOT) Buitron-Oliver, D., Douris, A Master-Painter of Athenian Red-Figure Vases (Mainz, 1995): PL.24, NO.38 (I, A, B) Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 395, 403, 405 Enciclopedia dell'Arte Antica: SUPP.II.1, 536, FIG.604 (I0 Franceschini, M., Attische Mantelfiguren, Relevanz eines standardisierten Motivs der rotfigurigen Vasenmalerei. Zürcher archäologische Forschungen Band 5 (Rahden, 2018): PL.11F (COLOUR OF I) Greek Vases in the J.Paul Getty Museum: 5 (1991) 66-69, FIGS.1A-F (INCLUDING PROFILE) J. Paul Getty Museum Journal: 12 (1984), 245, NO.69 (I, PART) J. Paul Getty Museum Journal: 18 (1990) 58 (I) Knittlmayer, B., Die Attische Demokratie und ihre Helden, Darstellungen des trojanischen Sagenkreises im 6. und frühen 5. Jh.v.Chr. (Heidelberg, 1997): PL.3.1 (I) Medelhavsmuseet, the Museum of Mediterranean and Near Eastern Antiquities, Bulletin, Stockholm: 25 (1991) 28, FIG.8 (I) Oakley, J.H. and Palagia, O. (eds.), Athenian Potters and Painters, Volume II (Oxford, 2010): 129, FIG.7 (I) PHOTOGRAPH(S) IN THE BEAZLEY ARCHIVE: 6 (I, A, B) Tsingarida, A. (ed.), Shapes and Uses of Greek Vases (7th-4th centuries B.C.), Proceedings of the Symposium held at the Universite Libre de Bruxelles, 27-29 April 2006 (Brussels, 2009): 191, 193, FIGS.13, 15D (FOOT, UNDERNEATH, A, B, PROFILE OF FOOT)
CAVI Lemma: FRAGMENTARY RF CUP. DOURIS. KLEOPHRADES, POTTER. FIRST QUARTER FIFTH. CA. 490
(BOTHMER){1}.
CAVI Subject: INT.: A BEARDED MAN WITH HIS STICK, STANDING BEFORE A SEATED AND MOURNING
YOUTH. A: HERACLES AND THE SONS OF EURYTOS. B: WRESTLERS AND ONLOOKERS
(PANKRATION?).
CAVI Inscriptions: INT.: AROUND THE EDGE OF THE TONDO, STARTING AT THE LEFT HEEL OF THE MAN AND
CURVING UPWARD: ΔΟΡ̣Ις ΕΓ[Ρ]ΑΦΣΕΝ. HΕΡΜΟΛΥΚΟς ΚΑΛΟς{2}. ON THE RESERVED FOOT
PROFILE: ΚΛΕΟΦΡΑΔΕς : ΕΠΟΙΕΣΕΝ : ΑΜΑΣ̣ΙΔΟς :{3}.
CAVI Footnotes: {1} 495-490: TRANSITIONAL BETWEEN VERY EARLY AND SETTLED STYLES (B.-O.). {2}
B.-O. PUTS PUNCTUATION BETWEEN DOURIS' SIGNATURE AND HERMOLYKOS KALOS. THE PH.
IS NOT CLEAR ON THIS POINT, ALTHOUGH IT SHOWS MOST OF THE OTHER LETTERS. {3}
PARTS OF THE KLEOPHRADES SIGNATURE SHOW IN THE PHS. B.-O.'S TEXT GIVES ALL
DELTAS AS NORMAL.
CAVI Comments: TWO FRS. MAY BELONG: 83.AE.235.1-2. THE INSCRIPTIONS ON THE INT. ARE IN
DOURIAN SCRIPT; THOSE OF THE POTTER'S SIGNATURE NOT CERTAINLY SO. B.-O. 17:
HERMOLYKOS = THE PANKRATIAST IN HDT. 9.105 (AT MYCALE)? FOR THE POTTER, SEE
MALIBU 80.AE.54. FOUR-STROKE SIGMA, BUT THREE-STROKE IN THE KLEOPHRADES
SIGNATURE.
