Attributed To: HIERON by SIGNATURE MAKRON by BEAZLEY
Decoration: A,B: MEN, SOME WITH STAFFS, ONE WITH SPRIG, ONE WITH FLOWER, ONE SEATED ON BLOCK PLAYING LYRE, AND YOUTHS, ONE SEATED ON STOOL PLAYING PIPES, SPONGE AND STRIGIL SUSPENDED I: COURTING, DRAPED MAN WITH BAG (?) AND STAFF, YOUTH SEATED, STOOL Under handle: STOOLS
Last Recorded Collection: New York (N.Y.), Metropolitan Museum: 08.258.57
Publication Record: American Journal of Archaeology: 21 (1917) PLS.4-6 Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 472.207, 482 Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 217.90 Hoppin, A., A handbook of Attic red-figured vases signed by or attributed to the various masters of the sixth and fifth centuries B.C. (Cambridge, 1919): II, 66-7 Kunisch, N., Makron (Mainz, 1997): 70, FIG.33, PL153.450 (A, B, I, AH) Metropolitan Museum Journal: 26 (1991) 75, FIG.45 (OH)
CAVI Lemma: RF CUP. FROM FALERII (CIVITà CASTELLANA). MAKRON. HIERON, POTTER. FIRST
QUARTER FIFTH. 480-470; LATE (KUNISCH).
CAVI Subject: INT.: A MAN AND A YOUTH. A: A MAN WITH A LYRE AND MEN; A YOUTH PLAYING THE
FLUTES, AND A MALE; MAN AND BOY. B: MEN AND YOUTHS.
CAVI Inscriptions: ON HANDLE B/A, IN BG AREA OF LEFT HASTA, GR.: Hιερον̣ ε̣ποιεσεν{1}.
CAVI Footnotes: {1} THE DOTTED LETTERS ARE UNCLEAR IN THE PH. BECAUSE THE GLAZE HAS SPLIT
OFF; THE SKETCH ON KUNISCH' P.209 MARKS THIS FOR THE FIRST OMICRON AND THE FIRST
NU ONLY, BUT THE OMICRON SEEMS CLEAR IN THE PH.
CAVI Comments: THE SIGNATURE IS SHORT AND SMALL-LETTERED.
CAVI Number: 5584
AVI Bibliography: RICHTER–HALL (1936), I, 76/54, PLS. 50 AND 55-56. — ARV[2] (1963), 472/207. —
BOTHMER (1982), 47. — COHEN (1991), 73, FIG. 45 (SIGNATURE). — KUNISCH (1997),
7, 209/450, PL. 153 (SHOWS MOST OF SIGNATURE).
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
