Attributed To: EUPHILETOS P by PETERS PAMPHAIOS by SIGNATURE
Decoration: Body: DIONYSOS WITH IVY AND KANTHAROS, MAENADS, ONE WITH DEER, ONE IN LEOPARD SKIN WITH KROTALA, SATYRS, ONE PLAYING PIPES, ONE WITH KITHARA Predella: LION AND BOAR BETWEEN PALMETTES Shoulder: HORSEMAN, CHARIOT, DRAPED MAN LEANING ON STAFF
Last Recorded Collection: London, British Museum: 1849.6-20.11
Publication Record: Aston, E., Mixanthropoi, Animal-human hybrid deities in Greek religion (Liege, 2011): 302, FIG.42 (BD, PR) Beazley, J.D., Attic Black-Figure Vase-Painters (Oxford, 1956): 324.39, 694 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 88 Corpus Vasorum Antiquorum: LONDON, BRITISH MUSEUM 6, III.H.E.3, PLS.(333,334) 74.1, 75.1 View Whole CVA Plates Maas, M. and Snyder, J.M, Stringed Instruments of Ancient Greece (New Haven, 1989): 75, FIG.12 (BD, PR) Maul-Mandelartz, E., Griechische Reiterdarstellungen in agonistischem Zusammenhang (Frankfurt, 1990): PL.17, NO.A28 (S) Oakley, J., The Greek Vase, Art of the Story Teller (London, 2013): 59, FIG.20 (COLOUR OF BD)
CAVI Lemma: BF hydria{1}. From Vulci. Euphiletos Painter. Pamphaios, potter. Last quarter
sixth.
CAVI Subject: Shoulder: a racing chariot and horseman. Body: Dionysus with maenads and
satyrs. Predella: lion and boar.
CAVI Inscriptions: Body: at the upper left and the top of the scene, in large letters: Πανφαιος
μεποιεσε^ν{2}. Under the foot, Gr.: ΣΜΙ{3}.
CAVI Footnotes: {1} a special model, particularly careful work (Beazley). {2} Dionysus' head
intervenes. {3} in a hand different from the (same) Gr. on Cab. Méd. 254, ABV
324/28, by the same painter, the same signature, and the same shape.
