Decoration: A: JUDGEMENT OF PARIS SEATED ON ROCK IN PATTERNED SUIT, HERA AND APHRODITE SEATED ON TABLES, HEBE, ATHENA, HERMES, EROS, ZEUS, ERIS AND THEMIS (ALL ? NAMED), SELENE (?) AND EOS IN CHARIOTS B: APOLLO AND DIONYSOS WITH THYRSOS, PALM TREE, MAENADS, ONE SEATED ON ROCK WITH TYMPANON, ONE WITH CUSHION AT CHAIR, SATYRS SEATED WITH THYRSOS, LYRE AND PIPES, TRIPOD, OMPHALOS
Last Recorded Collection: St. Petersburg, State Hermitage Museum: O28
Previous Collections:
St. Petersburg, State Hermitage Museum: ST1807
Publication Record: Arafat, K., Classical Zeus, A Study in Art and Literature (Oxford, 1990): 122-3, FIGS.4-5 (DRAWINGS OF A & B) Archäologische Zeitung: 1866, PL.211 (B) Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 1185.7 Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 451.5 Beazley, J.D., Paralipomena (Oxford, 1971): 460 Capecchi, G. et al., In memoria di Enrico Paribeni (Rome, 1998): PL.126.1 (A) Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 341 Compte-rendu de la Commision Imperiale Archeologique (St. Petersburg, 1860-83): 1861, PLS.3-4 Hedreen, G., Capturing Troy, The Narrative Functions of Landscape in Archaic and Early Classical Greek Art (Ann Arbor, 2001): FIG.49 (A) Heinemann, A., Der Gott des Gelages. Dionysos, Satyrn und Mänaden auf attischem Trinkgeschirr des 5. Jahrhunderts v. Chr. (Berlin, 2016): 456, FIG.308 (DRAWING OF B) Isler-Kerenyi, C., Dionysos in Classical Athens. An Understanding through Images (Leiden and Boston, 2014): 193, FIG.103 (B) Jacquemin, A. (ed.), Delphes, Cent ans apres la grande fouille, Essai de bilan, Actes du colloque int. 17-20 septembre 1992, BCH Suppl. 36 (2000): 63, FIG.5 (DRAWING OF A) Journal des Savants: JULY-DECEMBER 1996, 262, FIG.1 (B) Lexicon Iconographicum Mythologiae Classicae: IV, PL.429, HERA 411 (A) Lexicon Iconographicum Mythologiae Classicae: VII, PL.117, PARIDIS IUDICIUM 48 (A) Schmidt, S. and Stähli, A. (eds.), Vasenbilder im Kulturtransfer, Zirkulation und Rezeption griechischer Keramik im Mittelmeerraum, Beiheft zum Corpus Vasorum Antiquorum Deutschland V (Munich, 2012): 153, FIG.3.1 (A) Shapiro, H.A., Personifications in Greek Art, The Representation of Abstract Concepts 600-400 BC (Zurich, 1993): 59, 224, FIGS.14, 184 (A, DRAWING OF PART OF A) Trofimova, A.A. (ed.), Greeks on the Black Sea, Ancient Art from the Hermitage (Los Angeles, 2007): 256-257, NO.152 (COLOUR OF A AND B) Valavanis, P., Games and sanctuaries in ancient Greece, Olympia, Delphi, Isthmia, Nemea, Athens (Los Angeles, 2004): 167, FIG.224 (COLOUR OF A)
CAVI Lemma: RF calyx krater. From Kerch. Kadmos Painter. Last quarter fifth. 410-400
(Shapiro).
CAVI Subject: A: Judgment of Paris, with Eris and Themis in conversation. B: Apollo and
Dionysus.
CAVI Inscriptions: A: to left of Eris' head: Ερις. Above Themis' head: Θεμις.
CAVI Comments: = 0.28 (Add.[2]). Listed as St. Petersburg by Shapiro. The vase is parallel
for Eris on Karlsruhe B 36 and Berlin 1775. On the conversation between Eris and
Themis see K.W. Arafat, Classical Zeus (1990) 124: Themis may be giving Eris her
instructions for the future [but the grouping seems purely conventional]. There
must be MANY other inscriptions. Threatte (1996), 76 cites Ερμ(η)ς with nu for
eta.
CAVI Number: 7420
AVI Bibliography: ARV[2] (1963), 1185/7 (much bibl.). — Para. (1971), 460. — Add.[2] (1989),
341. — Shapiro (1993), 233/15, 59, fig. 14, and 224, fig. 184 (detail of A, dr.
after CR 1861, pl. 3).
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
