Decoration: A: SYMPOSIUM, DIONYSOS AND ARIADNE (NAKED) RECLINING ON KLINE, MEN, ONE DANCING, ONE WITH WREATH, TABLE WITH FOOD At handle: MEN VOMITING, ONE SQUATTING B: WOMAN PLAYING PIPES, MEN, SOME WITH WINESKINS, ONE WITH VOLUTE KRATER
Last Recorded Collection: Rome, Mus. Naz. Etrusco di Villa Giulia
Previous Collections:
New York (N.Y.), private, Shelby White & Leon Levy Collection
Publication Record: Bodiou, L. et al., Parures et artifices, le corps expose danse l'Antiquite (Paris, 2011): FIG.I (COLOUR OF A) Bothmer, D. von (ed.) Glories of the Past, Ancient Art from the Shelby White and Leon Levy Collection (New York, 1991): 140-141, NO.107 (COLOUR OF A, B AND AH1, AH2) Lulof, P. and Rescigno, C. (eds.), Deliciae Fictiles IV, Architectural Terracottas in Ancient Italy, Images of Gods, Monsters and Heroes, Proceedings of the International Conference held in Rome (Museo Nazionale Etusco di Villa Giulia, Royal Netherlands Institute) and Syracuse (Museo Archeologico Regionale Paolo Orsi), October 21-25, 2009 (Oxford, 2011): 183, FIG.15 (A) Metzler, D. (ed.), Mazzo di Fiori, Festschrift für Herbert Hoffmann (Ruhpolding and Mainz, 2010): 58, FIG.5 (A) Murray, O. and Tecusan, M. (eds.), In Vino Veritas (London, 1995): 156-157, FIGS.7-8 (A, B) Reusser, C. and Bürge, M. (eds.), Exekias und seine Welt, Tagung an der Universität Zürich vom 1.–2. März 2019, Züricher Archäologische Forschungen 8 (Zurich, 2022): PL.54B (PART OF B) del Corral Corredoira, P.D., Y Dioniso desposó a la rubia Ariadna, estudio iconográfico de la cerámica ática (575-300 a.C.) (Oxford, 2007): 125, FIG.54 (A)
