Attributed To: LYKAON P by BEAZLEY POLYGNOTOS, GROUP OF by BEAZLEY
Decoration: A: AKTAION WITH SPEARS, DOGS, ZEUS WITH SCEPTRE AND THUNDERBOLT, WOMAN IN ANIMAL SKIN AND DOG HEAD CAP, ARTEMIS WITH TORCH, BOW AND QUIVER (ALL NAMED) B: WOMEN, DRAPED YOUTH WITH STAFF
Last Recorded Collection: Boston (MA), Museum of Fine Arts: 00.346
Publication Record: Arafat, K., Classical Zeus, A Study in Art and Literature (Oxford, 1990): 144, FIG.7 (DRAWING OF A) Barringer, J.M., The Hunt in ancient Greece (Baltimore and London, 2001): 136, FIG.76 (A) Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 1045.7 , 1579 Beazley, J.D., Attic red-figured Vases in American Museums (Cambridge, 1918): 174 (A) Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 399.6 Beazley, J.D., Paralipomena (Oxford, 1971): 444 Boardman, J., Athenian Red Figure Vases, The Classical Period (London, 1989): FIG.152 (DRAWING OF A) Bulletin van de Vereeniging tot Bevordering der Kennis van de Antieke Beschaving: 74 (1999) 73, FIGS.7-8 (A, B) Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 156 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 320 Colpo, I. and Ghedini, F. (eds.), Il gran poema delle passioni e delle meraviglie, Ovidio e il repertorio letterario e figurativo fra antico e riscoperta dell'antico, Atti del convegno (Padova, 15-17 settembre 2011) (Padova, 2012): 185, FIG.3 (A) Dietrich, N., Figur ohne Raum? Bäume und Felsen in der attischen Vasenmalerei des 6. und 5. Jahrhunderts v. Chr., Image & Context 7 (Berlin, 2010): 536, FIG.455 (A, B) Fogen, T. and Lee, M.M. (eds.), Bodies and boundaries in Graeco-Roman antiquity (Berlin, New York, 2009): 268, FIG.3 (A) Marconi, C., Selinunte, le metope dell'Heraion (Modena, 1994): 259, FIG.117 (DRAWING OF A) Matheson, S.B., Polygnotos and Vase Painting in Classical Athens (Madison, 1995): 93, PL.69 (A) Monumenti inediti pubblicati dall'Instituto di Corrispondenza Archeologica (Rome, 1829-91): XI, PL.42.1 Mugione, E., Miti della ceramica attica in Occidente, Problemi di trasmissioni iconografiche nelle produzioni italiote (Taranto, 2000): 82, FIG.31 (A) Pfuhl, E., Malerei und Zeichnung der Griechen (Munich, 1923): FIG.515 Reeder, E.D. et al., Pandora, Women in Classical Greece (Baltimore, 1995): 316, NO.95 (COLOUR OF A, B) Seidensticker, B. and Vöhler, M. (eds.), Gewalt und Ästhetik, Zur Gewalt und ihrer Darstellung in der griechischen Klassik (Berlin, New York, 2006): 273, FIG.14 (A) Shapiro, H.A., Personifications in Greek Art, The Representation of Abstract Concepts 600-400 BC (Zurich, 1993): 170, FIG.130 (A)
CAVI Lemma: RF BELL KRATER. FROM VICO EQUENSE (CAMPANIA, NE OF SORRENTO). LYKAON PAINTER.
THIRD QUARTER FIFTH. CA. 440.
CAVI Subject: A: DEATH OF ACTAEON. B: YOUTH AND WOMEN.
CAVI Inscriptions: INSCRIPTIONS IN WHITE, HORIZONTALLY ABOVE HEADS, EXCEPT FOR Ευαιον WHICH IS
HIGH ABOVE ACTAEON'S HEAD AND BELOW THE MARGIN. A: Διος. Λυσ[σ]α. Ευαιον.
Ακταιον. Αρτεμις. UNDER THE FOOT, IN THE CENTER, GR.: Hε.
CAVI Comments: ON EUAION, KALOS-NAME WITHOUT KALOS, SEE NAPLES STG. 281, ARV[2] 1045/9, ALSO
BY THIS PAINTER, AND ARV[2] 1579. - FOR THE SIGNIFICANCE OF HAVING EUAION, THE
TRAGIC ACTOR, IN CERTAIN MYTHICAL SCENES, SEE ROBERTSON; SEE ALSO MATHESON
83-84. MIXED ALPHABET.
