Attributed To: TIMIADES P by BOTHMER TYRRHENIAN GROUP by GSELL
Decoration: A,B2-3: ANIMAL FRIEZES, SPHINX BETWEEN SIRENS, DEER, PANTHERS, RAM, SWAN A1: AMAZONOMACHY, HERAKLES, AMAZONS, WARRIORS (ALL NAMED), BOEOTIAN SHIELD, DEVICE, STAR B1: KOMOS, YOUTHS AND MEN DANCING, BETWEEN SWANS
Last Recorded Collection: Boston (MA), Museum of Fine Arts: 98.916
Publication Record: Beazley, J.D., Attic Black-Figure Vase-Painters (Oxford, 1956): 98.46, 684 Beazley, J.D., Paralipomena (Oxford, 1971): 37 Blok, J.H., The Early Amazons, Modern and Ancient Perspectives on a Persistent Myth (Leiden, 1995): PL.9 (PART OF A1) Boardman, J., The Greeks Overseas, 4th edition (London, 1999): 201, FIG.237 (A) Boardman, J., The history of Greek vases, potters, painters and pictures (London, 2001): 49, FIG.59 (A) Brule, P., Women of Ancient Greece (Edinburgh, 2003): 40 (A) Bundrick, S.D., Athens, Etruria, and the Many Lives of Greek Figured Pottery (Madison, 2019): 29, FIG.2.5 (A) Carpenter, T.H., Art and Myth in Ancient Greece (London, 1991): FIG.195 (PART OF A) Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 26 Corpus Vasorum Antiquorum: BOSTON, MUSEUM OF FINE ARTS 1, 11-12, FIG.17, PLS.(637,639) 15.1-4, 17.1-2 View Whole CVA Plates Galoin, A., Vases Grecs, Collections des musees de Compiegne et de Laon (Paris, 2001): 46, FIG.27 (A) Gherchanoc, F. and Huet, V. (eds.), Vetements antiques, S'habiller, se deshabiller dans les mondes anciens (Arles, 2012): 36, FIG.4 (COLOUR OF A) Horst, F. and Keiling, H. (eds.), Bestattungswesen und Totenkult in ur- und frühgeschichtlicher Zeit (Berlin, 1991): 318, FIG.2 (A1) Immerwahr, H., Attic Script, A Survey (Oxford, 1990): PL.10.42 (A1) Meyer, M. and Gassner, V. (eds.), Standortbestimmung, Akten des 12. Österreichischen Archäologentages vom 28. 2. bis 1. 3. 2008 in Wien (Vienna, 2010): 50, FIG.1 (PART OF A1) Moignard, E., Master of Attic Black-Figure Painting. The Art and Legacy of Exekias (London and New York, 2015): 73-74, FIG.28-29 (A, PART OF A) Muth, S., Gewalt im Bild, Das Phänomen der medialen Gewalt im Athen des 6. und 5. Jahrhunderts v. Chr. (Berlin, 2008): 336, FIG.228 (A1) Oakley, J.H. et al., Athenian Potters and Painters, The Conference Proceedings (Oxford, 1997): 261, FIG.1 (A) Osborne, R., Greece in the Making, 1200-479 BC (London, 1996): 248, FIG.63 (A) Schefold, K., Götter- und Heldensagen der Griechen in der Früh- und Hocharchaischen Kunst (Munich, 1993): 242, FIG.258 (PART OF A) Smith, T.J., Komast Dancers in Archaic Greek Art (Oxford, 2010): 315, PL.13A (B1) Vermeule, E., Aspects of Death in Early Greek Art and Poetry (Berkeley, 1979): 102, FIG.17 (A)
CAVI Lemma: BF Tyrrhenian neck amphora. From Vulci. Timiades Painter (Bothmer). Second
quarter sixth. 560-550. Middle period (Kluiver).
CAVI Subject: A: Heracles and the Amazons. B: komos: men and youths.
CAVI Inscriptions: A: Τιμιαδες, retr. Between the left Amazon's legs: Πανταριστε, retr. Between
Heracles' legs: hερακλες. Between him and his adversary, in a large downward
curve: Ανδρομαχε, retr. To right of the hero's left (forward) leg: Τελαμον. To
right of an Amazon's face and chest, in an irregular line: Αινιπ[π]ε, retr.
