Decoration: A: WOMEN, ONE IN CHARIOT WITH DRAPED MAN, YOUTHS, BOTH DRAPED, ONE PLAYING KITHARA (ATHENA, HERAKLES, APOLLO) B: WOMEN, ONE IN CHARIOT WITH DRAPED MAN, OLD MAN Shoulder A: FIGHT, WARRIORS, SOME WITH BOEOTIAN SHIELDS, SOME IN NEBRIDES, HORSEMEN, DEVICES, DISCS, STAR, CROSS, TRIPOD Shoulder B: FIGHT, WARRIORS, ONE WITH BOEOTIAN SHIELD, BETWEEN DRAPED YOUTHS WITH SPEARS, WINGED YOUTHS (BOREADS ?), ONE IN NEBRIS
Last Recorded Collection: New York (N.Y.), Metropolitan Museum: 17.230.14
Publication Record: Apollo, The International Art Magazine: JULY 1999, 8, FIG.10 (COLOUR OF A) Beazley, J.D., Attic Black-Figure Vase-Painters (Oxford, 1956): 144.3, 686 Beazley, J.D., Paralipomena (Oxford, 1971): 59 Bellia, A. (ed.), Musica, culti e riti nell'occidente greco (Pisa and Rome, 2014): 284, FIG.4 (A) Bentz, M. (ed.), Vasenforschung und Corpus Vasorum Antiquorum, Standortbestimmung und Perspektiven, Beihefte zum Corpus Vasorum Antiquorum I (Munich, 2002): 25, FIG.9, 27, FIG.9A (A, PROFILE) Bothmer, D. v., Greek Vase Painting, An Introduction (New York, 1987): 22-23, 65, NO.9 (A, B, PART OF SH) Bothmer, D. von, Greek Vase Paintings, Metropolitan Museum of Art (New York, 1987): 24-25, NO.12 (A), 69 (B) Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 39 Corpus Vasorum Antiquorum: NEW YORK, METROPOLITAN MUSEUM OF ART 4, 14-15, PLS.(744-747) 16.1-2, 17.1-2, 18.1-2, 19.1-3 View Whole CVA Plates Filser, W., Die Elite Athens auf der attischen Luxuskeramik, Image & Context 16 (Berlin, Munich, Boston, 2017): 498-499, FIGS.333A-B (A, B) Greece and Rome: 40, NO.24 (A) Jurriaans-Helle, G., Composition in Athenian Black-Figure Vase-Painting, The Chariot in Profile Type Scene. Babesch Supplementa 41 (Leuven, Paris, and Bristol, 2021): 141,269, FIGS.50A-B (COLOUR OF A AND B, A, B) Kressirer, K., Das Greisenalter in der griechischen Antike. Untersuchung der Vasenbilder und Schriftquellen der archaischen und klassischen Zeit (Hamburg, 2016): 859, NO.631 (PART OF B) Mackay, E.A., Tradition and Originality, A Study of Exekias (Oxford, 2010): 390, FIG.3, PLS.19-22, CHARTS 1.2, 3.2, 4.1, 5.1, 6.1, 7.1, 9.1 (A, B, SA, SB, LD, PROFILE, PARTS) Mertens, J., How to read Greek vases (New York, 2010): 70-73 (COLOUR OF A, B, SA, SB AND PARTS) Papers on the Amasis Painter and his World (Malibu, 1987): 163, FIG.9 (A) Picon, C.A., Mertens, J.R., et al., Art of the Classical World in the Metropolitan Museum of Art, Greece, Cyprus, Etruria, Rome (New York, 2007): 78, NO.75 (COLOUR OF A AND SA) Reusser, C. and Bürge, M. (eds.), Exekias hat mich gemalt und getöpfert, Ausstellung in der Archäologischen Sammlung der Universität Zürich, 9.11.2018-31.3.2019 (Zurich, 2018): 43-44, 104, FIGS.11-12, 157 (COLOUR OF A AND B, A, B, PROFILE) Shapiro, H.A., Art and Cult under the Tyrants in Athens (Mainz, 1989): PL.26C (B) Technau, W., Exekias (Leipzig, 1936): PL.4 (A) Tsingarida, A. (ed.), Shapes and Uses of Greek Vases (7th-4th centuries B.C.), Proceedings of the Symposium held at the Universite Libre de Bruxelles, 27-29 April 2006 (Brussels, 2009): 46, PL.3.8 (UH)
