Decoration: Body: HERAKLES AND APOLLO, THE STRUGGLE FOR THE TRIPOD, ARTEMIS, ZEUS, HERMES, ATHENA, DEVICE, PROW OF SHIP Predella: ANIMAL FRIEZE, LIONS, BOARS Shoulder: WARRIORS DEPARTING, CHARIOT, OLD MAN SEATED ON STOOL WITH SCEPTRE, ARCHERS, DEVICES, DISCS, LEG, BOEOTIAN SHIELD
Last Recorded Collection: London, British Museum: 1836.2-24.108
Publication Record: Beazley, J.D., Attic Black-Figure Vase-Painters (Oxford, 1956): 268.24, 666 Burow, J., Der Antimenesmaler, Kerameus 7 (Mainz, 1989): PL.146, NO.U6 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 70 Corpus Vasorum Antiquorum: LONDON, BRITISH MUSEUM 6, III.H.E.5-III.H.E.6, PLS.(338,342) 79.4, 83.1 View Whole CVA Plates Kressirer, K., Das Greisenalter in der griechischen Antike. Untersuchung der Vasenbilder und Schriftquellen der archaischen und klassischen Zeit (Hamburg, 2016): 863, NO.810 (PART OF SH) Siftar, L., Das Phänomen der unvollständigen Gestalt in der griechischen Kunst, Unterschiedliche Facetten eines besonderen Darstellungsmittels (Heidelberg, 2018): 664, FIG.41.4 (PART OF BD)
CAVI Lemma: Fragmentary BF hydria. From Vulci. Antimenes Painter (Beazley); manner
(Burow){1}. Last quarter sixth (vase). 530-520 (inscription).
CAVI Subject: Shoulder: Departure of Warrior in a chariot, between figures. Body: the
Struggle for the Tripod; in the center, Zeus; at left, Artemis; at right, Athena
and Hermes.
CAVI Inscriptions: On the alien mouth, BG on WG: Ευ(φ)ιλετος καλος{2}.
CAVI Footnotes: {1} Euphiletos Painter (Bothmer). {2} the photo in Burow shows only καλος.
CAVI Comments: Very clear and large letters. Burow says the neck and mouth are alien, hence
Bothmer's attribution (see note 1) lacks the foundation of the kalos-name.