200964, ATHENIAN, Florence, Museo Archeologico Etrusco, Florence, Museo Archeologico Etrusco, Berlin, Antikensammlung, Berlin, Schloss Charlottenburg, Florence, Museo Archeologico Etrusco, 1B58
Decoration: A,B: EROTIC, MEN AND NAKED WOMEN, LAMP STANDS WITH LAMPS AND LADLES I: EROTIC, MEN AND NAKED WOMEN, SOME MASTURBATING, ONE WITH SANDAL, KLINE, LAMPSTAND WITH LAMP, FOOTSTOOL
Last Recorded Collection: Berlin, Antikensammlung: 3251
Previous Collections:
Florence, Museo Archeologico Etrusco: 1B58
Florence, Museo Archeologico Etrusco: 6B24
Berlin, Schloss Charlottenburg: 3251
Florence, Museo Archeologico Etrusco: 1B49
Publication Record: Archäologischer Anzeiger: 1981, 57, FIG.6 (A,B) Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 113.7, 1626, 1592 Beazley, J.D., Attic Red-figure Vase-painters, 1st ed. (Oxford, 1942): 80.5 Beazley, J.D., Paralipomena (Oxford, 1971): 332 Blondell, R. and Ormand, K. (eds.), Ancient Sex, New Essays (Columbus, 2015): 91, FIG.1.12 (I) Boardman, J., Athenian Red Figure Vases (London, 1975): FIG.112 (I) Boardman, J., and LaRocca, E., Eros in Greece (London, 1978): 90-1 (I, PART OF A) Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 86 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 173 Classical Antiquity: 16 (1997) FIGS.1-3 AT 150 (A, B, I) Corpus Vasorum Antiquorum: BERLIN, ANTIQUARIUM 2, 13-16, FIG.2, PLS.(985,986,987,988) 56.4, 57.1-2, 58.1-4, 59.1-4 View Whole CVA Plates Corpus Vasorum Antiquorum: BERLIN, ANTIQUARIUM 3, 19, 20, PLS.(1051,1063) 122.1.5, 134.2 View Whole CVA Plates Corpus Vasorum Antiquorum: FIRENZE, REGIO MUSEO ARCHEOLOGICO 1, III.I.4, III.I.8, PLS.(376,381) 1.49.58, 6.24 View Whole CVA Plates Dierichs, A., Erotik in der Kunst Griechenlands (Mainz, 2008): 87, FIG.65 (I) Giudice, F. and Panvini, R. (eds.), Il greco, il barbaro e la ceramica attica, Immaginario del diverso, processi di scambio e autorappresentazione degli indigeni, Volume primo, Atti del Convegno Internazionale di studi, 14-19 maggio 2001, Catania, Caltanisetta, Gela, Camarina, Vittoria, Siracusa (Rome, 2010): 14, FIG.2 (I) Hedreen, G., The Image of the Artist in Archaic and Classical Greece, Art, Poetry, and Subjectivity (Cambridge, 2016): 268, FIG.58, PL.24 (A, COLOUR OF I) Heilmeyer, W-D. et al., Antikenmuseum Berlin, Die ausgestellten Werke (Berlin, 1988): 116, NO.4 (PART) Hesperia, The Journal of the American School of Classical Studies at Athens: 52 (1983) PL.63A (PART OF A) Johns, C., Sex or Symbol, Erotic Images of Greece and Rome (London, 1982): 140, FIG.117 (I) Kilmer, M.F., Greek Erotica on Attic Red-Figure Vases (London, 1993): PL. AT P.146, R192 (A, B ,I) Lambert, S.D. (ed.), Sociable Man, Essays on ancient Greek social behaviour, in honour of Nick Fisher (Swansea, 2011): 348, FIG.4 (I) Lücken, G. von, Griechische Vasenbilder (Berlin, 1921): PLS.80, 81, 82.1 Oakley, J.H. (ed.), Athenian Potters and Painters, Volume III (Oxford and Philadelphia, 2014): 59, FIG.11 (I) Ostraka: 18 (2009) 184, FIG.13 (I) Peschel, I., Die Hetäre bei Symposium und Komos in der attisch rotfigurigen Malerei des 6.-4. Jhs. v.Chr. (Frankfurt, 1987): PL.29 (I, A, B) Reinsberg, C., Ehe, Hetärentum und Knabenliebe im antiken Griechenland (Munich, 1989): 96, 103, 116, FIGS.42, 52, 63A-B (A, B, I) Schafer, A, Unterhaltung beim griechischen Symposium (Mainz, 1997): PL.32.3 (PART OF A) Seidel, Y., Kunstliches Licht im individuellen, familiaren und offentlichen Lebensbereich (Vienna, 2009): 66, FIG.34 (I) Stewart, A., Art, Desire, and the Body in Ancient Greece (Cambridge, 1997): 166-167 (A, B, I) Topper, K., The imagery of the Athenian symposium (Cambridge, 2012): 110, FIG.40 (I) Vorberg, G., Über das Geschlechtsleben im Altertum (Stuttgart, 1925): PL.9
CAVI Lemma: RF CUP. FROM VULCI. THALIA PAINTER. CACHRYLION, POTTER. LAST QUARTER SIXTH.
CAVI Subject: INT.: SYMPOSIUM WITH LOVE-MAKING: ON A COUCH, A MAN AND A WOMAN WHO HITS HIM
WITH HER SANDAL; A YOUTH SQUATTING AND A WOMAN, BOTH MASTURBATING; A LAMP ON A
STAND; TWO LADLES HUNG UP. A-B: OBSCENE: 17 NUDE FIGURES: 7 MEN, ONE BEARDED, 7
WOMEN, 3 FRAGMENTARY. LAMPS ON STANDS, LADLES.
CAVI Footnotes: {1} OR Σμικ[κ]α? AA: [--]α, BUT RES. ÉTR. NO. 26 GIVES THE WHOLE NAME
(Σμικα). LGPN II READS Σμικα. {2} Ε[πιλυ]κος, GUY; BEARDED. {3} [Αφρ]ος,
GREIFENHAGEN IN CVA, BERLIN 2 (HETAERA). {4} TAKEN FROM AA AND ARV[2]. {5} TAKEN
FROM ARV[2] 440/169.
CAVI Comments: + EX FLORENCE 1 B 49 (PART EX VILLA GIULIA). + FLORENCE 1 B 58; 6 B 24, ETC.
+ VILLA GIULIA, ARV[2] 440/169 (INSCRIBED); SEE ADD.[2].
CAVI Number: 2457
AVI Bibliography: FURTWäNGLER (1893), 89/34 (NOT ILL.). — BEAZLEY (1931), 44/14 (ADDS CAMPANA,
PL. 1, 49 AND 58). — CF (1933), PL. Z, 9-15 (ADDS FLORENCE FRS.). — BLöSCH
(1940), 45/KACHRYLION 11, PL. 12,4. — A. GREIFENHAGEN, CVA BERLIN 2, GERMANY 21
(1962), PL. 56,4. — ARV[2] (1963), 113/7, 1626, 1704. — SEKI (1981), 57, FIG. 6
(A,B). — SHAPIRO (1983A), 308. — ADD.[2] (1989), 173 (BIBL.).
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
