Decoration: Shoulder: SYMPOSIUM, YOUTHS WITH KROTALA AND PIPES
Last Recorded Collection: Bonn, Akademisches Kunstmuseum: 70
Publication Record: American Journal of Archaeology: 99 (1995) 437, FIG.14 (S) Archäologische Zeitung: 31 (1873) PL.9 Archäologischer Anzeiger: 1997, 361, FIGS.20-21 (S, PART) Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 28.12 Beazley, J.D., Attic Red-figure Vase-painters, 1st ed. (Oxford, 1942): 26.10 Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 64.12 Bentz, M., Geominy, W., and Müller, J.M. (eds.), TonArt, Virtuosität antiker Töpfertechnik. Eine Ausstellung im Akademischen Kunstmuseum-Antikensammlung der Universität Bonn 18.November 2010-17. April 2011 (Petersberg, 2010): 125, NO.91 (COLOUR OF SH) Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 156 Corpus Vasorum Antiquorum: BONN, AKADEMISCHES KUNSTMUSEUM 1, 17, PL.(16) 16.1-2 View Whole CVA Plates Hoppin, A., A handbook of Attic red-figured vases signed by or attributed to the various masters of the sixth and fifth centuries B.C. (Cambridge, 1919): I, 431 Hoppin, J.C., Euthymides and his fellows (Cambridge, 1917): PL.6 Seaman, K. and Schultz, P. (eds.), Artists and Artistic Production in Ancient Greece (Cambridge, New York, and Melbourne, 2017): 27, FIG.3.2 (SH)
CAVI Lemma: RF hydria (kalpis). From Nola. Euthymides. Last quarter sixth. 510-500.
CAVI Subject: symposium: two youths reclining.
CAVI Inscriptions: Along the left margin: Μεγακλες | καλος, retr. Along the right margin:
[Σμ]ικυθος (the flautist). Ευθυ[μ]ιδ[ες] εγραφε.
CAVI Comments: For Smikythos, cf. Immerwahr (1982), 63; a Smikythos appears as the father of
an Onesimos on an Acropolis dedication of the early fifth century whom
Raubitschek would like to identify with the vase painter (DAA, no. 217). For
Megakles see the discussion in CVA.
