Decoration: A: ATHENA BETWEEN COLUMNS SURMOUNTED BY COCKS, DEVICE, TYRANNICIDES B: ATHLETES, YOUTHS RUNNING
Last Recorded Collection: Hildesheim, Roemer-Pelizaeus Museum: 1253
Publication Record: Beazley, J.D., Attic Black-Figure Vase-Painters (Oxford, 1956): 412.2 Bentz, M. and Eschbach, N. (eds.), Panathenaika, Symposion zu den Panathenäischen Preisamphoren, Rauischholzhausen 25.-29.11.1998 (Mainz, 2001): PL.28.5 (PART OF A) Bentz, M., Panathenäische Preisamphoren, Eine athenische Vasengattung und ihre Funktion vom 6.-4. Jahrhundert v. Chr. 18. Beih. zur Antiken Kunst (Basel, 1998): PLS.96-97.5244 (A, B) Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 107 Jahrbuch des Deutschen Archäologischen Instituts: 107 (1992) 52, FIG.1, PL.16.1E (DRAWINGS OF PARTS OF B) Kreuzer, B., Griechische, ptolemäische und römische Keramik im Roemer- und Pelizaeus-Museum Hildesheim, Hildesheimer ägyptologische Beiträge 51 (Hildesheim 2011): PLS.30-33, NO.46
CAVI Lemma: PANATHENAIC PRIZE AMPHORA. FROM PTOLEMAIS (CYRENAICA). HILDESHEIM GROUP{1};
ARISTOPHANES (PETERS). LATE FIFTH (403/2?).
CAVI Subject: A: ATHENA. B: FOOT RACE.
CAVI Inscriptions: A: των ΑθHενεθHεν α[θ]λων [[Αθ{H}(ε)νεθ{H}(ε)ν]].
CAVI Footnotes: {1} BY THE SAME HAND AS HILDESHEIM 1254, ARV[2].
CAVI Comments: ESCHBACH DATES THE KUBAN GROUP LATER THAN SüSSEROT. MIXED ALPHABET. IONIC ARE
LAMBDA AND OMEGA, ATTIC IS EPSILON FOR ETA; `SYLLABIC' HETA IS USED AFTER THETA:
SEE IMMERWAHR (1964A). THREATTE (1980), 46 MISUNDERSTANDS MY ANALYSIS OF θHε
[[θ{H}(ε)]] IN IMMERWAHR (1964A).
