Decoration: I: DEMETER (NAMED) WITH SHEAVES OF CORN, ALTAR
Last Recorded Collection: Brussels, Bibliotheque Royale: 12
Publication Record: Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 797.134 Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 359.50 Beazley, J.D., Paralipomena (Oxford, 1971): 419 Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 143 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 290 Connelly, J.B., Portrait of a Priestess, Women and Ritual in Ancient Greece (Princeton and Oxford, 2007): 110, FIG.4.18 (I) Himmelmann, N., Minima Archeologica, Utopie und Wirklichkeit der Antike (Mainz, 1996): 59, FIG.26 (I) Himmelmann, N., Tieropfer in der griechischen Kunst, Nordrheinwestfälische Akademie der Wissenschaften, Vorträge G 349 (Opladen, 1997): 48, FIG.33 (I) Kaltsas, N. and Shapiro, A., Worshiping Women, Ritual and Reality in Classical Athens (Athens and New York, 2008): 22, 161, NO.71 (COLOUR OF A, I AND PART OF I) Thesaurus Cultus et Rituum Antiquorum: V, PL.4.GR134 (I) Thesaurus Cultus et Rituum Antiquorum: VIII, PL.47, CAT.94 (I)
CAVI Lemma: RF cup{1}. From Capua. Euaion Painter{2}. Second quarter fifth. Ca. 470.
Early (Beazley).
CAVI Subject: Int.: Demeter sacrificing.
CAVI Inscriptions: Int.: to right of her head, Gr. and Dip.: Δεμετρος{3}.
CAVI Footnotes: {1} Acrocup. {2} follower of Douris. {3} Feytmans states: incised, then
painted white and repainted brick red; the inscription is not modern, except for
the repainting, since it is mentioned in NSc.; originally a Gr.?
