Decoration: A1: EROTIC, NAKED WOMEN AND MEN, ONE MASTURBATING, KANTHAROS, NONSENSE INSCRIPTIONS B1: KOMOS, MEN, SOME ITHYPHALLIC, AND WOMEN, ONE NAKED, NONSENSE INSCRIPTIONS B2-4: ANIMAL FRIEZES, FLORAL, LOTUS BUD AND PALMETTE CROSS, SIRENS, PANTHERS, RAMS AND GOATS
Last Recorded Collection: Munich, Antikensammlungen: 1431
Previous Collections:
Munich, Antikensammlungen: 6451
Publication Record: Antike Welt: (1988), SONDERNUMMER, 42, FIG.61 (A) Beazley, J.D., Attic Black-Figure Vase-Painters (Oxford, 1956): 102.99 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 27 Corpus Vasorum Antiquorum: MUNICH, MUSEUM ANTIKER KLEINKUNST 7, 16-18, BEILAGE A4, PLS.(1529-1531) 315.3-4, 316.1, 317.1-4 View Whole CVA Plates Dierichs, A., Erotik in der Kunst Griechenlands (Mainz, 2008): 53, FIG.39 (COLOUR OF A) Frontisi-Ducroux, F., Du Masque au Visage, Aspects de l'identite en Grece ancienne (Paris, 1995): PL.72 (PART OF A1) Griesbach, J. and Knauß, F.S. (eds.), Wein & Sinnlichkeit, Der Fotograf Johann Willsberger entdeckt das griechische Symposion, 11.07.2024 - 20.10.2024, Staatliche Antikensammlungen (Munich, 2024): 49, FIG.3.17 (COLOUR OF A) Isler-Kerenyi, C., Dionysos in Archaic Greece, An Understanding through Images (Leiden, 2007): FIGS.86-87 (A1, B1) Korshak, Y., Frontal Faces in Attic Vase Painting of the Archaic Period (Chicago, 1977): 91, FIG.16 (PART) Pallas, Revue d'études antiques: 97 (2015) 94, FIG.5 (PART OF A) Reinsberg, C., Ehe, Hetärentum und Knabenliebe im antiken Griechenland (Munich, 1989): 107, FIG.55 (PART OF AB1) Smith, T.J., Komast Dancers in Archaic Greek Art (Oxford, 2010): 317, PL.14A (B1) Vierneisel, K., and Kaeser, B. (eds.), Kunst der Schale, Kultur des Trinkens (Munich, 1990): 229, FIG.37.2 (PART OF A), 290-291, FIGS.47.5A-B (A, PART OF B) Yatromanolakis, D. (ed.), Epigraphy of Art, Ancient Greek Vase-Inscriptions and Vase-Paintings (Oxford, 2016): 153, FIG.5 (B1)
CAVI Lemma: BF TYRRHENIAN NECK AMPHORA. FROM VULCI. UNATTRIBUTED{1}. THIRD QUARTER SIXTH.
550-530. EARLY PERIOD (KLUIVER).
CAVI Subject: A,B, EACH: LOVE MAKING (OBSCENE, WITH WOMEN).
CAVI Inscriptions: A: SEVEN NONSENSE INSCRIPTIONS, MAINLY VERTICALLY DOWN BETWEEN THE FIGURES:
γος. νοετυο. τοεσοχι. (.)αοσο. (τ)(ρ)οε. ϝιοιδοε. νθεσοει{2}. B: FIVE SIMILAR
INSCRIPTIONS, VERTICALLY DOWN, EXCEPT THE LAST: ϝ(.)οει. τυεσοει. τοεσοσ.
τ·(ο)οβοτοι. τυειονοσ, RETR.
CAVI Footnotes: {1} BUT KUNZE-GöTTE IN CVA RIGHTLY NOTES THE SIMILARITY OF THE INSCRIPTIONS
TO MUNICH 1432, BY THE GUGLIELMI PAINTER. {2} THE LAST LETTER PERHAPS A SIGMA.
CAVI Comments: = 6451. SIGMA ALWAYS REVERSED.
CAVI Number: 5158
AVI Bibliography: ABV (1956), 102/99. — E. KUNZE-GöTTE, CVA MUNICH 7, GERMANY 32 (1970), PLS.
315,3, 316,1, 317,1-4, BEIL. A 4. — ADD.[2] (1989), 27. — ATTSCR (1990), NO.
187. — VIERNEISEL–KAESER (1990), FIG. 37.2 (A) AND 47.5A-B (A, SMALL, AND B). —
KLUIVER (1996), 21/201 (INSCRR. NOT MENTIONED).
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
