Decoration: A: AJAX AND CASSANDRA, NAKED, ATHENA, WARRIOR, WOMAN (POLYXENE), YOUTH (ALL NAMED), DEVICE, MONSTER, (SCYLLA ?) WITH FISH B: THESEUS (IN NEBRIS) AND THE MINOTAUR, WITH STONES, BETWEEN YOUTHS AND WOMAN, ATHENA, ALL NAMED
Last Recorded Collection: Berlin, Antikensammlung: F1698
Publication Record: Beazley, J.D., Attic Black-Figure Vase-Painters (Oxford, 1956): 136.54 Beazley, J.D., Attic Black-Figure Vase-Painters (Oxford, 1956): 674 Bentz, M. (ed.), Vasenforschung und Corpus Vasorum Antiquorum, Standortbestimmung und Perspektiven, Beihefte zum Corpus Vasorum Antiquorum I (Munich, 2002): 31, 32, FIGS.15, 15A, 137, FIG.9 (A, PROFILE, DRAWINGS OF A AND B) Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 37 Corpus Vasorum Antiquorum: BERLIN, ANTIKENSAMMLUNG 14, 25, 26, 27, 28, 29, 30, 31, FIGS.1, 2, BEILAGE 1.3, PLS.(4559,4562,4563) 3.2, 6.1-2, 7.1-4 View Whole CVA Plates Hedreen, G., Capturing Troy, The Narrative Functions of Landscape in Archaic and Early Classical Greek Art (Ann Arbor, 2001): FIG.4 (A) Mediterranean Archaeology: 9/10 (1996/97) PL.18.1 (A) Recke, M., Gewalt und Leid, Das Bild des Krieges bei den Athenern im 6. und 5. Jh. v. Chr. (Istanbul, 2002): PL.8C (A) Yatromanolakis, D. (ed.), Epigraphy of Art, Ancient Greek Vase-Inscriptions and Vase-Paintings (Oxford, 2016): 80, FIG.7 (COLOUR DRAWING OF A)
CAVI Footnotes: {1} This, not Αν(φ)ιλοχος, is the correct reading, for Αντιλοχος. See also
Threatte (1980), 463. {2} (ρ) may be a miswritten pi.
CAVI Comments: Restored (ABV). The readings combine those of Furtwängler, Beazley in BSA,
and a photo once in Beazley's possession. The nonsense inscriptions on B after
Furtw. only. Beazley in BSA gives Αριαγνε, complete. Furtw. and Beazley print
Ανθιλοχος. Pi is often miswritten in the nonsense. Not all letters are clear in
the facsimiles.