Decoration: A,B: SYMPOSIUM, MEN RECLINING, WITH OINOCHOE, CUPS (PLAYING KOTTABOS), ONE VOMITING, NAKED WOMAN PLAYING PIPES, BASKETS AND LYRE SUSPENDED I: SYMPOSIUM, MAN PLAYING PIPES, YOUTH, LYRE SUSPENDED, TABLE
Last Recorded Collection: Cambridge, Fitzwilliam Museum: 103.18
Previous Collections:
Cambridge, Corpus Christi College
Publication Record: American Journal of Archaeology: 126.2 (2022) 190, FIG.18 (COLOUR OF A) Antike Welt: 1988, SONDERNUMMER, 49, FIG.73 (A) Apollo, The International Art Magazine: 108 (OCTOBER 1978) 276, FIG.8 (PART OF B) Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 402.12, 1651 Beazley, J.D., Attic Red-figure Vase-painters, 1st ed. (Oxford, 1942): 264.12 Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 187.5 Beazley, J.D., Paralipomena (Oxford, 1971): 370 Boardman, J., Athenian Red Figure Vases (London, 1975): FIG.265 (DRAWING OF A) Brinna, O. and Ehrl, F. (eds.), Echo, Beitrage zur Archäologie des mediterranen und alpinen Raumes, Johannes B. Trentini zum 80. Geburtstag (1990): 145, FIG.22 (A) Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 114 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 231 Dalby, A., Siren Feasts, A history of food and gastronomy in Greece (London, 1996): 155, FIG.29 (A) Dierichs, A., Erotik in der Kunst Griechenlands (Mainz, 2008): 67, FIG.49 (DRAWING OF A) Fröhner, W. and Lecuyer, C., Collection Camille Lecuyer, terres cuites de Tanagra et d'Asie Mineure (1883): 64 (DRAWING OF A) Fröhner, W., Collection Lecuyer (Paris, 1883): 2, PL.E.5 Gondek, R.M. and Sulosky Weaver, C.L. (eds.), The Ancient Art of Transformation, Case Studies from Mediterranean Contexts (Oxford, 2018): 11, FIG.1.1 (COLOUR OF A) Journal of Hellenic Studies: 41 (1921) 224, PLS.15-16 Kurtz, D.C. (ed.), Greek Vases, Lectures by J.D. Beazley (Oxford, 1989): PLS.54-55 (A, B, I) Ling. R., The Greek World (Oxford, 1976): 107 (A) Mann, C., Haake, M, Hoff, R. von den (eds.), Rollenbilder in der athenischen Demokratie, Medien, Gruppen, Räume im politischen und sozialen System, Beiträge zu einem interdisziplinaren Kolloquium in Freiburg i. Br., 24.-25. November 2006 (Wiesbaden, 2009): 36, FIG.2 (A, B) Nicholls, R., Classical Heritage, Greek and Roman Art from Cambridge College Collections (Cambridge, 1978): FRONT COVER & 13, NO.36 (I, PART OF A) Onians, J., Classical Art and the Cultures of Greece and Rome (New Haven, 1999): 52, FIG.39 (A) Osborne, R., The Transformation of Athens Painted Pottery and the Creation of Classical Greece (Princeton and Oxford, 2018): 185-186, FIG.7.20-22, PL.33 (A, B, I, COLOUR OF A) Peschel, I., Die Hetäre bei Symposium und Komos in der attisch rotfigurigen Malerei des 6.-4. Jhs. v.Chr. (Frankfurt, 1987): PL.64 (A,B) Richter, G., Ancient Furniture (Oxford, 1926): 264.12 Schafer, A, Unterhaltung beim griechischen Symposium (Mainz, 1997): PL.15.1-2 (A, B) Schafer, A, Unterhaltung beim griechischen Symposium (Mainz, 1997): PL.29.1 (I) Settis, S. (ed.), I Greci, Storia Cultura Arte Societa 2, Una storia greca, 1.Formazione (Turin, 1996): 819, FIG.32 (DRAWINGA OF A, B AND I) Siftar, L., Das Phänomen der unvollständigen Gestalt in der griechischen Kunst, Unterschiedliche Facetten eines besonderen Darstellungsmittels (Heidelberg, 2018): 863, DADA254 (I) Yatromanolakis, D. (ed.), An Archaeology of Representations, Ancient Greek Vase-Painting and contemporary Methodologies (Athens, 2009): 157, FIG.11 (DRAWING OF A)
CAVI Collection: Cambridge, Corpus Christi College.
CAVI Lemma: RF cup. Foundry Painter. Euphronios, potter (Blösch). First quarter fifth.
490-480.
CAVI Subject: Symposium: Int.: man reclining and playing the flutes; boy dancing. A: four
bearded men on couches. B: similar to A, but with a female flautist.
CAVI Inscriptions: B: above the heads: nonsense: (.) v. υν ον(ν)νμν. ννγν{1}.
CAVI Footnotes: {1} "On the background, the usual inscriptions, with mu, upsilon, sigma."
(Beazley (1989)).
CAVI Comments: After the drs. in JHS. One nu reversed.
