Decoration: A: JUDGEMENT OF PARIS, SEATED IN IONIC BUILDING WITH SCEPTRE AND LYRE, HERA WITH SCEPTRE AND LION, ATHENA, APHRODITE WITH EROS AND WREATH, AND HERMES B: HELEN SEATED ON CHAIR WITH BOX, EROS, WOMAN WITH MIRROR, DRAPED MAN WITH SCEPTRE (MENELAOS ?), YOUTHS IN CHLAMYDES, BOOTS AND PETASOI WITH SPEARS (PARIS) I: WARRIOR DEPARTING, OLD MAN LEANING ON STAFF
Last Recorded Collection: Berlin, Antikensammlung: F2536
Previous Collections:
Berlin, Schloss Charlottenburg: F2536
Publication Record: Albersmeier, S. (ed.), Heroes, Mortals and Myths in ancient Greece (Baltimore, 2009): 149, FIG.88 (A) Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 1287.1 , 1689 Beazley, J.D., Paralipomena (Oxford, 1971): 473 Boardman, J., Athenian Red Figure Vases, The Classical Period (London, 1989): FIG.244 (I,A,B) Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 358 Corpus Vasorum Antiquorum: BERLIN, ANTIQUARIUM 3, 17, PLS.(1046,1047,1062) 117.2-4, 118.1-2, 133.2.4.9 View Whole CVA Plates Di Franco, L. et al., Archeologie borboniche, la ricerca sull'antico a Capri e nelle province di Napoli e Terra di Lavoro Geopolitica dell'archeologia in Terra di Lavoro (1800-1815) (Rome, 2020): 477, FIG.35 (I) Dietrich, N., Das Attribut als Problem, Eine bildwissenschaftliche Untersuchung zur griechischen Kunst (Berlin, Munich, and Boston, 2018): 180, FIG.3.23 (A) Franceschini, M., Attische Mantelfiguren, Relevanz eines standardisierten Motivs der rotfigurigen Vasenmalerei. Zürcher archäologische Forschungen Band 5 (Rahden, 2018): PL.5B (I) Ghali-Kahil, L., Les Enlevements et le retour d'Helene (Paris, 1955): PL.9.1-2 (B) Gherchanoc, F., Concours de beaute et beautes du corps en Grece ancienne (Bordeaux, 2016): 63, FIG.4 (A) Grassinger, D. et al. (eds.), Die Rückkehr der Götter, Berlins verborgener Olymp (Berlin, 2008): 64-65, 70-73 (A, COLOUR OF I, PART OF I, A, AND B) Hedreen, G., Capturing Troy, The Narrative Functions of Landscape in Archaic and Early Classical Greek Art (Ann Arbor, 2001): FIG.50 (A) Heilmeyer, W-D. et al., Antikenmuseum Berlin, Die ausgestellten Werke (Berlin, 1988): 152, NO.2 (B) Hephaistos: 9 (1988) 147, FIG.7 (DRAWING OF I) Journal of the Walters Art Gallery: 55-56 (1997/98) 33, FIG.7 (B) Kaltsas N. (ed.), Agon, Exhibition catalogue (Athens, 2004): 114, NO.12 (COLOUR OF A) Kressirer, K., Das Greisenalter in der griechischen Antike. Untersuchung der Vasenbilder und Schriftquellen der archaischen und klassischen Zeit (Hamburg, 2016): 871, NO.1033 (I) Lefkowitz, M., Greek Gods, Human Lives (New Haven and London, 2003): 57 (A) Lexicon Iconographicum Mythologiae Classicae: IV, PL.306, HELENE 85 (PART) Lexicon Iconographicum Mythologiae Classicae: VII, PL.113, PARIDIS IUDICIUM 39 (A) Maas, M. and Snyder, J.M, Stringed Instruments of Ancient Greece (New Haven, 1989): 104, FIG.9 (PART OF A) Mertens, J., How to read Greek vases (New York, 2010): 138, FIG.12 (COLOUR OF A) Meyer, M. and Adornato, G. (eds.), Innovations and Inventions in Athens c. 530 to 470 BCE, Two Crucial Generations. Wiener Forschungen zur Archäologie 18 (Vienna, 2020): FIG.9.5 (A) Morard, T., Horizontalite et Verticalite, Le bandeau humain et le bandeau divin chez le Peintre de Darius (Mainz, 2009): PL.97.2 (A) Reeder, E.D. et al., Pandora, Women in Classical Greece (Baltimore, 1995): 66, FIG.8 (PART OF B) Schefold, K. and Jung, F., Die Urkönige, Perseus, Bellerophon, Herakles und Theseus in der klassischen und hellenistischen Kunst (Munich, 1988): 106-107, FIGS.85-86 (A,B) Troja, Traum und Wirklichkeit (Stuttgart, 2001): 119, 121, FIGs.116, 118 (COLOUR OF A AND B)
