Decoration: A,B: AMAZONOMACHY, THESEUS AND PERITHOOS (BOTH NAMED), WARRIORS, AMAZONS, ONE ANTIOPE, SOME IN PATTERNED SUITS, ONE FALLEN, SOME WITH SWORD, AXES, SCYTHIAN CAP, ON HORSEBACK, NAMED, TREE
Last Recorded Collection: Ferrara, Museo Nazionale di Spina: 2890
Previous Collections:
Ferrara, Museo Nazionale di Spina: T1052
Publication Record: Alfieri, N. and Arias, P.E., Spina, Die neuentdeckte Etruskerstadt und die griechischen Vasen ihrer Gräber (Munich, 1958): PLS.54-59 Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 1568 Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 991.53 , 1677 Beazley, J.D., Paralipomena (Oxford, 1971): 437 Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 152 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 311 Corpus Vasorum Antiquorum: FERRARA, MUSEO NAZIONALE 1, 09, PL.(1664) 20.1-4 View Whole CVA Plates Muth, S., Gewalt im Bild, Das Phänomen der medialen Gewalt im Athen des 6. und 5. Jahrhunderts v. Chr. (Berlin, 2008): 390-391, FIG.274 (DRAWING OF A AND B) Oakley, J.H., The Achilles Painter (Mainz, 1997): FIG.21, PLS.34-35 (INCLUDING PROFILE) PHOTOGRAPH(S) IN THE BEAZLEY ARCHIVE: 4
CAVI Collection: FERRARA, MUSEO NAZIONALE DI SPINA 2890.
CAVI Lemma: RF CALYX KRATER. FROM SPINA. ACHILLES PAINTER. THIRD QUARTER FIFTH.
CAVI Subject: A-B: (CONTINUOUS:) THESEUS AND THE AMAZONS: A: PERITHOOS TO RIGHT, STABBING
ANDROMACHE; PYRGOMACHE, COLLAPSED; THESEUS TO RIGHT, FIGHTING ANTIOPE (WHO IS
OVER THE RIGHT HANDLE). B: TREE TO RIGHT OF ANTIOPE; GREEK TO RIGHT, FIGHTING
AMAZON ON HORSEBACK; GREEK TO RIGHT ATTACKS EUMACHE (WHO IS ON A, ON THE OTHER
SIDE OF THE HANDLE).
CAVI Footnotes: {1} BOTHMER; MISSED BY AURIGEMMA AND ARIAS. {2} Θησευς, BOTHMER, BUT SEE
ATTSCR (1990), 109 N. 4. {3} καλ[ο]ς, BOTHMER. MY READINGS MOSTLY AFTER
AURIGEMMA. BUT OAKLEY ALSO READS Θησευς.
CAVI Comments: = VT T 1052. THE SURFACE IS IN POOR CONDITION; THE PHS. DO NOT SHOW THE
INSCRIPTIONS. IONIC ALPHABET (EXCEPT PERHAPS Θεσευς). MENDED IN ANTIQUITY. THE
SCENE PROBABLY INSPIRED BY A WALL PAINTING (SEE OAKLEY 50 N. 169) [NOTE THAT THE
SCENE IGNORES THE HANDLE DIVISIONS BETWEEN A AND B]. OAKLEY PRINTS IONIC LETTERS
EXCEPT FOR THREE-STOKE SIGMA IN καλ[ο]ς, WHICH HE MENTIONS ON P. 11. ACCORDING
TO OAKLEY 10 THE INSCRIPTIONS ARE INCISED; SO DOES DENOYELLE; I HAD NOT NOTICED
IT.
CAVI Number: 3473
AVI Bibliography: PHOTO. — AURIGEMMA (1935), 163-65. — BOTHMER (1957), 161/4 AND 170. — ARV[2]
(1963), 991/53, 1677. — P.E. ARIAS, CVA FERRARA 1, ITALY 37 (1963), PL. 20,1-4.
— AURIGEMMA (1965), PLS. 15 AND 22. — PARA. (1971), 437. — ALFIERI (1979), 60,
FIGS. 139-41. — ADD.[2] (1989), 311 (DELETE REF. TO EYE OF GREECE, PL. 5A, IN
ADD.[2]). — ATTSCR (1990), NO. 745. — DENOYELLE (1997), 405 N. 33.
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
