10152, ATHENIAN, Malibu (CA), The J. Paul Getty Museum, New York (N.Y.), Metropolitan Museum, Malibu (CA), The J. Paul Getty Museum, Greenwich (CT), private, M. and W. Bareiss, S82.AE.2
Attributed To: BAREISS P by BOTHMER MEDEA GROUP by BOTHMER
Decoration: A: ATHENA MOUNTING CHARIOT, HERAKLES, HERMES B: WARRIOR, FALLING, BETWEEN HORSEMEN IN THRACIAN CLOAKS
Last Recorded Collection: Malibu (CA), The J. Paul Getty Museum: 86.AE.85
Previous Collections:
Greenwich (CT), private, M. and W. Bareiss: 14
Malibu (CA), The J. Paul Getty Museum: S82.AE.2
New York (N.Y.), Metropolitan Museum: L68.142.11
Publication Record: American Journal of Archaeology: 76 (1972), PLS.1.1-2, 6.17-23 (A, B) Bentz, M. and Kästner, U. (eds.), Konservieren oder restaurieren, Die Restaurierung griechischer Vasen von der Antike bis heute, Beiheft zum Corpus Vasorum Antiquorum Deutschland III (Munich, 2007): PL.2.1 (COLOUR OF A) Bentz, M., Geominy, W., and Müller, J.M. (eds.), TonArt, Virtuosität antiker Töpfertechnik. Eine Ausstellung im Akademischen Kunstmuseum-Antikensammlung der Universität Bonn 18.November 2010-17. April 2011 (Petersberg, 2010): 1026, FIG.26 (DETAIL) Cohen, B. (ed.), Not the Classical Ideal, Athens and the Construction of the Other in Greek Art (Leiden, Boston and Köln, 2000): 371, FIG.14.3 (A) Corpus Vasorum Antiquorum: MALIBU, J. PAUL GETTY MUSEUM 1, 26, 27, 28, 82, FIG.22, PLS.(1137-1139) 27.1-2, 28.1-5, 29.1-2 View Whole CVA Plates Greek Vases, Molly and Walter Bareiss Collections, the Paul Getty Museum (Malibu, 1983): 20-21, NO.10 (A, B, INCLUDING COLOUR) J. Paul Getty Museum Journal: 18 (1990) 63, 65, FIGS.19, 24 (PARTS OF AH AND NA) Lang-Auinger, C. and Trinkl, E. (eds.), Griechische Vasen als Medium für Kommunikation. Ausgewählte Aspekte. Akten des internationalen Symposiums im Kunsthistorischen Museum Wien, 5.-7. Oktober 2017. CVA Österreich, Beiheft 3 (Vienna, 2021): 250, FIG.1 (COLOUR OF B) Lapatin, K. and Wight, K. (eds.), The J. Paul Getty Museum, Handbook of the Antiquities Collection (Los Angeles, 2010): 63 (COLOUR OF A) Morais, R., Centeno, R., and Freitas Ferreira, D. (eds.), Myths, Gods and Heroes. Greek Vases in Portugal – Mitos, Deuses e Heróis. Vasos Gregos em Portugal (Porto, 2022): I, 240, FIG.12 (COLOUR OF A) PHOTOGRAPH(S) IN THE BEAZLEY ARCHIVE: 6 (A, B, UH)
CAVI Subject: A: HERACLES GOING TO OLYMPUS: ATHENA MOUNTING A CHARIOT; HERACLES. B: A
FALLING HOPLITE BETWEEN TWO HORSEMEN. [HORSES APPEAR ON EACH SIDE.]
CAVI Inscriptions: A, B, EACH: HORSE BRAND: SIGMA (OR SAN) WITH A SQUIGGLE. SIMON (APUD CVA?)
THINKS THEY ARE SNAKES, WHENCE CLARK CALLS THEM `SERPENTINE BRANDS.'
CAVI Comments: EX BAREISS 14. SIGMA: MOORE IN MOORE–BOTHMER (1972), 1 N. 3, PL. 2. SIMILAR:
SEE MALIBU 86.AE.134. BY THE SAME PAINTER AS LONDON B 176. THE LIP HAS BEEN CUT
OFF. BIBL. ON THESE BRANDS: LULLIES (1971), 47 N. 16. A. MARTIN,
DAREMBERG�SAGLIO (1877�1919), II, 800.
CAVI Number: 5050
AVI Bibliography: SCHAUENBURG (1968), NO. A 25. — MOORE–BOTHMER (1972), 1FF., PL. 1, FIGS. 1-2.
— J. PAUL GETTY MUSEUM (1983), 71/47 (NOT ILL.). — A.J. CLARK, CVA MALIBU 1, USA
23 (1988), PLS. 27-29.
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
