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310386, ATHENIAN, Boston (MA), Museum of Fine Arts, Boston (MA), Museum of Fine Arts, 89.273

  • Vase Number: 310386
  • Fabric: ATHENIAN
  • Technique: BLACK-FIGURE
  • Shape Name: AMPHORA, NECK
  • Provenance: ITALY, ETRURIA, TARQUINIA
  • Date: -575 TO -525
  • Attributed To: EXEKIAS by BEAZLEY
  • Decoration: A,B: HARNESSING OF CHARIOT, MEN, SOME DRAPED, WOMEN, ONE WITH SPEAR, WARRIOR LEADING HORSE, FRONTAL HORSE
    Frieze below: ANIMAL FRIEZE, LIONS, BOARS
    Shoulder A: FIGHT BETWEEN DRAPED YOUTHS KNEELING WITH COCKS BETWEEN LIONS
    Shoulder B: COCK FIGHT BETWEEN DRAPED YOUTHS KNEELING WITH COCKS BETWEEN TRIPODS
  • Last Recorded Collection: Boston (MA), Museum of Fine Arts: R315
  • Previous Collections:
    • Boston (MA), Museum of Fine Arts: 89.273
  • Publication Record: Beazley, J.D., Attic Black-Figure Vase-Painters (Oxford, 1956): 144.4
    Beazley, J.D., Paralipomena (Oxford, 1971): 59
    Bentz, M. (ed.), Vasenforschung und Corpus Vasorum Antiquorum, Standortbestimmung und Perspektiven, Beihefte zum Corpus Vasorum Antiquorum I (Munich, 2002): 25, FIG.7, 26, FIG.7A (A, PROFILE)
    Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 39
    Corpus Vasorum Antiquorum: BOSTON, MUSEUM OF FINE ARTS 1, 22-23, FIG.27, PLS.(651-654) 29.1-2, 30.1-2, 31.1-6, 32.1-6 View Whole CVA Plates
    Filser, W., Die Elite Athens auf der attischen Luxuskeramik, Image & Context 16 (Berlin, Munich, Boston, 2017): 477, FIGS.311A-B (A, B)
    Haspels, C.H.E., Attic Black-figured Lekythoi (Paris, 1936): 41, NOTE 2
    Hephaistos: 9 (1988) 145, FIG.2 (SB)
    Hesperia, The Journal of the American School of Classical Studies at Athens: 81 (2012) 217, FIG.6 (SB)
    Lang-Auinger, C. and Trinkl, E. (eds.), Phyta kai Zoia. Pflanzen und Tiere auf griechischen Vasen, Beihefte zum Corpus Vasorum Antiquorum Österreich, Band 2 (Vienna, 2015): 99, FIGS.3A-B (A AND B)
    Lydakis, S., Ancient Greek Painting and its Echoes in Later Art (Athens, 2002): 85, FIG.63 (A)
    Mackay, E.A., Tradition and Originality, A Study of Exekias (Oxford, 2010): 390, FIG.3, PLS.1-4, CHARTS 1.1, 2.1, 3.1, 4.1, 5.1, 6.1, 7.1, 9.1 (A, B, SA, SB, LD, N, UH, PARTS, PROFILE)
    Marconi, C., Temple Decoration and Cultural Identity in the Archaic Greek World, The Metopes of Selinus (Cambridge, 2007): 107, FIG.49 (A)
    Oakley, J.H. et al., Athenian Potters and Painters, The Conference Proceedings (Oxford, 1997): 158, FIGS.1-2 (A, B)
    Papers on the Amasis Painter and his World (Malibu, 1987): 162, FIG.7 (A)
    Reusser, C. and Bürge, M. (eds.), Exekias hat mich gemalt und getöpfert, Ausstellung in der Archäologischen Sammlung der Universität Zürich, 9.11.2018-31.3.2019 (Zurich, 2018): 63-64, FIGS.19-20 (COLOUR OF A AND B)
    Spiess, A.B., Der Kriegerabschied auf attischen Vasen der archaischen Zeit (Frankfurt, 1992): FIG.29 (B)
    Steiner, A., Reading Greek Vases (Cambridge, 2007): 20-21, FIGS.2,3-2.4 (A,B AND FB)
  • Pleiades URI: HTTPS://PLEIADES.STOA.ORG/PLACES/413332
  • Coordinates: 42.254315,11.759148
  • Pleiades Coordinates: 42.2545322,11.7581734667
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Last updated 15/12/2025 07:01:00. Approved by Mannack, Thomas. Copyright © 2003-2026 Classical Art Research Centre, University of Oxford.

Link to this record using the address https://www.beazley.ox.ac.uk/record/50DF07A1-DAEE-4F25-882D-928FC9F5528F

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