Decoration: A,B: DIONYSOS WITH KANTHAROS, GRAPEVINE AND MULE, MAENADS, SOME IN LEOPARD SKINS AND NEBRIDES, WITH THYRSOS AND SNAKE, SATYRS, ONE IN THRACIAN BOOTS WITH PIPES, ONE WITH LYRE, WINESKIN, LEOPARD I: DIONYSOS PLAYING LYRE, SATYRS WITH KROTALA AND GRAPEVINE, ONE IN LEOPARD SKIN
Last Recorded Collection: Paris, Cabinet des Medailles: 576
Publication Record: Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 371.14, 1649 Beazley, J.D., Attic Red-figure Vase-painters, 1st ed. (Oxford, 1942): 247.15 Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 177.13 Beazley, J.D., Paralipomena (Oxford, 1971): 365, 367 Boardman, J., Athenian Red Figure Vases (London, 1975): FIG.255 (I) Bundrick, S.D., Music and Image in Classical Athens (Cambridge, 2005): 108-109, FIGS.62-63 (I, B) Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 111 Carpenter, T.H., Dionysian Imagery in Fifth-Century Athens (Oxford, 1997): PL.34 (I, A) Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 225 Garcia Lopez, J. et al. (eds.), La musica en la Antigua Grecia (Murcia, 2012): 499, FIG.9 (I) Hartwig, P., Die griechischen Meisterschalen (Stuttgart, 1893): PLS.33.1, 32 Heinemann, A., Der Gott des Gelages. Dionysos, Satyrn und Mänaden auf attischem Trinkgeschirr des 5. Jahrhunderts v. Chr. (Berlin, 2016): 159, FIG.101 (A, B AND I) Himmelmann, N., Ideale Nacktheit in der griechischen Kunst, 26. Erganzungsheft zum JdI (Berlin, 1990): 46, FIG.14 (I) Langlotz, E., Griechische Vasenbilder (Heidelberg, 1922): PL.16 LEFT (I) Lawler, L., Dance in Ancient Greece (London, 1964): 75, FIG.29 (B) Lexicon Iconographicum Mythologiae Classicae: III, PL.354, DIONYSOS 465 (I) Lexicon Iconographicum Mythologiae Classicae: VIII, PLS.758, 762, SILENOI 70, 104 (A, B) Lindblom, A., Take a Walk on the Wild Side. The Behaviour, Attitude and Identity of Women Approached by Satyrs on Attic Red-Figure Vases from 530 to 400 B.C. (Stockholm, 2011): 255, NO.170 (B) Lissarrague, F. et al., La Cite des Images, Religion et Societe en Grece Antique (Lausanne, 1984): 142, FIG.202A-B (A,B) Lissarrague, F., Greek Vases, The Athenians and their Images (2001): 206-207, FIGS.164-165 (COLOUR OF A AND I) Lissarrague, F., La cite des satyres. Une anthropologie ludique (Athenes, VIe-Ve siecle avant J.-C.) (Paris, 2013): 154, FIG.128 (A AND B) Morford, M. et al., Classical Mythology, International Ninth Edition (Oxford, 2011): 318 (I) Osborne, R., Classical Landscape with Figures, The Ancient Greek City and its Countryside (London, 1987): 190-191, FIG.65 (A, B) Osborne, R., The Transformation of Athens Painted Pottery and the Creation of Classical Greece (Princeton and Oxford, 2018): 192, FIG.8.3-4, PL.34 (A, I, COLOUR OF A) Paquette, D., L'Instrument de musique dans la ceramique de la grece antique (Paris, 1984): 51, A38 (PART OF A), 203 A (I) Pfuhl, E., Malerei und Zeichnung der Griechen (Munich, 1923): FIG.426-7, 430 Sanchez, C., Kunst und Erotik in der Antike (Berlin, 2013): 77, FIG.32 (I) Sanchez-Fernandez, C., and Cabrera-Bonet, P. (eds.), En los limites de Dioniso, Acta del simposio celebrado en el Museo Arqueologico Nacional (Murcia, 1998): FRONTISPIECE (DRAWING OF I) Studi Etruschi: 81 (2018) PL.26D (PART OF I) Thomsen, A., Die Wirkung der Götter, Bilder mit Flügelfiguren auf griechischen Vasen des 6. und 5. Jahrhunderts v.Chr. (Berlin and Boston, 2011): 53, FIG.23 (PART OF B) Vrai ou faux? Copier, imiter, falsifier (Paris, 1988): PL.1.2A (A) Wegner, M., Brygosmaler (Berlin, 1973): PL.27D (PART OF A)
