Attributed To: BRYGOS P by FURTWÄNGLER BRYGOS by BLOESCH
Decoration: A: DIONYSOS SEATED WITH KANTHAROS AND VINE, MAENADS IN LEOPARD SKINS WITH KROTALA, THYRSOS AND OINOCHOAI, SATYR PLAYING PIPES, WINESKIN B: MAENADS, ONE IN DEER SKIN, ONE IN LEOPARD SKIN, AND SATYR (ATTACKING ?) I: MAENAD IN NEBRIS WITH THYRSOS AND LEOPARD, SNAKE
Last Recorded Collection: Munich, Antikensammlungen: J332
Previous Collections:
Munich, Antikensammlungen: 2645
Publication Record: Archeo, Attualita di Passato: 182 (APRIL 2000) 100 (COLOUR OF I) Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 371.15, 1649 Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 176.12 Beazley, J.D., Paralipomena (Oxford, 1971): 365 Boardman, J. (ed.), La ceramica antica (Milan, 1984): 220 (I) Boardman, J. with Charleston, R.J., Cook, R.M., and Hennessy, J.B., Die Keramik der Antike, Mesopotamien, Agypten, Griechenland, Italien (Freiburg, Basel, and Wien, 1985): 220 (COLOUR OF I) Boardman, J., Athenian Red Figure Vases (London, 1975): FIGS.218, 256 (I,A) Bowden, H., Mystery Cults in the Ancient World (London, 2010): 18, 110, FIGS.9, 82, PL.X (I, A, COLOUR OF B) Brule, P., Women of Ancient Greece (Edinburgh, 2003): 22, 27 (I, A) Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 111 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 225 Charbonneaux, J., Martin, R., and Villard, F., Archaic Greek Art (London, 1971): 347, FIG.398 (I) Cohen, B., The Colours of Clay, Special Techniques in Athenian Vases (Los Angeles, 2006): 189, FIG.4 (COLOUR OF I) Corpus Vasorum Antiquorum: MUNICH, ANTIKENSAMMLUNGEN 16, 34, 35, 36, 37, BEILAGE 4.1, PLS.(4684,4685,4686,4728) 19.1-4, 20.1-2, 21.1-7, 63.6 View Whole CVA Plates Duby, G., Perrot, M. (eds.), Histoire des femmes (Plon, 1991): 243, FIG.57 (I) Fantham, E. et al., Women in the Classical World, Image and Text (New York, 1994): 91, FIG.3.8 (I) Freund, P., Stage by Stage, The Birth of the Theatre (London and Chester Springs, 2003): FIG.6 AT 56 (I) Furtwängler, A. and Reichhold, K., Griechische Vasenmalerei (Munich, 1904-32): 250 (I), PL.49 (A, B, I) Giacobello, F. (ed.), Le Ore della Donna, Storie e immagini nella collezione di ceramiche attiche a magnogreche di Intesa Sanpaolo (Vicenza, 2009): 67 (I) Griesbach, J. and Knauß, F.S. (eds.), Wein & Sinnlichkeit, Der Fotograf Johann Willsberger entdeckt das griechische Symposion, 11.07.2024 - 20.10.2024, Staatliche Antikensammlungen (Munich, 2024): 27, FIG.2.23 (COLOUR OF I) Hagenow, G., Aus dem Weingarten der Antike (Mainz, 1982): 11, FIG.3 (A) Hamdorf, F., Attische Vasenbilder der Antikensammlungen in München (Munich, 1978): II, 43-45, PLS.18-19 (DRAWINGS OF A & B) Heinemann, A., Der Gott des Gelages. Dionysos, Satyrn und Mänaden auf attischem Trinkgeschirr des 5. Jahrhunderts v. Chr. (Berlin, 2016): 115, FIG.52 (PART OF B) Hildebrandt, F., Antike Bilderwelten, Was griechische Vasen erzählen (Mainz, 2017): 54, FIG.49 (COLOUR OF I) International Congress of Classical Archaeology, 12, Athens, 1983. Praktika, 2-3 Tou XII Diethnous Synedriou Klasikes Archaiologias, Athena, 4-10 Sep: B, PL.20.3 (PARTS) Isler-Kerenyi, C., Dionysos in Classical Athens. An Understanding through Images (Leiden and Boston, 2014): 55, FIG.27 (I) Jahrbuch der Berliner Museen: 24 (1982) 31, FIG.11 (I) Keuls, E., The Reign of the Phallus (New York, 1985): 361, FIG.297 (I) Knauss, F.S. (ed.), Die unsterblichen Götter Griechenlands, Staatliche Antikensammlungen und Glyptothek München (Munich, 2012): 172-173, FIGS.12.8A-B, 12.9 (COLOUR OF A, B AND I) Knauss, F.S., Die Kunst der Antike, Meisterwerke der Münchner Antikensammlungen (Munich, 2017): 187-188 (COLOUR OF A, B, AND I) Langlotz, E., Griechische Vasenbilder (Heidelberg, 1922): PL.22 RIGHT (I) Lawler, L., Dance in Ancient Greece (London, 1964): 75, FIG.28 (A,B) Lexicon Iconographicum Mythologiae Classicae: III, PL.334, DIONYSOS 333 (A) Lexicon Iconographicum Mythologiae Classicae: VIII, PL.524, MAINADES 7 (I) Lindblom, A., Take a Walk on the Wild Side. The Behaviour, Attitude and Identity of Women Approached by Satyrs on Attic Red-Figure Vases from 530 to 400 B.C. (Stockholm, 2011): 248, NO.132 (B) Marcade, J., Eros Kalos (Geneva, 1962): 97-98 (B, PARTS OF A & B) Mededelingen van het Nederlands Instituut te Rome: 11 (1985) PLS.1.5, 3.12 (I,B) Metropolitan Museum Journal: 9 (1974) 100, FIG.19 (I) Moignard, E., Master of Attic Black-Figure Painting. The Art and Legacy of Exekias (London and New York, 2015): 109, FIG.54 (I) Morford, M. et al., Classical Mythology, International Ninth Edition (Oxford, 2011): 319 (I) Ohly, D., Geleitwort fur den Besucher (Munich, 1968): PL.42 (I) Panto, G. (ed.), I modi dell'Eros. Reperti archeologici a tema erotico del Museo di Antichita di Torino (Turin, 2011): 75, UNNUMBERED RIGHT (COLOUR OF I) Pelagatti, P. and Pallottino, M., Pittura etrusca (Rome, 1986): 33, FIG.D (I) Perrot, G., Chipiez, C., Histoire de l'art dans l'antiquite, vols. IX-X (Paris, 1911-14): X, 713 Philippart, H., Les coupes attiques a fond blanc (Brussels, 1936): PL.3 (I) Reichhold, K., Skizzenbuch griechischer Meister, ein Einblick in das griechische Kunststudium auf Grund der Vasenbilder (Munich, 1919): 125 Robertson, C.M., The art of vase-painting in classical Athens (Cambridge, 1992): 97, FIG.92 (I) Schaal, H., Griechische Vasen II, Rotfigurig (Bielefeld, 1928): FIG.26 (I) Schöne, A., Der Thiasos, Eine ikonographische Untersuchung über das Gefolge des Dionysos i.d. att. Vasenmalerei des 6.u.5. Jhs.v.Chr. (Goteborg,1987): PL.27 (A, B) Simon, B., Mind and Madness in Ancient Greece (Cornell, 1978): FRONTSPIECE (I) Simon, E. and Hirmer, M., Die Griechischen Vasen (Munich, 1976): PLS.145, XXXVI (I,A,B) Thiersch, F., Ueber die hellenischen bemalten Vasen (Munich, 1841): PL.4 Valavanis, P. and Kourkoumelis, D., Chaire kai piei, drinking vessels (1996): FRONTISPIECE, 93 (COLOUR OF I) Vierneisel, K., and Kaeser, B. (eds.), Kunst der Schale, Kultur des Trinkens (Munich, 1990): 393, 403-404, FIGS.69.8, 71.8, 71.12 (A, B, I) Wegner, M., Brygosmaler (Berlin, 1973): PLS.10B, 11B, 37G, 38B, 39A-B (PARTS OF I,A,B) Wünsche, R. and Knauss, F.S. (eds.), Lockender Lorbeer, Sport und Spiel in der Antike, Staatliche Antikensammlungen München (Munich, 2004): 355, FIG.33.7, 492, NO.187 (A, B, I, COLOUR OF PART OF B) Zeitschrift für Papyrologie und Epigraphik: 55 (1984) PL.17.4 (B)
CAVI Lemma: RF/WG cup. From Vulci. Brygos Painter. Brygos, potter. Early fifth.
CAVI Subject: Int. (WG): maenad. A: Dionysus with a satyr and two maenads. B: three maenads
and a satyr.
CAVI Inscriptions: Nonsense: A: on a suspended wineskin: εν(π)οεσ{1}. B: to the left maenad's
lower right: εοεσ. Between the heads of the second maenad and the satyr: νοννν.
Between the heads of the satyr and the third maenad: νον. Under one handle:
εσει.
CAVI Footnotes: {1} the pi could be a heta.
CAVI Comments: The inscriptions done after Reichhold's plates.
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
Image Credits: FURTWANGLER-REICHHOLD DRAWINGS: Please consult with Williams College Special Collections staff and Williams College Visual Resources Center staff, regarding questions about publishing and accessing materials from Williams College Special Collections. Researchers are responsible for handling any copyright issues that may be associated with collections and materials.
