Decoration: Body: YOUTHS, ONE USING STRIGIL, ONE FOLDING CLOTH, SOME DRAPED, ONE WITH LYRE, SOME COURTING, SOME LEANING ON STAFFS
Last Recorded Collection: Malibu (CA), The J. Paul Getty Museum: 82.AE.53
Publication Record: Angiolillo, S., Arte e cultura nell'Atene di Pisistrato e dei Pisistratidi (Bari, 1997): 106, FIG.53 (PART) Antike Welt: 32 (2001) 2, 182-183, FIGS.3A-C (COLOUR OF BD) Belloni, L., Bonandini, A., Ierano, G., and Moretti, G. (eds.), Le Immagini nel Testo, il Testo nelle Immagini, Rapporti fra parola e visualita nella tradizione greco-latina (Trento, 2010): 70, FIG.13 (COLOUR) Boardman, J., The history of Greek vases, potters, painters and pictures (London, 2001): 149, FIG.179 (PART) Christiansen, J. and Melander, T., Proceedings of the 3rd Symposium on Ancient Greek and Related Pottery, Copenhagen 31.8.-4.9.87 (Copenhagen, 1988): 309, FIG. 12 (PART) Classical Antiquity: 17 (1998) 1, FIG.2 AT P.149 (PART) Echos du Monde Classique, Classical Views: 12 (1993) 197-199, PLS.3-5 Frel, J., Greek Portraits in the J. Paul Getty Museum (Malibu, 1981): 8, FIG.20 (PART) Grimm, G., Von der Liebe zur Antiken Welt, Zaberns Bildbände zur Archäologie (Mainz, 2005): 92-93, FIGS.3A-C (COLOUR OF BD) Hedreen, G., The Image of the Artist in Archaic and Classical Greece, Art, Poetry, and Subjectivity (Cambridge, 2016): 44, FIG.16, PL.12 (PART, COLOUR OF PART) Heilmeyer, W-D. and Giuliani, L. (eds.), Euphronios, der Maler, eine Ausstellung in der Sonderausstellungshalle der Staatlichen Museen Preußischer Kulturbesitz Berlin-Dahlem, 20.3. - 26.5.1991 (Milan, 1991): 251-253, NO.60 (COLOUR OF BD) Keuls, E.C., Painter and Poet in Ancient Greece, Iconography and the Literary Arts (Stuttgart and Leipzig, 1997): 407, 410, FIGS.64, 70 (PARTS OF BD) Lear, A. and Cantarella, E., Images of ancient Greek pederasty, Boys were their gods (London and New York, 2008): 168, FIG.5.3 (PART) Lee, M.M., Body, Dress and Identity in Ancient Greece (Cambridge, 2015): 197, FIG.6.9 (PART OF BD) Meyer, M. and Adornato, G. (eds.), Innovations and Inventions in Athens c. 530 to 470 BCE, Two Crucial Generations. Wiener Forschungen zur Archäologie 18 (Vienna, 2020): FIG.7.2 (COLOUR OF PART OF BD) Neer, R.T., Style and Politics in Athenian Vase-Painting, The Craft of Democracy, ca.530-460 B.C.E. (Cambridge, 2002): 10, FIG.46 (PART) PHOTOGRAPH(S) IN THE BEAZLEY ARCHIVE: 11 Pasquier, A., Euphronios, genie de la peinture grecque, Archeologia hors serie numero 1 (Dijon, 1991): 8 BOTTOM (COLOUR OF PART) Richlin, A. (ed.), Pornography and Representation in Greece and Rome (Oxford, 1992): 16, FIG.1.4 (PART) Schafer, A, Unterhaltung beim griechischen Symposium (Mainz, 1997): PL.19 (PARTS) Spivey, N., The Sarpedon Krater, The Life and Afterlife of a Greek Vase (Chicago, 2018): 58, FIG.12 (COLOUR OF PART) Yatromanolakis, D. (ed.), An Archaeology of Representations, Ancient Greek Vase-Painting and contemporary Methodologies (Athens, 2009): 214, FIG.3 (PART)
CAVI Lemma: RF psykter. Smikros{1}. Last quarter sixth. 510-500.
CAVI Subject: Lovers and eromenoi, five pairs (L. and Er.), all youthful.
CAVI Inscriptions: Μελα[ς], L. Αντιας with lyre, Er. - Ευφ̣ρονιος, L. Λεαγρος | καλος, Er. - L.
not named. ΕΓΕΡ̣ΘΟΣ καλος, Er.{2}. - L. not named. Ανδρισκος, Er. - Back to
back: Ανβροσιος with strigil, L. Ε[υ]θυ̣δικος with garment over arm, Er.
CAVI Footnotes: {1} but Robertson, in Robertson (1992), does not attribute this and the other psykter in the Getty (83.AE.285) to Smikros, but to an inferior artist outside the circle, because of their poor quality. {2} Frel read Hegerthos and Add.[2]follows; psilosis for the root ηγε- is likely: hence Εγερ̣θος(?).
CAVI Comments: Portrait-kalos (Beazley's tag-kalos). The distribution of the names given
here is based on autopsy. Williams calls this the earliest of Smikros' psykters.
CAVI Number: 4959
AVI Bibliography: Readings sent me by Marion True. — Ohly-Dumm (1974), 25 n. 55. — Frel
(1983a), 147, figs. 2-6 (the inscriptions transliterated). — Add.[2] (1989),
395. — AttScr (1990), no. 407. — Wight (1990), 234/60 (ill.). — Berlin
Antikenmuseum (1991), 250/60. — D. Williams (1992), 87-88. — Robertson (1992),
26-27. — Schreiber (1999), 218, pl. 20 (large picture of side showing Ambrosios
and Euthydikos, etc.; does not show inscriptions).
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
