Decoration: A: CIRCE (NAKED) WITH CUP, ODYSSEUS WITH SWORD, MEN WITH ANIMAL HEADS (DOG, GOAT, PANTHER, COCK, HORSE, LION), DOG B: HERAKLES WITH ACHELOOS, BETWEEN DRAPED MEN, MOCK INSCRIPTION I: SPHINX
Last Recorded Collection: Boston (MA), Museum of Fine Arts: 99.519
Publication Record: Angiolillo, S., and Giuman, M. (eds.), Imago, Studi di iconografia antica (Cagliari, 2007): 135, FIG.2 (PART OF A) Beazley, J.D., Attic Black-Figure Vase-Painters (Oxford, 1956): 69.1 Bol, P. (ed.), Zum Verhältnis von Raum und Zeit in der griechischen Kunst (2003): 33, FIG.2 (DRAWING OF A AND PART OF A) Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 18 Corpus Vasorum Antiquorum: BOSTON, MUSEUM OF FINE ARTS 2, 29-30, PL.(921) 87.1-6 View Whole CVA Plates Hesperia, The Journal of the American School of Classical Studies at Athens: 75 (2006) 319, FIG.2 (B) Lefkowitz, M., Greek Gods, Human Lives (New Haven and London, 2003): 96 (A) Padgett, J.M. (ed.), The Centaur's Smile, The Human Animal in Early Greek Art (Princeton, 2003): 336-338, NO.93 (COLOUR OF A, B AND I) Snodgrass, A.M., An Archaeology of Greece, the present State and Future Scope of a Discipline (London, 1987): 137, FIG.35 (A)
CAVI Lemma: BF SIANA CUP. FROM THEBES. PAINTER OF BOSTON C.A.{1}. SECOND QUARTER SIXTH.
CAVI Subject: INT.: SPHINX. TOP ROW: A-B: BLACK. BOTTOM ROW: A: CIRCE TURNING ODYSSEUS'
COMPANIONS INTO ANIMALS. B: HERACLES AND ACHELOOS (BULL), BETWEEN SIX ONLOOKERS.
