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204685, ATHENIAN, Berlin, Antikensammlung, Berlin, Schloss Charlottenburg, F2291

  • Vase Number: 204685
  • Fabric: ATHENIAN
  • Technique: RED-FIGURE
  • Shape Name: CUP B
  • Provenance: ITALY, ETRURIA, VULCI
  • Date: -500 TO -450
  • Inscriptions: HIERON
    Named: HIPPODAMAS, ALECHSANDROS, TIMADARA, EUOPIS, ATHENAIA
    Signature: HIERONEPOISEN
  • Attributed To: HIERON by SIGNATURE
    MAKRON by BEAZLEY
  • Decoration: A: JUDGEMENT OF PARIS, PARIS SEATED WITH GOATS, ATHENA (NAMED), HERA, APHRODITE (ALL NAMED), HERMES, EROTES
    B: PARIS LEADING HELEN, WOMEN, DRAPED MEN WITH STAFFS, MAN IN CHITON WITH PETASOS AND SPEARS (ALL NAMED)
    I: COURTING, DRAPED MAN, DRAPED YOUTH (NAMED), WITH HARE
    Under handle: GOATS, PALMETTES
  • Last Recorded Collection: Berlin, Antikensammlung: F2291
  • Previous Collections:
    • Berlin, Schloss Charlottenburg: F2291
  • Publication Record: Barringer, J.M., The Hunt in ancient Greece (Baltimore and London, 2001): 92, FIG.52 (I)
    Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 459.4, 481, 1385, 1654
    Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 211.4
    Beazley, J.D., Paralipomena (Oxford, 1971): 377
    Beihefte zum Corpus Vasorum Antiquorum Deutschland: IV (2009) 19, FIG.5 (B)
    Benndorf, O., Wiener Vorlegeblätter für archäologische Übungen (Vienna, 1888-1890/91): A, PL.5
    Bodiou, L. et al., Parures et artifices, le corps expose danse l'Antiquite (Paris, 2011): 21, FIG.2 (A)
    Brule, P., Women of Ancient Greece (Edinburgh, 2003): 8 (A)
    Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 120
    Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 244
    Corpus Vasorum Antiquorum: BERLIN, ANTIQUARIUM 2, 33-34, PLS.(1013,1014,1015) 84.1-2, 85.1-4, 86.1-4 View Whole CVA Plates
    Corpus Vasorum Antiquorum: BERLIN, ANTIQUARIUM 3, 19, 20, PLS.(1056,1063) 127.4.8, 134.9 View Whole CVA Plates
    Dietrich, N. and Squire, M. (eds.), Ornament and Figure in Graeco-Roman Art, Rethinking visual Ontologies in Classical Antiquity (Berlin and Boston, 2018): 163, FIG.6.9 (UH)
    Dietrich, N., Das Attribut als Problem, Eine bildwissenschaftliche Untersuchung zur griechischen Kunst (Berlin, Munich, and Boston, 2018): 181, FIG.3.24 (A)
    Dietrich, N., Figur ohne Raum? Bäume und Felsen in der attischen Vasenmalerei des 6. und 5. Jahrhunderts v. Chr., Image & Context 7 (Berlin, 2010): 48, FIG.27 (A)
    Gerhard, E., Trinkschalen und Gefässe des Königlichen Museums zu Berlin und anderer Sammlungen (Berlin, 1848-1850): PLS.11-12
    Ghali-Kahil, L., Les Enlevements et le retour d'Helene (Paris, 1955): PL.3.3 (B)
    Gherchanoc, F., Concours de beaute et beautes du corps en Grece ancienne (Bordeaux, 2016): 37, FIG.9 (COLOUR OF B)
    Giudice, E. and Giudice, G. (eds.), Studi Miscellanei di Ceramografia Greca VI (Catania, 2020): 70, PL.5 (COLOUR OF A)
    Hedreen, G., Capturing Troy, The Narrative Functions of Landscape in Archaic and Early Classical Greek Art (Ann Arbor, 2001): FIG.46 (A)
    Heilmeyer, W-D. et al., Antikenmuseum Berlin, Die ausgestellten Werke (Berlin, 1988): 128, NO.5 (A)
    Hoppin, A., A handbook of Attic red-figured vases signed by or attributed to the various masters of the sixth and fifth centuries B.C. (Cambridge, 1919): II, 43
    Kunisch, N., Makron (Mainz, 1997): 36, 68, FIGS.19, 31, PLS.94-95.295
    Kurtz, D.C. (ed.), Greek Vases, Lectures by J.D. Beazley (Oxford, 1989): PL.65 (A, B)
    Kéi, N., L'esthétique des fleurs, kosmos, poikilia et kharis dans la céramique attique du VIe et du Ve siècle av. n. ère, ICON 22 (Berlin and Boston, 2022): 221, FIG.171 (A)
    Lang-Auinger, C. and Trinkl, E. (eds.), Phyta kai Zoia. Pflanzen und Tiere auf griechischen Vasen, Beihefte zum Corpus Vasorum Antiquorum Österreich, Band 2 (Vienna, 2015): 173, FIG.8A-B (UH AND DRAWING)
    Lexicon Iconographicum Mythologiae Classicae: V, PL.438, IKARIOS II 1 (PART OF B)
    Lexicon Iconographicum Mythologiae Classicae: VII, PL.112, PARIDIS IUDICIUM 36 (A)
    Metropolitan Museum Journal: 26 (1991) 74, FIGS.43-44 (AH, OH)
    Meyer, M. and Adornato, G. (eds.), Innovations and Inventions in Athens c. 530 to 470 BCE, Two Crucial Generations. Wiener Forschungen zur Archäologie 18 (Vienna, 2020): FIG.9.4 (A)
    Norskov, V. et al. (eds.), The World of Greek Vases (Rome, 2009): 71, FIG.5 (A)
    Pfuhl, E., Malerei und Zeichnung der Griechen (Munich, 1923): FIG.441 (A)
    Robertson, C.M., The art of vase-painting in classical Athens (Cambridge, 1992): 103, FIG.99 (A)
    Schefold, K., Jung, F., Die Sagen von den Argonauten, von Theben und Troia in der klassischen und hellenistischen Kunst (Munich, 1989): 103, FIG.82 (A)
    Schmidt, S. and Tsingarida, A. (eds.), Corpus Vasorum Antiquorum Belgique, Supplément 1. The Corpus Vasorum Antiquorum 1922-2022, A Century of Exploring Greek Vases: Typologies, Readings and Debates (Contents), CVA Belgique (Brussels, 2024): 285, FIG.4 (COLOUR OF A)
    Sparkes, B.A., The Red and the Black (London, 1996): 127, FIG.V.8 (A)
  • AVI Web: HTTPS://WWW.AVI.UNIBAS.CH/DB/SEARCHFORM.HTML?ID=2481
  • AVI Record Number: 2336
  • LIMC ID: 497
  • LIMC Web: HTTP://ARK.DASCH.SWISS/ARK:/72163/080E-73AAA6330871E-2
  • CAVI Collection: BERLIN 2291.
  • CAVI Lemma: RF CUP. FROM VULCI. MAKRON. HIERON, POTTER. EARLY FIFTH. 500-490. HAUPTWERK I (KUNISCH){1}.
  • CAVI Subject: INT.: MAN AND BOY. A: JUDGMENT OF PARIS. B: PARIS LEADING HELEN AWAY.
  • CAVI Inscriptions: INT.: Hιπποδαμας{2}. A: Αλεχσ[α]νδρος. Αθεναια. Hερα. Αφροτιδε. B: (Α)λεχσανδρο[ς]. Hελενε. Τιμα[ν]δρα, RETR.{3}. Ευοπις{4}. Ικαριος, RETR.{5}. Τυταρεος, RETR. ON HANDLE B/A,(6) IN THE BG AREA OF THE RIGHT HASTA, GR. Hιερον εποιεσεν.
  • CAVI Footnotes: {1} ALSO BEGINNING OF HAUPTWERK II. {2} HE IS THE YOUTH WITH THE HARE (BEAZLEY, LECTURE). {3} SISTER OF HELEN; CF. STESICHOROS, PAGE, PMG, FR. 223 (BEAZLEY). {4} SECOND SISTER OR NURSE (BEAZLEY). {5} BROTHER OF TYNDAREUS (BEAZLEY). {6} KUNISCH SAYS A/B BUT HE REVERSES A AND B.
  • CAVI Comments: TYPE B. THE SIGNATURE: SHORT, SMALL-LETTERED FORM. BEAZLEY IN BSA AND ARV[2] SAYS THAT ON THE INTERIOR HIPPODAMAS IS THE BOY, SINCE HE IS NOT ACCOMPANIED BY KALOS. - A HIPPODAMAS WAS STRATEGOS IN 459/8: SEE LGPN II Ιπποδαμας 5. B.-O. SAYS HE MAY BE THE SAME (BIBL. 43 N. 279). - THE FIRST ALPHA OF ALEXANDROS ON B LACKS THE HORIZONTAL.
  • CAVI Number: 2336
  • AVI Bibliography: CIG 4 (1855–77), NO. 8220. — FURTWäNGLER (1885), NO. 2291. — BEAZLEY (1927–8), 193. — BLöSCH (1940), 92/11. — ARV[2] (1963), 459/4, 1585, 1654. — PARA. (1971), 377. — LIMC I (1981), AINEIAS 12, ALEXANDROS 10*, ALEXANDROS 63*, APHRODITE 1426, ATHENA 408, EUOPIS 1, HELENE 167, HERA 428. — BéRARD ET AL. (1984), 80, FIG. 115. — LIMC IV (1988), 530, HELENE 167. — ADD.[2] (1989), 244 (MUCH BIBL.). — BEAZLEY (1989), PL. 65,1 (A AND LEFT HANDLE). — ATTSCR (1990), NO. 564. — LIMC V (1990), 326, HERMES 472, AND 647, IKARIOS II/1* (PL. 438). — COHEN (1991), 73, FIGS. 43-44 (SIGNATURE). — ROBERTSON (1992), FIG. 99 (A). — LIMC VII (1994), 179, PARIDIS IUDICIUM 36* (PL. 112). — BUITRON-OLIVER (1995), 43 N. 278. — KUNISCH (1997), 7, 20 N. 88, *28, 32F., 100 N. 402, 127F., 129, 190/295, FIG. 19, PLS. 94-95 (MUCH BIBL.). — LIMC VIII (1997), TIMANDRA 1, TYNDAREOS 8.
  • CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
  • Pleiades URI: HTTPS://PLEIADES.STOA.ORG/PLACES/413393
  • Coordinates: 42.421429,11.702499
  • Pleiades Coordinates: 42.419009,11.6298975
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Last updated 28/10/2025 04:10:00. Approved by Mannack, Thomas. Copyright © 2003-2026 Classical Art Research Centre, University of Oxford.

Link to this record using the address https://www.beazley.ox.ac.uk/record/3278588E-E2FC-4176-8963-0B8BF35D116C

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