Attributed To: ABNORMAL EYE-CUPS by BEAZLEY ANDOKIDES P by BEAZLEY ANDOKIDES by SIGNATURE LYSIPPIDES P by BEAZLEY
Decoration: A: ARCHER, TREE, BETWEEN EYES B: ARCHER WITH TRUMPET BETWEEN EYES Under handle: WARRIORS FIGHTING
Last Recorded Collection: Palermo, Museo Archeologico Regionale: 2051
Previous Collections:
Palermo, Museo Archeologico Regionale: 1448
Palermo, Museo Archeologico Regionale: V650
Publication Record: Beazley, J.D., Attic Black-Figure Vase-Painters (Oxford, 1956): 253.4, 256.21 Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 5.14, 37.1, 1617 Beazley, J.D., Attic Red-figure Vase-painters, 1st ed. (Oxford, 1942): 3.12 Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 8.12, 467 Beazley, J.D., Paralipomena (Oxford, 1971): 114, 321 Bellia, A., Gli strumenti musicali nei reperti del Museo Archeologico Regionale Antonio Salinas di Palermo, Catalogo dell'Itinerario tematico (Palermo, 25 giugnio 2008 - 31 dicembre 2008) (Rome, 2009): 57 (PART, COLOUR OF PART) Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 72 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 66, 150 Cohen, B., Attic Bilingual Vases (New York, 1978): PLS.1.1, 46.3, 47, 49.3 (A,B, PARTS) Cohen, B., The Colours of Clay, Special Techniques in Athenian Vases (Los Angeles, 2006): 22, FIG.3 (COLOUR OF UH) Corpus Vasorum Antiquorum: PALERMO, MUSEO NAZIONALE 1, III.I.C.3, PLS.(658,659) 1.1-2,2.3-5 View Whole CVA Plates Hoppin, A., A handbook of Attic red-figured vases signed by or attributed to the various masters of the sixth and fifth centuries B.C. (Cambridge, 1919): I, 36 Hurwit, J.M., The Art and Culture of Early Greece, 1100-480 (Ithaca, 1985): 286, FIG.122 (DRAWING OF PART) Jahrbuch des Deutschen Archäologischen Instituts: 4 (1889) PL.4. Mann, C., Haake, M, Hoff, R. von den (eds.), Rollenbilder in der athenischen Demokratie, Medien, Gruppen, Räume im politischen und sozialen System, Beiträge zu einem interdisziplinaren Kolloquium in Freiburg i. Br., 24.-25. November 2006 (Wiesbaden, 2009): 61, FIG.10 (DRAWINGS OF A, B, I) Mennenga, I., Untersuchung zur Komposition und Deutung Homerischer Zweikampfszenen (Berlin, 1976): PL.4A (HANDLE) Metropolitan Museum Journal: 36 (2001) FIG.12 (A, B, UH) Meyer, M. and Adornato, G. (eds.), Innovations and Inventions in Athens c. 530 to 470 BCE, Two Crucial Generations. Wiener Forschungen zur Archäologie 18 (Vienna, 2020): FIG.8.5 (DRAWING OF A AND B) Moscati, S. and Di Stefano, C.A., Palermo, Museo Archeologico (Palermo, 1991): 106, NO.121 (COLOUR OF AH) Neer, R.T., Style and Politics in Athenian Vase-Painting, The Craft of Democracy, ca.530-460 B.C.E. (Cambridge, 2002): 39, FIG.9 (DRAWING OF A AND B) Paquette, D., L'Instrument de musique dans la ceramique de la grece antique (Paris, 1984): 81, T11 (PART OF B) Paribeni, E., et al, La Collezione Casuccini, Ceramica Attica, Ceramica Etrusca, Ceramica Falisca (Rome, 1996): 27-20, FIGS.20-20D Perrot, G., Chipiez, C., Histoire de l'art dans l'antiquite, vols. IX-X (Paris, 1911-14): X, 275 Pfuhl, E., Malerei und Zeichnung der Griechen (Munich, 1923): FIGS.262-3 Robertson, C., History of Greek Art (Cambridge, 1975): PL.70B (PARTS OF A & B) Robertson, C.M., The art of vase-painting in classical Athens (Cambridge, 1992): 11, FIG.6 (PART) Sparkes, B.A., The Red and the Black (London, 1996): 17, FIG.I.10 (DRAWING OF A AND B) Steiner, A., Reading Greek Vases (Cambridge, 2007): 33, FIG.2.11 (DRAWING OF A AND B)
