Decoration: A: WARRIOR DEPARTING IN FRONTAL CHARIOT BETWEEN WARRIORS AND WOMEN At handle: VINE B: FIGHT, WARRIORS, ONE WITH BOEOTIAN SHIELD, CHARIOT TURNING Frieze below A: BIRTH OF ATHENA, ZEUS SEATED ON STOOL WITH SCEPTRE BETWEEN EILEITHYIAI, HERMES, GODDESS, MAN WITH SPEAR (ARES ?) Frieze below B: HORSEMAN DEPARTING
Last Recorded Collection: Vienna, Kunsthistorisches Museum: 3618
Publication Record: Beazley, J.D., Attic Black-Figure Vase-Painters (Oxford, 1956): 280.56 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 73 Heilmeyer, W.D. et al., Euphronios und seine Zeit, Kolloquium in Berlin 19./20. April 1991 anlässlich der Ausstellung Euphronios der Maler (Berlin, 1991): 62, FIG.6 (PROFILE) Knittlmayer, B., Die Attische Demokratie und ihre Helden, Darstellungen des trojanischen Sagenkreises im 6. und frühen 5. Jh.v.Chr. (Heidelberg, 1997): PL.13.1 (B)
CAVI Collection: Vienna, Kunsthistorisches Museum IV 3618.
CAVI Lemma: BF calyx krater. From Cerveteri. Manner of Antimenes Painter. Last quarter
sixth.
CAVI Subject: Body: A: departure of a warrior; a frontal chariot. B: fights at Troy:
Menelaus; a hero and his charioteer in a chariot wheeling around; Hektor(?) and
Dionedes fighting over a fallen hero. Predella: A: Birth of Athena. B: a
horseman leaving home.
CAVI Inscriptions: Body: B: to right of Menelaus' head: Μενελ[ε]ος{1}. Miswritten? The left
duelist: [hε]κ̣τ[ορ](?){2}. To left of the right-hand duelist: Διομ[εδες], retr.
CAVI Footnotes: {1} or Μενελ[α]ος(?). {2} Masner, doubtfully; he says the first extant letter
could be a pi.
CAVI Comments: Ex Oest. Museum 237.
CAVI Number: 7946
AVI Bibliography: Masner (1892), 30-31, pl. 4 (A). — ABV (1956), 280/56. — LIMC iii (1986), pl.
537, Eileithyia 51 (invis.). — Add.[2] (1989), 73.
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
