Attributed To: GELA P by BEAZLEY OINOCHOAI, FLAT-MOUTHED by BEAZLEY
Decoration: Body: SACRIFICE, ATHENA SEATED ON CHAIR WITH PHIALE AT ALTAR, PROCESSION, WOMAN WITH SACRIFICIAL BASKET, DRAPED MEN, ONE WITH OINOCHOE, ONE LEADING BULL, COLUMNS
Last Recorded Collection: London, British Museum: 1905.7-11.1
Publication Record: Beazley, J.D., Attic Black-Figure Vase-Painters (Oxford, 1956): 443.3, 475.29 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 120, 215 Connelly, J.B., Portrait of a Priestess, Women and Ritual in Ancient Greece (Princeton and Oxford, 2007): 169, FIG.6.2 (PART OF BD) Gebauer, J., Pompe und Thysia, attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen (Münster, 2002): 694, FIG.34 (BD) Hatzivassiliou, E., Athenian Black Figure Iconography between 510 and 475 B.C. (Rahden, 2010): PL.3.2-3 (PARTS OF BD) Meyer, M. and Adornato, G. (eds.), Innovations and Inventions in Athens c. 530 to 470 BCE, Two Crucial Generations. Wiener Forschungen zur Archäologie 18 (Vienna, 2020): FIGS.4.13-14 (COLOUR OF PARTS) Meyer, M., Athena, Göttin von Athen. Kult und Mythos auf der Akropolis bis in klassische Zeit, Wiener Forschungen zur Archäologie 16 (Vienna, 2017): 616, FIGS.243-245 (COLOUR OF BD) Naiden, F.S., Smoke Signals for the Gods. Ancient Greek Sacrifice from the Archaic through Roman Periods (Oxford, 2013): 52, FIG.2.3 (PART OF BD) Revue des Etudes Anciennes: 99 (1997) 2, 84, FIG.1 *DRAWING) Rizza, G. (ed.), I vasi attici ed altre ceramiche coeve in Sicilia, Atti del convegno internazionale (Catania): I, 192, FIG.1 (DRAWING OF BD) Siftar, L., Das Phänomen der unvollständigen Gestalt in der griechischen Kunst, Unterschiedliche Facetten eines besonderen Darstellungsmittels (Heidelberg, 2018): 156, FIG.9.1 (PART OF BD) Thesaurus Cultus et Rituum Antiquorum: I, PL.17.GR109 (PARTS OF BD)
