Decoration: A: APOTHEOSIS OF HERAKLES (BEARDLESS, WITHOUT LIONSKIN), IOLAOS, BOTH IN CHARIOT AND NAMED B: HERAKLES (BEARDLESS) SEATED AT BUILDING, WITH OLIVE SPRIGS AND OBJECT, ATHENA, BOTH NAMED Under handle: NIKAI (NAMED), ONE WITH PHIALE AND INCENSE BURNER, ONE WITH WREATH
Last Recorded Collection: Taranto, Museo Archeologico Nazionale: VINC76
Previous Collections:
Taranto, private, Dr. P. Rotondo
Taranto, Museo Archeologico Nazionale: 143544
Publication Record: Corpus Vasorum Antiquorum: TARANTO, MUSEO NAZIONALE 4, 19,20,21, PLS.(3194,3195,3196,3197,3198,3199) 27.1-2, 28.1-2, 29.1-2, 30.1, 31.1-2, 32.1-2 View Whole CVA Plates D'Amicis, A. et al., Catalogo del Museo Nazionale Archeologico di Taranto I.3, Atleti e Guerrieri, Tradizioni aristocratiche (Taranto, ca. 1994): 96, 124-126, 128, 130-131, 134, 349,NO.124.1 (INCL. COLOUR OF A) Dietrich, N., Figur ohne Raum? Bäume und Felsen in der attischen Vasenmalerei des 6. und 5. Jahrhunderts v. Chr., Image & Context 7 (Berlin, 2010): 294, FIG.236 (A) Girard, T., L'oblique dans le monde grec (Oxford, 2015): 54, 88, FIGS.6A, 6B (B, A) Lexicon Iconographicum Mythologiae Classicae: IV, PL.533, HERAKLES 1368 (A) Mitteilungen des Deutschen Archäologischen Instituts, Römische Abteilung: 92 (1985), PL.41 Palagia, O. (ed.), Greek Offerings, Essays on Greek Art in honour of John Boardman (Oxford, 1997): 133, FIG.4 (DRAWING OF A) Rizza, G. (ed.), I vasi attici ed altre ceramiche coeve in Sicilia, Atti del convegno internazionale (Catania): I, 111, FIG.7 (A)
