Decoration: A: THEATRICAL (?), YOUTHS WITH HORSE MASKS CARRYING YOUTHS, DRAPED YOUTH PLAYING PIPES, NONSENSE INSCRIPTION B: SATYRS, ONE WITH PIPES AND PIPESCASE (OR HARE ?), SUSPENDED FROM PHALLOS, MAENADS
Last Recorded Collection: Berlin, Antikensammlung: F1697
Previous Collections:
Berlin, Pergamonmuseum: F1697
Publication Record: Backe-Dahmen, A. et al., Greek Vases, Gods, Heroes and Mortals (London and Berlin, 2010): 120-121, NO.61 (COLOUR OF A AND B) Beazley, J.D., Attic Black-Figure Vase-Painters (Oxford, 1956): 297.17 Beazley, J.D., Paralipomena (Oxford, 1971): 128 Beihefte zum Corpus Vasorum Antiquorum Deutschland: IV (2009) 126, FIG.1 (A, B) Born, H. and Hansen, S., Frühgriechische Bronzehelme III, Sammlung Axel Guttmann (Mainz, 1994): 89, FIG.81 (A) Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 78 Chiesa, G.S. (ed.), Vasi immagini collezionismo, La collezione di vasi Intesa Sanpaolo e i nuovi indirizzi di ricerca sulla ceramica greca e magnogreca, Milano, 7-8 novembre 2007 (Milan, 2008): 369, FIG.5 (PART OF A) Compton-Engle, G., Costume in the Comedies of Aristophanes (Cambridge, 2015): 114, FIG.23 (A) Corpus Vasorum Antiquorum: BERLIN, ANTIKENSAMMLUNG 14, 35, 36, 37, BEILAGE 2.2, PLS.(4564,4567) 8.2, 11.1-2 View Whole CVA Plates Dimitrijevic, D. et al. (eds.), Anticki Teatar na tlu Jugoslavije, Saopstenja sa naucnog skupa 14.-17. april 1980 (Novi Sad, 1981): AT 178, FIG.17 (A) Hedreen, G.M., Silens in Attic Black-figure Vase-painting (Michigan, 1992): PL.39 (A, B) Hephaistos: 15 (1997) 60, FIG.18 (A) Jahreshefte des Österreichischen Archäologischen Instituts in Wien: 62 (1993) 27, FIG.11 (A) Metropolitan Museum Journal: 41 (2006) 39, FIG.10 (A) Oakley, J.H., A Guide to Scenes of Daily Life on Athenian Vases (Madison, 2020): PL.20 (COLOUR OF A) Small, J.P., The Parallel Worlds of Classical Art and Text (Cambridge, 2003): 38, FIG.17 (A) Steinhart, M., Die Kunst der Nachahmung (Mainz, 2004): PL.2.3 (A) The Australian Archaeological Institute at Athens Bulletin: 10 (2014) 6 (COLOUR OF A)
CAVI Lemma: BF AMPHORA. FROM CERVETERI? PAINTER OF BERLIN 1686. THIRD QUARTER SIXTH. CA.
530
CAVI Subject: A: CHORUS OF `KNIGHTS' (BEAZLEY), WITH FLUTIST. B: SATYRS AND MAENADS.
CAVI Inscriptions: IN FRONT OF THE FLUTIST: NONSENSE: ειοχ(ε)οχ(ε).
CAVI Comments: HAMPE SAYS THE INSCRIPTION EIOCHEOCHE IS NOT MEANINGLESS; HE COMPARES NEW
YORK 26.49 (THE NEARCHOS ARYBALLOS) FOR THE SHOUTS OF PYGMIES AND CRANES, ACR.
I, 220 AND 2184 AND ACR. I, 213 AND 2124, FOR OTHER SHOUTS. PICKARD-CAMBRIDGE
THOUGHT THIS WAS A SHOUT ADDRESSED TO THE `HORSES.' BEAZLEY PROVED IT NONSENSE.
FOR PARALLELS, SEE ATTSCR AND BROWNLEE, RA 1989, 4 N. 5 WHO DISCUSSES THE
INSCRIPTIONS CONNECTED WITH THIS PAINTER. THE SECOND AND THIRD EPSILONS ARE
MISWRITTEN.
