Provenance: SPAIN, GRANADA, BAZA, CERRO DEL SANTUARIO
Date: -425 TO -375
Attributed To:Compare OINOMAOS P by GARCIA-CANO Compare OINOMAOS P by GIL-GONZALEZ
Decoration: A: SYMPOSIUM, DRAPED MEN AND YOUTHS RECLINING ON KLINAI, SOME PLAYING KOTTABOS WITH CUPS, ONE WITH PHIALE, WOMAN PLAYING PIPES, TABLES WITH FOOD, COLUMNS B: DRAPED YOUTHS, ONE WITH ARYBALLOS, DISC SUSPENDED
Last Recorded Collection: Madrid, Museo Arqueologico Nacional: 1969.68.28
Publication Record: Badenas de la Pena, P. et al. (eds.), Homenaje a Ricardo Olmos, Per speculum in aenigmate. Miradas sobre la Antiguedad (Madrid, 2015): 271, FIG.2 (A) Cabrera, P. et al., Iberia Graeca. El legado arqueológico griego en la península Ibérica (Girona, 2012): 117, FIG.11.7 TOP RIGHT (COLOUR OF PART OF A) Cano, J.M.G. and Gonzalez, F.G., La ceramica atica de figuras rojas, talleres y comercio (siglo IV a.C.), El caso de Coimbra del Barranco Ancho (Jumilla, Murcia) (Murcia, 2009): 125, FIG.22 (COLOUR DRAWING OF PART OF A) Fernandez, C.S. and Garcia, J.T. (eds.), La cerámica ática fuera del Ática, contextos, usos y miradas, Studia Archaeologica 256 (Rome, 2023): 231, FIG.1 (A) Garés-Molero, A., Rodríguez-Pérez, D., and Diez-Castillo, A.A. (eds.), Over Land and Sea, The long-distance trade, distribution and consumption of ancient Greek pottery (Oxford, 2025): 129, FIG.11.4.3 (DRAWING OF PART OF A, PROFILE) Rodriguez Perez, D. (ed.), Greek Art in Context. Art Historical and Archaeological Perspectives (Oxford and New York, 2017): 192, FIG.13.5, FRONTCOVER
