Attributed To:Manner of PELEUS P by BEAZLEY POLYGNOTOS, GROUP OF by BEAZLEY
Decoration: Body: DRAPED MAN WITH STAFF, WOMEN, ONE WITH PHIALE, WARRIOR WITH SHIELD (DEVICE, LIONESS) Shoulder: BIRTH OF APHRODITE (?), WARRIOR (ARES ?) IN HELMET WITH SPEAR, OLD WOMEN WITH SCEPTRES, APHRODITE, EROS, PAN
Last Recorded Collection: Syracuse, Museo Archeologico Regionale Paolo Orsi: 23912
Publication Record: Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 1041.11 Beazley, J.D., Paralipomena (Oxford, 1971): 443 Bottini, A. (ed.), Il Trono Ludovisi e il Trono di Boston (1996): 106, FIG.20 (PART OF SH) Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 156 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 320 Comella, A and Mele, S. (eds.), Depositi votivi e culti dell'Italia antica dall'eta arcaica a quella tardo-republicana (Bari, 2005): 705, PL.1A (SH) Corpus Vasorum Antiquorum: SYRACUSE, MUSEO ARCHEOLOGICO NAZIONALE 1, III.I.12, PL.(838) 24.1-3 View Whole CVA Plates Giudice, E. (ed.), Attikon Keramon. Veder Greco a Camarina. Dal principe di Biscari ai nostri giorni. Vol.III (Catania, 2014): 116, FIG.17 (DRAWING OF SH) Himmelmann, N., Herrscher und Athlet, die Bronzen vom Quirinal (Milan, 1989): 50, FIG.15 (SH) Kressirer, K., Das Greisenalter in der griechischen Antike. Untersuchung der Vasenbilder und Schriftquellen der archaischen und klassischen Zeit (Hamburg, 2016): 854, NOS.512-513 (SH) Marquardt, N., Pan in der hellenistischen und kaiserzeitlichen Plastik (Bonn, 1995): PL.28.3 (SH) Matheson, S.B., Polygnotos and Vase Painting in Classical Athens (Madison, 1995): 202, PL.156 (PART) Monumenti antichi pubblicati per cura della Reale Accademia deiLincei: SM 4 (1990) PL.7 Morais, R., Centeno, R., and Freitas Ferreira, D. (eds.), Myths, Gods and Heroes. Greek Vases in Portugal – Mitos, Deuses e Heróis. Vasos Gregos em Portugal (Porto, 2022): I, 233, FIG.7 (COLOUR OF PART) Numismatica e Antichita Classiche, Quaderni Ticinesi: 17 (1988) 119, PL.7.11 (SH) Rizza, G. (ed.), I vasi attici ed altre ceramiche coeve in Sicilia, Atti del convegno internazionale (Catania): I, 47, FIG.4 (DRAWING OF BD1, PART OF BD2) Rosenzweig, R., Worshipping Aphrodite, Art and Cult in Classical Athens (Ann Arbor, 2004): FIG.58 (BD1)
CAVI Lemma: RF hydria. From Camarina. Manner of Peleus Painter. Third quarter fifth.
CAVI Subject: Shoulder: Birth of Aphrodite, with the Semnai. Body: A Warrior Leaving Home.
CAVI Inscriptions: Under the foot, Gr.: a Gr. line crossing the foot. Α Ι- Ι- Ι- and a long
vertical line.
CAVI Comments: Johnston 203 thinks the line means that the vase is reserved (ordered or even
bought). Cf. Ragusa 26,556. The other Gr. is a price inscription: A, three
drachmas and 1 obol? [But I am not sure that the vertical line in fig. 6,b is
part of the numeral.]
