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201359, ATHENIAN, Turin, Museo di Antichita, Turin, Museo di Antichita, 4117

  • Vase Number: 201359
  • Fabric: ATHENIAN
  • Technique: RED-FIGURE
  • Shape Name: CUP B
  • Date: -525 TO -475
  • Attributed To: Manner of EPELEIOS P by BEAZLEY
  • Decoration: A: KOMOS, YOUTHS WITH SKYPHOI, OINOCHOE, WINESKIN
    B: KOMOS, EROTIC, YOUTHS, BASKET SUSPENDED
    I: WARRIOR (HOPLITODROMOS ?), SHIELD DEVICE, BULL HEAD
  • Last Recorded Collection: Turin, Museo di Antichita: 3032
  • Previous Collections:
    • Turin, Museo di Antichita: 4117
  • Publication Record: Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 150.35, 1628
    Beazley, J.D., Attic Red-figure Vase-painters, 1st ed. (Oxford, 1942): 110.24
    Blondell, R. and Ormand, K. (eds.), Ancient Sex, New Essays (Columbus, 2015): 51, FIG.1.4 (PART OF B)
    Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 179
    Corpus Vasorum Antiquorum: TORINO, MUSEO DI ANTICHITA 2, III.I.4, III.I.5, PLS.(1805,1806) 3.1-2, 4.1-3 View Whole CVA Plates
    Dover, K., Greek Homosexuality (London, 1978): R243 (A)
    Panto, G. (ed.), I modi dell'Eros. Reperti archeologici a tema erotico del Museo di Antichita di Torino (Turin, 2011): 31-32, NO.5 (COLOUR OF A, B, I AND PART)
    Reinsberg, C., Ehe, Hetärentum und Knabenliebe im antiken Griechenland (Munich, 1989): 207, FIG.116 (B)
    Robson, J., Sex and sexuality in Classical Athens (Edinburgh, 2013): 255, FIGS.12-13 (PARTS OF B)
  • AVI Web: HTTPS://WWW.AVI.UNIBAS.CH/DB/SEARCHFORM.HTML?ID=8094
  • AVI Record Number: 7809
  • CAVI Collection: TURIN 4117.
  • CAVI Lemma: RF CUP. UNATTRIBUTED{1}. LAST QUARTER SIXTH.
  • CAVI Subject: INT.: A WARRIOR RUNNING. EXT.: KOMOS: A: FOUR NUDE KOMASTS DANCING. B: IN THE CENTER, THREE NAKED YOUTHS IN AN OBSCENE ATTITUDE, BETWEEN, ON EACH SIDE, TWO DANCING YOUTHS.
  • CAVI Inscriptions: INT.: CVA, TEXT: AROUND THE WARRIOR: Hο παι̣ς, RETR., παις καλ[]. I.E.: Hο παις παις καλ[ος]{2}. A: ON A WINESKIN: CVA, PHOTO.: ALONG THE MIDDLE: NONSENSE: κλγ(γ)ο(.){3}. IN THE FIELD: Hο παις καλος. B: IN THE FIELD: Hο παις καλος. [[ADDENDA:]] C], LINE 2: Hο παις παις καλ[ος].
  • CAVI Footnotes: {1} IN THE TEXT OF ARV[2] ATTRIBUTED TO THE MANNER OF THE EPELEIOS PAINTER; IN ADDENDA 1 (P. 1628) WITHDRAWN FROM THE LIST: THE INSIDE RECALLS THE EPELEIOS PAINTER, BUT THE OUTSIDE DOES NOT. {2} UNCLEAR RENDERING. PHILIPPART READ: Hο παις καλ[ος] καλ[ος]. {3} A MOCK INSCRIPTION IMITATING KALOS; NOT RETR. CVA, TEXT HAS: καλα..
  • CAVI Comments: = INV. 3032.
  • CAVI Number: 7809
  • AVI Bibliography: PHOTOS. — ARV[2] (1963), 150/35, 1628. — F.G. LO PORTO, CVA TURIN 2, ITALY 40 (1969), III I, PLS. 3,1-2 AND 4,1-3. — ADD.[2] (1989), 179.
  • CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
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Last updated 26/07/2024 18:17:00 by Parker, Greg. Approved by Mannack, Thomas. Copyright © 2003-2026 Classical Art Research Centre, University of Oxford.

Link to this record using the address https://www.beazley.ox.ac.uk/record/02391C7B-6BEE-4C05-9480-1A6A7E77ACA6

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