Publication Record: Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 298, 1643 Beazley, J.D., Paralipomena (Oxford, 1971): 356 Birchall, A. and Corbett, P., Greek Gods and Heroes (London,1974): FIG.12 (A) Bowden, H., Mystery Cults in the Ancient World (London, 2010): 123, FIG.86 (PART OF A) Bulletin of the Walters Art Gallery: 52/53 (1994/95) 83, FIG.8 (A) Carpenter, T. and Faraone, C.A., (eds.), Masks of Dionysos (Cornell, 1993): 191, FIG.9 (A) Carpenter, T.H., Dionysian Imagery in Fifth-Century Athens (Oxford, 1997): PL.9B (A) Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 211 Corpus Vasorum Antiquorum: LONDON, BRITISH MUSEUM 3, III.IC.8, PL.(184) 19.3A-E View Whole CVA Plates Drogou, S. et al. (eds.), Kermatia Philias, timetikos tomos gia ton Ioanne Touratsoglou, Tom.A, Nomismatike, Sphragistike (Athens, 2009): 106, FIG.4 (A) Hamdorf, D., Dionysos, Bacchus, Kult und Wandlungen des Weingottes (Munich, 1986): 23, FIG.4 (PART OF A) Heinemann, A., Der Gott des Gelages. Dionysos, Satyrn und Mänaden auf attischem Trinkgeschirr des 5. Jahrhunderts v. Chr. (Berlin, 2016): 501, FIG.347 (A) Kenner, H., Das Phänomen der Verkehrten Welt (Klagenfurt, 1970): 121, FIG.34 (A) Lexicon Iconographicum Mythologiae Classicae: III, PL.312, DIONYSOS 151 (A) Lissarrague, F. et al., La Cite des Images, Religion et Societe en Grece Antique (Lausanne, 1984): 144, FIG.205 (A) Oakley, J.H. and Palagia, O. (eds.), Athenian Potters and Painters, Volume II (Oxford, 2010): 94, FIG.5 (A) Osborne, R., Classical Landscape with Figures, The Ancient Greek City and its Countryside (London, 1987): 190, FIG.66 (A) Panto, G. (ed.), I modi dell'Eros. Reperti archeologici a tema erotico del Museo di Antichita di Torino (Turin, 2011): 8, UNNUMBERED (COLOUR OF A) Paquette, D., L'Instrument de musique dans la ceramique de la grece antique (Paris, 1984): 39, FIG.A4 (PART OF B) Revue Archeologique: 1982, 205, FIG.6 (A) Thesaurus Cultus et Rituum Antiquorum: II, PL.76.290 (A) Vierneisel, K., and Kaeser, B. (eds.), Kunst der Schale, Kultur des Trinkens (Munich, 1990): 405, FIG.71.15 (PART OF A)
CAVI Lemma: RF stamnos. From Vulci. Unattributed{1}. First quarter fifth.
CAVI Subject: A: Dionysus mainomenos: dancing with pieces of a fawn. B: a satyr playing the
flutes.
CAVI Inscriptions: A: above the flutes, nonsense: νον{2}.
CAVI Footnotes: {1} Beazley: in shape, decoration and to an extent style of drawing, goes
with Great Neck, Pomeroy, ARV[2] 298/3, which is attributed to the Hephaisteion
Pianter, who is said to have some kinship with such Brygan painters as the
Dokimasia Painter. Robertson: close to Hephaistion Painter. {2} Heydemann
(1880), no. ζ, read Κομος as a satyr name, but this is rejected in Fränkel and
by K.-D.
CAVI Comments: The Brygan type of nonsense inscriptions.
CAVI Number: 4592
AVI Bibliography: C.H. Smith in BM Cat. E (1896), 268, pl. 15 (A, B, drs.). — C. Fränkel
(1912), 71 n. 1. — H.B. Walters, CVA London 3, Great Britain 4 (1927), III I c,
pl. 19,3a-b. — ARV[2] (1963), 298, 1643. — Dörig (1965), 183 [[fig. 33 (A)]]. —
Para. (1971), 356. — Add.[2] (1989), 211. — Kossatz-Deissmann (1991), 157
(Komos) [[nr.?]]. — Robertson (1992), 129.
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
