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303148, ATHENIAN, Cambridge (MA), Harvard University, Arthur M. Sackler Museum, Cambridge (MA), Harvard University, Arthur M. Sackler Museum, Cambridge (MA), Harvard University, Arthur M. Sackler Museum, 1925.30

  • Vase Number: 303148
  • Fabric: ATHENIAN
  • Technique: BLACK-FIGURE
  • Shape Name: AMPHORA, PANATHENAIC PRIZE
  • Provenance: ITALY, CAPUA
  • Date: -400 to -300
  • Inscriptions: Inscription: THEIOPHRASTOS ERCHE
    Named: OLYMPIAS
    THEOPHRASTOS
  • Attributed To: NIKOMACHOS SERIES by BEAZLEY
  • Decoration: A: ATHENA TO RIGHT BETWEEN COLUMNS SURMOUNTED BY STATUES OF ATHENA AND ZEUS, INSCRIPTION
    B: ATHLETES, YOUTHS (BOXING) BETWEEN DRAPED MEN, WOMAN (NAMED), LEANING ON POST
  • Last Recorded Collection: Cambridge (MA), Harvard University, Arthur M. Sackler Museum: 1925.30.124
  • Previous Collections:
    • Cambridge (MA), Harvard University, Arthur M. Sackler Museum: 1925.30
    • Cambridge (MA), Harvard University, Arthur M. Sackler Museum: 1925.30.124A
  • Publication Record: American Journal of Archaeology: 84 (1980), PL.7.3
    Beazley, J.D., Attic Black-Figure Vase-Painters (Oxford, 1956): 414.2 , 416
    Beazley, J.D., Paralipomena (Oxford, 1971): 178
    Bentz, M., Panathenäische Preisamphoren, Eine athenische Vasengattung und ihre Funktion vom 6.-4. Jahrhundert v. Chr. 18. Beih. zur Antiken Kunst (Basel, 1998): PLS.119-120.4081 (A, B)
    Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 108
    Childs, W., Greek Art and Aesthetics in the 4th Century B.C. (Princeton, 2018): FIG.121 (A, B)
    Corpus Vasorum Antiquorum: NEW YORK, HOPPIN AND GALLATIN COLLECTIONS, 6, PL.(6) 6.1-2 View Whole CVA Plates
    Journal of Hellenic Studies: 123 (2003) PL.7B (B)
    Lexicon Iconographicum Mythologiae Classicae: VIII, PL.227, ZEUS 190 (PART OF A)
    Moreno, P. (ed.), Lisippo, l'arte e la fortuna (1995): 89, FIG.4.11.7 (B)
    Papanastasiou, A., Relations Between Redfigured and Black-glazed Vases in Athens of the 4th Century B.C., BAR International Series 1297 (Oxford, 2004): PL.2.1 (A)
    Poliakoff, M. B., Combat Sports in the Ancient World, Competition, Violence and Culture (Yale, 1987): 116, FIG.93 (B)
    Robertson, C.M., The art of vase-painting in classical Athens (Cambridge, 1992): 286, FIGS.288-289 (A, B)
    Smith, A.C., Polis and Personification in Classical Athenian Art (Leiden, 2011): FIG.8.9 (B)
    Valavanis, P.D., Panathina i koi Amphoreis apo tin Eretria, Symvoli stin Attiki Angeiographia tou 4ou p.Ch.Al. (Athens, 1991): PLS.80-81, 82B, 83B, 84, 127G (A, B, PARTS)
    Wünsche, R. and Knauss, F.S. (eds.), Lockender Lorbeer, Sport und Spiel in der Antike, Staatliche Antikensammlungen München (Munich, 2004): 51, FIG.5.9 (B)
  • AVI Web: https://www.avi.unibas.ch/DB/searchform.html?ID=4114
  • AVI Record Number: 3904
  • LIMC ID: 794
  • LIMC Web: http://ark.dasch.swiss/ark:/72163/080e-73aec0987fef9-6
  • CAVI Collection: Harvard 1925.30.124.
  • CAVI Lemma: Panathenaic prize amphora. From Capua or vicinity. Nikomachos Series. 340/39: Theophrastos archon.
  • CAVI Subject: A: Athena to right; column figures: Athena; Zeus with Nike. B: boxers; woman watching.
  • CAVI Inscriptions: A: To right of the left column, kion.: τον Αθενεθεν αθλον. To left of the right column, kion.: Θειοφραστος ηρχε. B: to right of the woman's forehead: Ολυμπιας.
  • CAVI Comments: = 1925.30124A (so Bea. Arch. - Olympias is the spirit of Olympia. The same figure is mentioned on a painting ordered by Alcibiades from Polygnotos' brother or son, in which he was seen being crowned by Pythias and Olympias (one ref. is Athenaeus 12.47, cf. also Plut., Alc. 16). According to Robertson, the meaning of the figure is that the winner of the Panathenaea will go on to the much more prestigious Olympic festival. The column symbols have the same reference; they reappear on Louvre MN 706, which must be of the same year. - The athla inscription is Attic, the archon inscription and the name are Ionic.
  • CAVI Number: 3904
  • AVI Bibliography: BADB 3372. — Brauchitsch (1910), 57/92. — [[D.M. Robinson (1910), 425/9?]]. — J. Hoppin and A. Gallatin, CVA Hoppin & Gallatin, USA 1 (1926), pl. 6. — Smets (1936), 99/118. — Peters (1942), 147. — Beazley (1943a), 458/2. — Dev.[1] (1951), 98-99, 118, pl. 48,1-3. — ABV (1956), 414/2. — Para. (1971), 178. — Havelock (1980), 42 and n. 5, pl. 7,3. — Dev.[2] (1986), pl. 101,3-4 (A, B). — Eschbach (1986), 91/cat. 58, pl. 25,3-4 (details of A). — Add.[2] (1989), 108. — AttScr (1990), no. 838. — Robertson (1992), 237 and 285-86, figs. 288-89; cf. 290.
  • CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
  • Pleiades URI: https://pleiades.stoa.org/places/432754
  • Coordinates: 41.100278,14.221244
  • Pleiades Coordinates: 41.0860925,14.250207
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Last updated 17/01/2025 07:54:00 by Mannack, Thomas. Approved by Mannack, Thomas. Copyright © 2003-2025 Classical Art Research Centre, University of Oxford.

Link to this record using the address https://www.beazley.ox.ac.uk/record/21EEF844-6C4D-40FD-9213-FC8A68FBF184

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