Attributed To: NIKOSTHENES P by BEAZLEY PAMPHAIOS by SIGNATURE
Decoration: A: HERAKLES AND KYKNOS, WINGED FIGURES, BETWEEN CHARIOTS B: ATHLETES, BOXING, RUNNING, JUMPING WITH HALTERES, DISKOBOLOS, TRAINER I: SATYR AND MAENAD WITH SNAKE AND GRAPEVINE
Last Recorded Collection: Tarquinia, Museo Nazionale Tarquiniese: RC2066
Publication Record: Archeologia Classica: 25-6 (1973-74) PL.106.1 (PART OF A) Archäologischer Anzeiger: 1983, 476, FIG.8 (I) Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 126.23, 128 1627 Beazley, J.D., Attic Red-figure Vase-painters, 1st ed. (Oxford, 1942): 101.2 Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 45.18 Beck, F., Album of Greek Education (Sydney, 1975): PL.27.149 (B) Benndorf, O., Wiener Vorlegeblätter für archäologische Übungen (Vienna, 1888-1890/91): D, PL.5 Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 87 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 176 Corpus Vasorum Antiquorum: TARQUINIA, MUSEO NAZIONALE 1, III.I.5, PLS.(1158-1159) 6.1-2, 7.1 View Whole CVA Plates Frasca, R. (ed.), La multimedialita della comunicazione educativa in Grecia e a Roma, Scenario, Percorsi (Bari, 1996): 82, FIG.5 (B) [MISNUMBERED] Heinemann, A., Der Gott des Gelages. Dionysos, Satyrn und Mänaden auf attischem Trinkgeschirr des 5. Jahrhunderts v. Chr. (Berlin, 2016): 183, FIG.113 (I) Hoppin, A., A handbook of Attic red-figured vases signed by or attributed to the various masters of the sixth and fifth centuries B.C. (Cambridge, 1919): II, 287 Lexicon Iconographicum Mythologiae Classicae: VII, PL.330, PHOBOS 3 (A) Monumenti inediti pubblicati dall'Instituto di Corrispondenza Archeologica (Rome, 1829-91): 11, PL.24 Pfuhl, E., Malerei und Zeichnung der Griechen (Munich, 1923): FIGS.349-50 Shapiro, H.A., Personifications in Greek Art, The Representation of Abstract Concepts 600-400 BC (Zurich, 1993): 214, FIG.178 (DRAWING OF A) Zardini, F., The Myth of Herakles and Kyknos, A Study in Greek Vase-Painting and Literature (Verona, 2009): 598, FIG.151 (A)
CAVI Collection: TARQUINIA, MUSEO NAZIONALE RC 2066.
CAVI Lemma: RF CUP. FROM TARQUINIA. NIKOSTHENES PAINTER. PAMPHAIOS, POTTER. LAST QUARTER
SIXTH. 500-490 (FERRARI).
CAVI Subject: INT.: A SATYR CAPTURING A RUNNING MAENAD. A: HERACLES AND CYCNUS, BETWEEN
CHARIOTS; A WINGED FIGURE IS PERCHED ON THE HORSES OF EACH CHARIOT. B: ATHLETES:
A RUNNER; A JUMPER; A FLAUTIST; AN ACONTIST; A TRAINER; A DISCOBOLUS; BOXERS.
CAVI Inscriptions: INT.: Hο παις καλος{1}. A: [Hερ]ακλες. FROM THE ELBOW OF THE RIGHT-HAND
WINGED FIGURE TO THE EAR OF A CHARIOT HORSE: Φοβο[ς]{2}. ON THE UPPER EDGE OF
THE RESERVED FOOT PROFILE: Παν(φ)αιος εποιεσεν.
CAVI Footnotes: {1} CVA, TEXT, WITH A VERTICAL LINE INSERTED: κα|λος. {2} CVA, TEXT, HAS
ΦΟΒΟ; I HAVE ADDED THE SIGMA. PERHAPS RATHER: Φοβο[ς].
CAVI Comments: THERE IS A WINGED FIGURE OVER EACH CHARIOT; FERRARI CONSIDERS THEM KERES. ON
P. 54 N. 12, SHE DISCUSSES PREVIOUS INTERPRETATIONS: GREIFENHAGEN, GRIECHISCHE
EROTEN 34-37, THINKS THEY ARE DEIMOS AND PHOBOS, BUT FERRARI SAYS PHOBOS IS THE
NAME OF THE CHARIOTEER AS ON BERLIN 1732, ABV 110/37 [BUT THE READING IS
UNCERTAIN THERE]; SHE INTIMATES THAT THERE ARE OTHER PARALLELS. SHAPIRO ALSO
DISAGREES WITH GREIFENHAGEN; HE GIVES PHOBOS TO THE (BEARDED) CHARIOTEER OF
CYCNUS; THE (YOUNG) CHARIOTEER OF HERACLES MUST BE IOLAUS. THE PHI IN THE
SIGNATURE HAS A DIAGONAL HASTA.
CAVI Number: 7635
AVI Bibliography: G. JACOPI, CVA TARQUINIA 1, ITALY 25 (1954), III I, PLS. 6,1-2 AND 7,1 (MUCH
BIBL.). — GREIFENHAGEN (1957A), 34. — ARV[2] (1963), 126/23, 1627. — IMMERWAHR
(1984), 344 N. 20, 350/32. — FERRARI (1988), 49/10, PLS. 18-20, FACSS. OF
INSCRIPTIONS, P. 50 (VAST BIBL.). — ADD.[2] (1989), 176. — SHAPIRO (1993),
262/139, 214, AND FIG. 178 (A?).
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
